Reed flowers grow old with me everywhere. Who will fly next to the swallows in my hometown? From now on, I will leave Jiangnan Road and become a crow with blood. [Note] ① This poem was written by Tian Wenxiang when he was escorted from Guangzhou to Yanjing and passed by Jinling.
2 Going out of the palace: the residence of the emperor when he was on patrol, referring to the Southern Song Dynasty. 1/ One of the mistakes in understanding this poem is (2 points) (c) A. The first couplet uses the "movement" of the sunset to set off the poet's long gaze and long meditation, highlighting the poet's infinite sadness and regret.
B. The great contrast between "Yuan Tong" and "Half Fei" reveals the profound disaster brought by the war to the people and shows that the poet is concerned about the rise and fall of the world and the sufferings of the people. C. The use of metaphors in ties gives people a sad feeling: the poet is crying, Jinling is crying, the reeds on the ground are falling like "I", and the swallows have nowhere to live in the old days.
D. The couplet is similar to "Who has not died since ancient times, and the heart of a child shines in history" in Guo Yang, which expresses the heroic spirit of the poet who regards death as death and serves the country with death. 2. The poem "Who flies next to the old swallow" is the poem "Wuyi Xiang" written by Liu Yuxi, "The old Wang Xietang died and flew into the homes of ordinary people".
(1) 3. Please analyze in detail what thoughts and feelings the author expressed through the description of scenery and the use of allusions. A: The author's lonely and melancholy thoughts and feelings are expressed through scenes that have lost color, such as leaving the palace, twilight and lonely clouds. Through the allusion of "Swallow in my hometown", the author expresses his sadness about the changes of the world. Through the allusion of "cuckoo cries blood", the author expresses his sincerity to the motherland. (3 points) (4) What kind of reality does the image in the first couplet of this poem depict? A: The first couplet depicts a desolate sunset glow, which is full of decaying grass and scattered with lonely clouds, through images such as "rotten grass", "leaving the palace", "sunset glow" and "lonely clouds", implying the cruel reality that the Southern Song Dynasty was devastated, desolate and the poet was helpless.
(5) The poems written by Wen Tianxiang after the death of the Song Dynasty are tragic and generous and famous in Changhong. Please analyze this poem briefly.
A: This poem touches the scene, contains feelings in the scene, skillfully uses allusions, interweaves one's own personal feelings, the rise and fall of Jinling in previous dynasties and the sighs of predecessors, and expresses one's deep and complicated inner feelings. It is gentle and subtle but incisive, soft outside and firm inside, and profound and tragic. In particular, the allusion of "cuckoo crying blood" expresses the author's sincerity to the motherland, which is a poem written with blood and life.
6. What did the poet see? Please describe it briefly with the poem. (5 points) A: The poet saw the desolation and decline of Jinling City after the war.
The palace is dilapidated, the grass is growing, and the sun is setting; Lonely clouds drift by; Reed flowers everywhere, swallows lose their nests. (2 points for summarizing the scene and 3 points for briefly describing the scene) 7. This poem describes the poet's pain of national subjugation in many ways. Please select two brief analyses.
(6 points) A:. ① Emotion lies in the scenery, and emotion is expressed by the scenery. For example, in the first sentence, the author's pain about the decline of the country and his sadness about helplessness are conveyed through scenes such as broken palaces, the separation of weeds, the sunset and the floating of lonely clouds.
② Use allusions. This poem is full of allusions.
For example, Liu Yuxi's poem "Swallow in My Hometown" and "Lao Wang Xie Tang flies into the homes of ordinary people" tells the vicissitudes of the country's great changes and the sadness of parting. Another example is The Cuckoo Crys for Blood, which expresses the author's heroism and national integrity.
(3) Contrast, such as antithesis, contrasts the tragic situation of ruined cities and people's displacement after the war with the same landscape, and strongly expresses the heavy feelings of "Although the country is broken, the mountains and rivers will last forever". (3 points for analyzing a technology) 8. Which sentence in the poem is "narrative" and what kind of "ambition" does the author express? (2 points) A: The last sentence.
