? The formation and development of Bashu culture is directly related to Bashan and Shushui. For Bashu people, because they are located in the Sichuan Basin with Chengdu Plain as the center, the climate is humid, the products are rich, and the social life is relatively stable. Naturally, people tend to be content with wealth, heavy soil and hard to move, far from the political center, forming the so-called "basin consciousness", which is easy to produce strong exclusiveness and lack of openness. However, it is precisely because of the closed basin environment of Bashu four blockades that Bashu people are encouraged and trained to rush out of the basin and be open and compatible.
? Sima Xiangru, Yang Xiong in the Western Han Dynasty and Li Bai in the Tang Dynasty can see that Bashu culture is "open in the middle, open in the middle" in their writings and works. And with the passage of time, the open and compatible "collective cultural character" has become the biggest feature of Bashu people.
? Sima Xiangru, a native of Chengdu, Shu County, was born in the first year of Emperor Wen of Han Dynasty (BC 179) and died in the sixth year of the founding of Emperor Wu of Han Dynasty (BC 1 17). When he was young, he was sent to Beijing by Wen Weng to study the Five Classics and left Bashu. Sima Xiangru made friends with Liu Wu in Liang Xiaowang and got to know Mei Cheng, a famous poet, which laid the foundation for his later creation of famous poems such as Zi Xu and Shang Lin. By the time of Emperor Wu of the Han Dynasty, his Zi Xufu made Emperor Wu sigh that he wanted to be contemporary with this author, thus achieving a major turning point in his life and even establishing his important position in the literary history of the Han Dynasty. The development of Sima Xiangru's literary career shows that Bashu people are good at learning, absorbing and broadening their horizons. After leaving the enclosed basin environment of Sibao, they show great openness and compatibility.
? He's Fu creation is the result of absorbing the art of Southern Chu Ci in the opening. For example, the magnificent imagination, gorgeous rhetoric and grandeur in his fu all have the characteristics of the art of Chu Ci represented by Li Sao. There is a saying in Song Hong Mai's Rong Zhai Shi Hua: "Since Qu Yuan's Ci Fu was a question and answer between a fisherman and Japan, later generations of writers learned to imitate it. Sima Xiangru Zixu, Shanglin Fuzixu and Mr. Wu died for the public; Changyang Fu written by Changjiang Yun is based on the structural application of Master Hanlin and his son Mo Keqing. Liu Xie commented on Xiang Ru Fu: "Li Sao is a masterpiece, with a long shape and an indescribable appearance, so it is important and appropriate." "So the combination of' cragginess' and the like is the group product of' cockroaches'. And the people of Changqing, full of deceit, full of water, will file their words. The so-called poet is beautiful and promises, and his words are gorgeous and complicated. " This is the compatibility of language use.
? Sima Xiangru, Yang Xiong and others can also remember the responsibility of criticizing the shortcomings and the significance of satirizing and admonishing in the midst of praise. For example, the hunting scene of the Emperor in Shanglin Fu and the irony at the end of the article are that Sima Xiangru does not forget to criticize; In the Preface to Feather Hunting, there is a meaning of "Yao and Shun are the three masters of the king". I am also afraid that people will be better before and after the restoration and will not compromise on the spring platform. Therefore, they will talk about school hunting and give it wind. "Is Yang Xiong don't forget irony. This is also a new creation of Bashu people in the open space outside the closed space.
? Bashu has rich and dangerous special natural conditions, dangerous terrain and developed economy. "Preface to Huayang National Records" says: "The western soil is dangerous and solid, and the inner belt is easy to defend. The world chaos will be violated first, and the road will be taken after governance. If you flee, you will take it, and treacherous people will covet it. " There is also "the world is chaotic before chaos, and the world has been ruled by Shu." The saying that "it is impossible to use troops in Shu, but it is easy to move but difficult to settle down". The closed geographical environment of Bashu has cultivated the arrogant, rebellious and aggressive character of Bashu people. Sima Xiangru "often avoids things by illness" and is not very close to Emperor Wu of the Han Dynasty in court. Yang Xiong "doesn't care about wealth, doesn't care about poverty" and doesn't go along with those in power; Li Bai's "Go out laughing, we are Artemisia people" is informal, not afraid of powerful people, and bold and rebellious.
? Li Bai's character of being informal, not afraid of powerful people and being bold and rebellious can be said to be formed in the "closed" environment of Bashu. But as Guo Moruo wrote in Li Bai and Du Fu, "Li Bai's thoughts are basically a mixture of Confucianism, Buddhism and Taoism". This is because he lived in a compound and mixed Bashu cultural atmosphere since he was a child. Therefore, Li Bai can absorb the strengths of various schools, broaden his mind and horizons, emancipate his mind and make brilliant achievements in poetry creation. In addition, Li Bai's brilliant achievements in poetry creation are also due to the compatibility of Bashu culture.
? "Li Bai wears a sword to serve the country, leaving his relatives to travel far." He went to the sea in the east, the blue sky in the south, the Youyan in the north and the Longyou in the west. The famous mountains and rivers of the motherland have left Li Bai's footprints. Extensive contact with China regional culture: Chu culture and Wu Yue culture in the south, Qilu culture, Yanle culture and Sanqin culture in the north. "One of the most striking features of Li Bai's poems is that they are full of romance, and his imagination is strange and exaggerated. This is because he once lived in the heart of Chu culture and wasted ten years. After Li Bai left Chu, he settled in Shandong Cultural District for a long time, which was guided by Confucianism, attached importance to tradition, ethics, simplicity, pragmatism and enterprising, thus realizing his idea of actively joining the WTO.
? "Li Bai was influenced by regional culture first, then, deeply and shallowly, twice, but the most influential is Bashu culture." Because of the "closed" nature of Bashu culture, he is informal, not afraid of powerful people, bold and unruly, and bold and rebellious; Because of the "openness" of Bashu culture, he is romantic and positive.
? Both Sima Xiangru and Yang Xiong in the Western Han Dynasty and Li Bai in the Tang Dynasty were influenced by the characteristics of Bashu culture, such as "opening in the closed, closing in the open", from which we can see that the "collective cultural character" of Bashu people has been formed.