What is the poetry of hiking?

Question 1: the significance of poetic sitting and walking in the mountains 1, interpretation

A winding path winds to the top of the mountain, and there are several places where white clouds float.

Stop and enjoy the scenery of this maple forest. The fiery maple leaves are redder than the flowers in February in Jiangnan.

2. Original text

Xing Shan Dumu

In the distance, there are cold mountains, oblique stone paths and people in the depths of white clouds.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

Step 3 take notes

Hiking: Walking in the mountains.

Far away: climb into the distance.

Hanshan: A mountain in late autumn.

Stone road: A stone road.

Oblique: This word is pronounced Xi×, which means oblique.

Shen: Another version is Sheng. ("deep" can be understood as being in the depths of the cloud; "Life" can be understood as the place where white clouds form)

Car: sedan chair.

Sit: Because.

Frost leaves: Maple leaves turn red after frost in late autumn.

Night in Maple Grove: Maple Grove in the evening.

In this paper, frost leaves are redder than February flowers.

4. Introduction to the author

Du Mu (803-853) was a poet in the Tang Dynasty. Mu Zhi was born in Jingzhao Wannian (now Xi, Shaanxi), and his grandfather Du You was a famous prime minister and scholar in the middle Tang Dynasty. In 828 A.D. (the second year of Daiwa), he won a scholar and was awarded the title of library librarian. He worked as a staff member in other places for many years, then as a censor, a secretariat of Huangzhou, a secretariat of Chizhou and a secretariat of Zhou Mu, and later as a foreign minister of Sixun. I think I have the talent to help the world. Most of these poems quote Chen's works. A lyric poem about the scenery is so beautiful and vivid. Known for its seven-character quatrains, it has a particularly broad realm and a particularly deep sense of history. For example, Red Cliff, Tiaojiang Pavilion, Guo Huaqing Palace, Bo Qinhuai, Tomb-Sweeping Day, Jiangnanchun Jueju and Xing Shan are all masterpieces that have been handed down to this day. People call it Xiao Du, and Li Shangyin is collectively called Du Xiaoli, which is different from Li Bai and Du Fu. There are twenty volumes in the Collected Works of Fan Chuan handed down from ancient times, and eight volumes of his poems are included in The Complete Poems of Tang Dynasty.

Question 2: the meaning of the poem "hiking";

Along the winding path up the mountain, deep in the white clouds, there are people. I stopped the car because I like the late autumn scenery in Fenglin. Maple leaves dyed with autumn frost are more colorful than spring flowers in February.

Through the maple leaves, the whole poem writes the warm breath of late autumn.

Travel in the mountains

Du Mu

In the distance, there are cold mountains, oblique stone paths and people in the depths of white clouds.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

[Remarks]:

Path: path.

Deep in white clouds: refers to the depths of mountains.

Sit: Because.

Frost leaf: A maple leaf that has been frosted.

Question 3: What does the ancient poem "Mountain Walk" mean?

Seven wonders? Don? Du Mu

The stone road winds to the cliff in the distance.

Where there are some white clouds, you can see some households.

I stopped the carriage and was fascinated by Fenglin.

The frosty autumn leaves are redder than the flowers in February.

Precautions:

1. Mountain Travel: Walking in the mountains.

2. Hanshan: refers to the mountain in late autumn.

3. Path: Path.

4. Bai Yunsheng: a place surrounded by white clouds.

Stop. Sit: Because; Due to.

Appreciation: Through the poet's emotional tendency, the poem depicts a warm and gorgeous autumn picture of a mountain forest with maple forest as the main scene. Far up the Qiushan Stone Trail, first of all, give readers a farsighted view. At the top of the mountain road is a place full of white clouds. The road is made by people, so white clouds are not illusory, and Hanshan is full of vitality. It is natural to say that there are people in Bai Yunsheng. However, this is only to prepare for the last two sentences. Then the poet clearly told the readers that it was so late that I stopped in front of the mountain just because the mountain was in full swing and more beautiful than the maple leaves of spring flowers. Compared with the white clouds in the distance and people who are not necessarily visible, Fenglin is full of pure beauty and vitality of life.

[Analysis] This is a poem that describes and praises the scenery of mountains and forests in late autumn.

The first sentence "The stone path is inclined to the distant cold mountain", from bottom to top, write a stone path winding to the autumn scenery of the mountains. The word "cold" points to the late autumn season; The word "far" describes the length of the mountain road; The word "oblique" takes care of the word "far" at the beginning of the sentence and writes a high and slow mountain. Because the slope is not big, you can travel by car.

The second sentence "There are people in Bai Yunsheng" describes the distant scenery that the poet saw when he was hiking in the mountains. The word "sheng" vividly shows the dynamics of white clouds rising, curving and floating, and also shows that the mountain is very high. The word "someone" will remind people of the smoke curling up in the kitchen, the cock crowing and the dog barking, making them feel that the mountains are full of vitality and there is no dead terror. The word "home" also takes care of the "stone path" in the previous sentence, because this "stone path" is the passage for residents in the mountains.