(1 point, other answers are not scored) expresses the author's lofty integrity of never bending his knees to survive. Even if he dies, he will turn a loyal soul into a cuckoo. (1, meaning right) 9. This poem uses many methods to write the sadness of national subjugation. Try to name one and make a brief analysis.
(4 points) A: (1) Allusions. This poem mainly uses allusions to euphemistically and profoundly express the author's hatred of national subjugation. The whole poem is gloomy and triumphant, which fully embodies the patriotic spirit of the poet.
In Shi Shuo Xin Yu, "the scenery of mountains and rivers remains unchanged" is translated into Wang Dao's words "the scenery is different, the mountains and rivers are different", and Ding's sentence "The city has returned for thousands of years, and the city is still the fault of the people" is translated into "Although the country is broken, the mountains and rivers endure deep sorrow". The word "Lu Hua" implicitly borrows Liu Yuxi's thoughts of "the old days of Xipaotai Mountain" and "the old fort was full of ruins and autumn reeds", implying the hatred of national subjugation.
In Liu Yuxi's place, this was the ancient time of Dongwu, which gave birth to the Three Kingdoms, but in Wen Tianxiang's place, it was about today's sadness, and his sadness was much deeper. The phrase "Swallow in the Old Home" is based on the allusion of "Swallow in front of Lao Wang Xie Tang flies into the homes of ordinary people" in Liu Yuxi's Wuyi Xiang.
(2) Contrast methods, such as couplets, describe the sadness that mountains and rivers are "the same" and people are "half-non" through the contrast between things and people, and strongly express the deep feeling that "although the country is divided, mountains and rivers will last forever". (3) Entrust feelings in the scene and blend the scenes.
For example, the palace gradually disappears in the grass of the sunset, and the productivity of national subjugation is in this silent picture. (4) ask questions.
The neck couplet said that he was old and the country was ruined. I don't know whose new owner the swallow under the eaves will be, which deeply expresses the pain of his family's national subjugation. Two: reading training 1. The first sentence describes the scene of the old palace _ _ _ _ _, and the "lone cloud" in the second sentence is a metaphor for the situation of _ _ _ _ _ _ _.
2. Zhuan Xu used _ _ _ _ to express _ _ _. 3. Write _ _ _ _ _ _ _ in the fifth sentence and _ _ _ _ _ _ in the sixth sentence.
4. The last sentence expresses the determination of _ _ _ _ _ _ with the legend of cuckoo crowing all night. The reference answer is 1. The grass has withered and the sun is setting, and the poet himself is wandering like a lonely cloud. Compared with mountains and rivers, personnel can't be mentioned in the same breath. Lu Hua annexed this country by itself. After I die, I will become a crying cuckoo and fly back to Jiangnan. 3. [Note] ① This poem was given to Yuan in the second year of Xiang Xing (1279) after Wen Tianxiang was captured.
2. What is the image depicted in Wen Tianxiang's Jinling Post? Two Jinling posts (1) Wen Tianxiang grass leaves the palace and turns into the morning glow, and the lonely clouds gradually drift away. The mountains and rivers are the same, but the people in the city are different.
Reed flowers grow old with me everywhere. Who will fly next to the swallows in my hometown? From now on, I will leave Jiangnan Road and become a crow with blood. Note: Jinling: Nanjing, Jiangsu Province today.
Post station: an ancient official transport post station, where people who deliver official documents and officials who come and go rest. Grass: The grass is full.
Going out of the palace: that is, going to the palace, where the emperor lived when he was on patrol. Swallow in my hometown: Liu Yuxi's Wuyi Lane is quoted as saying: "The old king thanked the hall and flew into the homes of ordinary people."
Don't: leave Grass leaves the palace and turns into sunset glow: where does the solitary cloud float in the palace full of weeds in the sunset? Where is your home? The scenery of mountains and rivers is the same: the great rivers and mountains of the motherland are the same as the original. The people on the wall are different, but the people have become subjects of the Yuan Dynasty. The reeds everywhere are as old as me, and the swallows in my hometown are flying beside me: the people are not well off, and the country is not well off. From now on, Jiangnan Road: It's time to leave this familiar old place and become. [Edit this paragraph] The appreciation of this poem was written in the late autumn of 1279. By this time, the Southern Song regime had fallen for more than half a year, and Jinling (now Nanjing) was also attacked by the military and Yuan armies for four years.
