Until the two rulers of this area forced their way through in the foggy age!
Forty-eight thousand years have passed. Don't talk to Qin Sai.
And Dabaishan, to the west, still has only one bird path, all the way to the peak of Emei.
Once it was broken by an earthquake, some brave people lost it, and then the ladder stone pile was hooked.
On the high flag, six dragons drive the sun, and far below, the river lashes its twisted channel.
Such a height is difficult for a yellow crane, poor monkey, they only have claws to use.
The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound.
Panting, we passed Orion, passed Jingxing, and then fell to the ground with our arms folded and groaned.
Extended data:
Shu Dao Nan is the masterpiece of Li Bai, a great poet in China in the Tang Dynasty. This poem imitates the theme of the old Yuefu, develops rich imagination in a romantic way, and artistically reproduces the spectacular, abrupt, tough, rugged Sichuan road and the incomparable majestic momentum, thus praising the magnificent scenery of Sichuan mountains and rivers, showing the magnificent mountains and rivers of the motherland, and fully expressing the poet's romantic temperament and love for nature. The whole poem is 294 words, mixed with prose, with uneven sentences, bold and free and easy, strong feelings and sighing songs. There are many hidden pictures in the poem, whether it is the height of mountains and the urgency of water, the improvement of rivers and mountains, the desolation of trees and the precipitousness of climbing mountains and cliffs, all of which are magnificent, magnificent and broad, which embodies the artistic characteristics and creative personality of Li Bai's poems. Shen Deqian, a poetry critic in the Qing Dynasty, commented on this poem: "The strokes are vertical and horizontal, such as flying, and the fingers are like thunder."