The word "sit" in the third sentence "Stop in the Maple Grove and Sit Late" is interpreted as "because" because the sunset in the Maple Grove is so charming, the poet deliberately stopped to watch. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because we stop for a long time and observe carefully, we can appreciate the interesting epigram of the fourth sentence "Frost leaves are red in February flowers".

"Frost leaves are redder than February flowers" is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use "Yu Hong" instead of "Hong Ru"? Because "red as" is like spring flowers, it is nothing more than decorating natural beauty; And "Red in" can't be compared with spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.

This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.

This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.

"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain.

Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone road" in the previous sentence-this mountain road is the passage for those families to go up and down, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?

The poet is only describing these scenery objectively. Although the word "cold" is used, it is also ... >>

Question 4: What is the significance of hiking? translate

The stone path at the top of the mountain is crooked and oblique, and there are several families in the white clouds. I stopped the carriage only because I like the night view of Fenglin. Frosted maple leaves are better than bright February flowers.

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Xiang Si? Travel in the mountains

original text

There are also people in the green forest, and a canal has several tributaries. In the afternoon, the mountain returned to the peak shadow, and the grass was covered with mud marks on the deer. Steam tea out of the hut and listen to the sound of silk through the bamboo fence. Every time I come back from selling medicine, I will not hesitate to go to Daoyun.

Make an appreciative comment

Xiang Si has lived in the wild for a long time, and is very familiar with the scenery in Shan Ye. This song "Hiking" is about the wild interest in mountain villages. Thanks to the poet's careful observation and profound experience, this poem is fresh, delicate, appropriate and realistic. It is fascinating to read. "There are also people in the green forest, and they are a little bit." Start to show the beautiful scenery in the mountains-there are scenery, people and villages. The words "one" and "one" are very vivid. The word "Yi" means that although it has grown into a deep forest, it is not uninhabited, but "occupied". There must be a village for some people, but the poet did not directly say "there is also a village", but said that a stream was shared by several families, which made his speech extraordinary. Here, a forest, a stream, several families and a beautiful mountain village map are all made by fourteen big calligraphy and painting. The second couplet is more detailed. The poet chose two ordinary things, "noon on the mountain" and "grass with mud marks" by stippling, and wrote a very unusual poetic picture. At first glance, Noon on the Mountain seems unremarkable, but once it is rendered by Shadow of the Peak, the flowing water, the reflection of Qifeng and the swaying beauty immediately appear in front of you. Similarly, "grass with mud marks" is also very common, but once it is rendered as "crossing the field", it immediately reflects the gratifying scene of deer running wildly and hooves falling behind the grass. "Dot dyeing" is originally a technique of Chinese painting. It is dyed bit by bit, with different shades, distances and shades, and the scene on paper is more vivid. The wonderful use of "stippling" in poetry also has the same effect. It sees strangeness in the ordinary, and strangeness comes from the ordinary. The two are mutually causal and complementary. Imagine, of course, saying "Mountain Morning" and "Mud Trace Grass" is boring, even if it is just "Back to the Peak Shadow" and "Crossing the Deer". Only when the word "dot" is used before the word "dot", and then the word "dye" and the word "dot" are used together, then the two pictures in this couplet suddenly show readers a dynamic realm of beauty. In the third part, the poet accurately captured the most distinctive thing in the mountain village in late spring-baking tea and pulling out cocoons, which opened up the artistic conception of the poem. Cleverly, the poet did not directly tell how the farmers in the mountain village were busy picking tea, distributing tea, frying tea to cook cocoons, returning pupae and spinning silk, but only said that they smelled the fragrance of steamed tea in the smoke rising from the hut. Through the bamboo fence, I heard the voice of reeling, so that readers can enjoy the harvest of farming themselves. Here, the artistic conception created by the poet makes readers feel more cordial through synaesthesia. According to the poetic development, it seems that the tail couplet should write the poet into the mountain village. But otherwise, "whoever sells medicine will not hesitate to follow him into the island cloud." The poet walked and met the old man who came back from selling medicinal materials. He and the old medicine farmer walked into the misty mountain island cloud together. This collection of pens is meaningful and the essence of poetry. Why didn't the poet devote himself to the steaming mountain village where he made silk for tea, but hid in the empty Yunshan? The word "casually" vaguely revealed his difficulties. Xiang Si was born in the troubled times at the end of the Tang Dynasty. He felt incompetent and ambitious. In another poem, he wrote: "It's no use giving gifts, and you are not ashamed to return them when you have gone home" ("Returning to the Mountain"). The "return without shame" mentioned here also shows the poet's state of mind of refusing his official career and being willing to live in seclusion in the mountains. "I don't hesitate to follow the island cloud", such as the last sentence seems to be closed but not closed, and the aftertaste still exists. The characteristics of this poem are ingenious conception, changeable shape, sightseeing and clearly writing the author's experience inside and outside the village. Write scenery, beautiful scenery; Lyric and meaningful; Creating a profound realm is really a masterpiece.

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Mountain travel? Ye Yin (modern poet)

Qingshan doesn't know my last name, and I don't know Qingshan's name. Flying to Bai Niao seems to get to know each other. It makes me feel familiar with these mountains.

translate

Qingshan doesn't know who I am, and I don't know the name of Qingshan. Bai Niao flew by deja vu, and she called me and the mountain. ...& gt& gt