[Brief analysis]
This is a famous frontier fortress poem, which shows that the poet hopes to be a good general, quell the frontier fortress war as soon as possible and let the people live a stable life.
The poet starts with the scenery, and the first sentence outlines a desolate scene of Leng Yue's filming the border crossing. "The Moon of Qin Dynasty was broken in Han Dynasty" cannot be understood as the Moon of Qin Dynasty was broken in Han Dynasty. Here, Qin, Han, Guan and Yue are used alternately, which is called intertextuality in rhetoric, meaning bright moon in Qin and Han dynasties and Guan in Qin and Han dynasties. The poet hinted that the war here has never stopped since Qin and Han dynasties, highlighting the long time. The second sentence "The Long March has not yet returned" and "Wan Li" mean that the frontier fortress and the mainland are far from Wan Li. Although it is empty, it highlights the vastness of space. The Return of Man reminds people of the disaster brought by the war and expresses the poet's grief and indignation.
How can we get rid of people's difficulties? The poet pinned his hopes on a brilliant general. "But make Longcheng fly, and don't teach Huma to cross the Yinshan Mountain." As long as Li Guang, the flying general guarding Liuzhou, is still alive, he won't let the Hu people's cavalry cross the Yinshan Mountain. "Dragon City Flying General Army" refers to Li Guang, a famous soldier who was guarding Lulong City by Emperor Wu of the Han Dynasty. He was brave and good at fighting, and defeated Xiongnu many times. "Don't teach" is not allowed, and the word "teach" is pronounced flat; "Huma" here refers to the cavalry invaded by foreign countries. "crossing Yinshan", crossing Yinshan. Yinshan Mountain is a big mountain range in the east-west direction in the north, and it is the natural barrier of the northern border defense in Han Dynasty. The last two sentences are written implicitly and skillfully, which makes people draw the necessary conclusions by comparing the past.
This poem is called the masterpiece of the Tang Dynasty. Tragic but not sad, generous but not shallow, Wang's poem "Out of the Fortress" is two, and this poem is the first.
2. Su Shi's "Red Cliff Nostalgia"
The river of no return, a romantic figure with a long history. To the west of the old base, the humanities are Zhou Lang in the Three Kingdoms.
Chibi. The steep rock wall, like thunder waves lapping against the river bank, waves like rolling up thousands of snow. The majestic rivers and mountains are picturesque, and many heroes emerge at once.
Looking back on Zhou Yu's spring breeze era, young and beautiful Joe just married him, and he was full of heroic spirit. Feather fan and black silk scarf talking and laughing.
Go up in smoke. I am wandering in the battlefield today. I feel a feeling heart and give birth to white hair prematurely. Life is like a dream, sprinkle a glass of wine to pay tribute to the bright moon on the river.
3. Xin Qiji's "Fishing Music?" Jingkou Gubeiting Nostalgia "
Throughout the ages,
Heroes are not to be found,
Sun Zhongmou.
Dance pavilions and singing platforms,
Love is always,
The rain blew away.
Sunset grass tree,
Ordinary driveway,
Humans send slaves to life.
Looking back,
Kingoma iron,
Swallow Wan Li like a tiger.
Yuan jiacao,
The wolf lives in Xu,
Win a hasty retreat.
For 43 years,
Look at it, remember it,
Yangzhou Road, Huo Feng. can
Looking back,
Under the Buddhist temple,
Drum of the crow club!
Who told you to ask,
Lian Po is old,
Can I still eat?
4. Jia Sheng by Li Shangyin
Xuan Shi asked for a virtuous visit,
Jia is even more incoherent.
The poor seat was empty before midnight,
Don't ask people, ask ghosts and gods!
By reciting Jia Yi's story, this poem pointedly points out that it is impossible for rulers to really attach importance to talents and let them play their due role in politics. Emperor Wendi said that there is a wise monarch, but even so, other monarchs are naturally not to mention. Through Jia Yi's typical example, Li Shangyin expressed the sigh that talents could not be reused since ancient times and the feeling of being stranded. The first two sentences of the writer describe Jia Yi as a talented person, who wants to suppress the old and promote the new, making people think that there must be consultation for the national economy and people's livelihood, but the third and fourth sentences turn to reveal the fact that the writer "asks ghosts and gods". Satire is extremely profound, and it is sung with sighs, especially for the enduring feeling.