Unfortunately, the poet was captured after the defeat. On his way to Dadu (present-day Beijing), he passed by Jinling, reminiscing about the present and remembering the past, and touching the scene, leaving behind this sad and sorrowful sentence, which entrusted him with the hatred of national subjugation. "The grass left the palace and turned to the sunset glow. What does the lonely cloud depend on? " Under the setting sun, the magnificent imperial palace is overgrown with weeds, and the remnants are terrible.
I can't bear to see it, and I can't bear to leave it, because it is a century-old national mourning and a symbol of the Song regime. Seeing her is like seeing a relative who works for it and a king who runs for it. The contrast between "Flowers Out of the Palace" and "Wandering Alone Clouds" reveals the double misfortune of the country and the individual, and reveals the rational tone that the survival of the country is closely related to the fate of the individual.
The use of the word "seal" in "Seal Club" is more ingenious, which shows the artistic style of the prime minister of the number one scholar: first, the "movement" of the setting sun sets off the "quietness" of the poet's long gaze and long meditation, and then harmonizes with the "lonely clouds floating around", which leads to the infinite sadness and disappointment of the poet like the Yangtze River. The image of a sad patriot with an empty mentality of "hating the east wind and not borrowing it, doing things in the world" is vividly on the paper.
"The scenery of mountains and rivers is the same, and the citizens are different." The mountains and rivers remain the same, but in just four years, the battlements are beyond recognition and many people have disappeared.
The great contrast between "Yuan as usual" and "Half-dead" reveals the profound disaster brought by the war to the people, reflects the poet's childlike innocence about the rise and fall of the world and the sufferings of the people, further exaggerates the tone of the poem and makes the theme of the poem more prominent and distinct. "Reed everywhere, I am old. Who will fly beside the swallows in my hometown? " "Reed flowers everywhere" is like mourning everywhere. They are as old as I am because there is endless hatred buried in their hearts, family feuds, and the gradual drift away from suffering.
It turns out that the scenery of Wang Xie Haomen's house is no longer there, and swallows can still "fly into the homes of ordinary people". Now ordinary people are dying, fleeing, and the swallows are destroyed. Where can they live? The vivid description of personification gives people an immersive feeling: the poet is crying and the whole Jinling is crying, which also enriches the image of the sad poet himself. "From now on, I will leave Kaijiang South Road and become a crow with blood!" Although the whole city of Jinling is shrouded in sadness, I don't want to leave her, because she is my mother and my true love.
However, Yuan Jun won't let me stay here for a long time, and my body can't stay any longer. Let my loyal soul become a cuckoo crying and homesick to accompany you. This kind of association is similar to the poet's "Who has not died since ancient times, keeping the heart of a child as a mirror in history" in Crossing Zero and Ding Yang, which clearly expresses the poet's strong determination to serve the country to the death.
Four years later, the poet experienced all kinds of torture and suffering, overcame all kinds of temptations and threats, died calmly, practiced his vows with life and blood, and wrote a solemn and stirring song and a righteous song that forever inspired the Chinese people in the treasure house of patriotism.
3. What's on the platform to climb the Phoenix statue in Nanjing? The images in Nanjing Climbing the Phoenix Terrace include Phoenix Terrace, Yangtze River, Egret Island, blue sky and white clouds.
Going to Nanjing and Ascending the Phoenix Terrace is a lyric poem by Li Bai, a great poet in the Tang Dynasty. The whole poem is composed of eight sentences and fifty-six words, singing and sighing with what you saw and felt when you boarded the Phoenix Platform. It combines eternal historical changes with long-lost legends and stories to express deep historical feelings and sober realistic thinking.
The original text is as follows:
There used to be a phoenix on the phoenix platform, and the phoenix went to Taiwan, only Jiangdong returned.
Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine.
The mountains are shrouded in clouds, such as blue sky, and the river is divided into two.
There is always a traitor in power, like covering the sky, and Chang' an is depressed when he can't see it.
The translation is as follows:
There used to be a phoenix swimming on the Phoenix platform, but only when Phoenix went to Taiwan Province, the river was still flowing eastward.
