China Question —— When does China's poetry appreciation "turn intangible into tangible"? When do you use "movement" to give some examples?

"Turning intangible into tangible" should be the so-called "virtual reality".

Artistic techniques often mentioned in poetry appreciation include expressive techniques and expressive skills. Among them, the means of expression are narration, description, discussion and lyricism.

"Virtual reality" and "movement" belong to description methods.

Including rendering, line drawing, meticulous painting, layout, action, realism and so on.

1, dynamic and static

A combination of static and dynamic? (Description of dynamic or relatively static people, events and scenes)

When the moon is dark and windy, the fishing lamp is high, and the firefly is lonely. Slight wind and waves, scattered like river stars. (Check Shen Xing's Night Book Seen on the Ship)

The whole poem depicts the scenery the poet saw on the boat at night in a simple way. The first two sentences are static and the last two sentences are dynamic. )

To fight static electricity? (It is a contrast technique, that is, through the description, rendering and contrast of the dynamic, it shows the static, that is, it shows the dynamic in the dynamic description. )

People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream. The scenery (falling flowers, the moon rising, birds singing, etc.) written in Wang Wei's "Bird Singing Stream" are all moving scenes, and through these moving scenes, the tranquility of the spring stream is even more prominent. "Tonamiyama is more secluded", the quieter it is. Here bread contains dialectics. )

2. Virtual reality? Fact writing refers to a direct and positive narrative and description of people or things. Fictional writing refers to narrative and description with marginal notes or contrast. The combination of reality and fiction, that is, the two techniques are used simultaneously in narrative and description. )

A emptiness in poetry means that you can't see or touch it intuitively, but you can feel the ethereal images and ethereal realms between the lines. Specifically, it includes the following three categories:

A poet of fairy, ghost, world and dream often uses these nihilistic realms to contrast reality, that is, to express reality with virtual images. Climb Mount Tianmu like a dream: Today, the moon shines on the gold and silver platform. Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one. With the tiger as the harp and the phoenix as the dancer, the images of fairies are arranged in rows.

Land of the dead. What the author has experienced or happened at the historical level is out of sight. For example, Su Shi's "Niannujiao Red Cliff Nostalgia" reminds me of that year in Gong Jin, when Xiao Qiao got married for the first time, and he was dashing and had a black scarf. When talking and laughing, it's all gone

Imagine the future. It hasn't happened yet, and the relationship will continue into the future. For example, where will Liu Yong's Rain Bell wake up tonight? Fear is just the edge, facing the sad morning wind and the setting sun of the waning moon. This is the scene after departure: a boat leaves the shore, and the poet wakes up from his dream, only to see a breeze blowing gently and a crescent moon hanging from the willow tip.

Reality in poetry? It refers to the real images, facts and reality existing in the objective world. For example, Liu Yong's "Yulin Order" is chilly, sad and moving, and it's late in Changting, and the shower begins to rest. This is a real parting scene.

Link? Virtual and real? (refers to the interconnection, mutual penetration and mutual transformation between fiction and fact, in order to achieve the realm of virtual reality. )

Function: It greatly enriches the imagination in poetry, opens up the artistic conception of poetry, provides readers with a broad aesthetic space and enriches people's aesthetic taste.

A forms a strong contrast and highlights the center.

For example, in Jiang Kui's "Yangzhou Slow", the fictional scene "Ten Miles Over the Spring Breeze" describes the bustling scene of the ten-mile long street in Yangzhou in the past, while the real scene is "All the wheat grains are green", which describes the bleak scene that the poet saw today. This contrast between virtual scene and real scene reflects the poet's ups and downs in ancient and modern times.

B bring out the best in each other and render contrast.

For example, Ouyang Xiu's "Walking on the Sand", "Plum blossoms are waiting in the pavilion, willows are sparse on the stream bridge, and the grass is warm and swaying." The real scene is the first two sentences. Write down what you see. Virtual scene is the last sentence, which is about people walking on the road in the distance. ?