1. plays a synergistic role in the sentence, and * * * points to a specific meaning.
For example:
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
Turquoise is a thing in the mountains, and all conversations are about mountain scenery, pointing to the same meaning-tranquility.
Flying stars cross the water, and the moon sets in the sand.
Water and sand are both things in the river, and both sentences are written about river scenery, pointing to the same meaning-emptiness.
Some antitheses write the same scene, but they have different meanings. Such couplets are what the ancients called "simple and tasteless", such as:
The stone blocks the balcony side, and the smoke is deep and the vegetation floats.
Although they are all scenes seen by Tiger Hill, the dialogue is fragmented and does not have the same meaning as * * *, so it is criticized as "portrayed and tasteless".
This requires special attention. A student of Souyun Five Laws Training Camp gave me this joint assignment:
Hanging on the wall is heavy, wrapped in silk and round.
He wrote about the bumper harvest in his hometown, and the walls were covered with corn. Although this couplet also has the problem of wording and sentence making, the bigger problem is that it is "portrayed without taste":
Although the antithesis sentence is depicting a picture, the problem is that there is no * * * with the same meaning. The sentence "hanging on the wall is heavy" can mean the joy of harvesting. What can be highlighted in the sentence "winding silk wood"? Nothing can stand out, although it depicts a picture, but because there is no coordination in the sentence, it cannot point to the same meaning, and it cannot be established in the poem.
The antithesis of sentences is opposite to each other, which has a depressing effect.
This is the most common situation when we talk about confrontation, that is, one is big and one is small, one is far and one is near, one is high and one is low. This contrast has a depressing or complicated effect. For example:
Wanli called Diao Dou, and the three armies came out of the well. (one big and one small)
Diao Dou and the three armed forces are related to the military. A lot of words highlight the prosperity of military power.
Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang. (One is far and the other is near)
Air and waves are both part of the lake view. The two sentences from far to near highlight the magnificence of Dongting Lake.
The flowing pond is full of spring water, and the sunset in the house is late. (one low and one high)
Ponds and docks are all landscapes in the garden. Two sentences, one low and one high, highlight the softness of spring.
Although antonyms of sentences are mutually seen, they still need to point to the same specific meaning when combined.
3. The opposite is career or causality.
This connection is actually the case of some running water pairs, such as:
Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people.
Poetry is invincible because it doesn't think collectively. The last sentence is the result, and the next sentence is the reason.
The wild path is dark, and the river is bright.
Because the clouds are dark, I feel that the fire is getting brighter and brighter. The last sentence is the cause, and the next sentence is the result.
It's a little warm to come back, so it's a green ghost.
Just follow the order of things: when it's warm, I'll go to the mountains to dig poria cocos for you.
After today's events, infernal affairs are temporary.
This is a flashback couplet, which has been handed down now. It's very thrilling in hell.
To sum up, there are three prerequisites for writing a good poem:
First, we should pay attention to the collection of classified vocabulary, which is the foundation of the foundation;
Second, we should know enough sentence patterns and arrange centripetal phrases flexibly;
Third, in order to know the purpose of writing, what kind of content to write, and what kind of meaning this couplet should present, we can't cram it all by part of speech after writing a sentence.