The flowers and plants in the palace of Wu are buried in deserted paths, and many royal families in the Jin Dynasty have become abandoned tombs and ancient hills.
The fog of the three mountains is looming, like falling into the sky, and the river is divided into two by Bailuzhou.
There are always treacherous court officials in power, but Chang 'an can't see the depression in his heart.
Extended data:
Going to Nanjing and Ascending the Phoenix Terrace is one of the few seven-character poems in Li Bai's poetry collection.
This poem was written in Tianbao period (742~756). The author was ordered to "return the gold to the mountain" and was forced to leave Chang 'an for Jinling in the south. One said that it was written by the author after he returned from exile. It is also said that Li Bai wrote it after visiting the Yellow Crane Tower, leaving "There is no scenery in front of him, and Cui Hao wrote an inscription on it" in order to compete with the Yellow Crane Tower in Cui Hao.
The first two sentences wrote the legend of Phoenix TV. Of the 14 words, I even used three phoenix words, and I don't feel repetitive. The syllables are smooth, bright and beautiful. "Phoenix Terrace" is located on the Phoenix Mountain in Jinling. According to legend, during the Yongjia period of Liu Song in the Southern Dynasties, there were phoenixes gathering on this mountain, so the platform was built, hence the name of the mountain and platform.
In feudal times, the phoenix was an auspicious symbol. Phoenix's visit symbolizes the prosperity of the dynasty; Now, even the prosperity of the Six Dynasties is gone forever. Only the water of the Yangtze River is still flowing, which is natural and eternal.
Three or four sentences further develop the meaning of "Phoenix going to Taiwan". Wu and Dong Jin in the Three Kingdoms period were based in Jinling. The poet said with emotion that the once prosperous court of Wu was deserted, and the romantic figures of the Eastern Jin Dynasty had already been buried in the ground. Xuanhe at that time did not leave anything of value in history.
Baidu Encyclopedia-Climbing the Phoenix Terrace in Nanjing
4. What is the image of Qinhuai in ancient poetry? This is the first couplet of Du Mu's famous sentence "Bo Qinhuai" in the late Tang Dynasty.
At the beginning of the poem, the poet rendered the environment and atmosphere of boating on a moonlit night. The word "cage" in the first sentence is very complicated and vivid.
They combine the four images of "smoke", "cold water", "moon" and "sand" harmoniously, which makes people feel hazy, confused and cold about the moonlight smoke on Qinhuai River, and implies a slightly floating state in silence. On the surface, this hazy tone seems to be incompatible with the noisy atmosphere of the restaurant, but it is the most essential contrast with the emptiness, sadness and indifference behind the noise and excitement.
It can not only convey the dim and declining atmosphere of the late Tang Dynasty, but also seem to faintly flash the shadow of the brilliant life of the Six Dynasties. From the whole article, this quatrain is a single line in prose, that is, it is written by intercepting the beginning and end of the seven laws.
The first sentence uses tautology and complex syntax, resulting in antithesis in the sentence, and the rhythm of the poem is rich but not monotonous, rigorous and smooth.
5. What is the image of being on the Phoenix Terrace in Nanjing? Li Bai, a phoenix who used to play here, so this place is named after them, and now he has given it up to this desolate river.
Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine.
The mountains are shrouded in clouds, such as blue sky, and the river is divided into two.
A cloud rises between the light of heaven and me, hiding his city from my melancholy heart!
Interpretation of poetry
There is a phoenix flying on the phoenix platform, and the phoenix flies away. Now that the Phoenix Tower is empty, the Yangtze River water is still flowing. The once prosperous court of Wu was abandoned. The aristocrats of the Eastern Jin Dynasty have already been buried. Three mountains are looming on the horizon. Egrets divide the river into two channels. Clouds always cover the sun and the moon, and I can't go back to Chang' an, so I am deeply depressed.
words explanation
Phoenix Terrace: Located in Fengtai Mountain, Nanjing. According to legend, the Yuan family in Liu and Song Dynasties was built by collecting rare birds and animals in the mountains.
Wu Gong: During the Three Kingdoms period, Sun Wu established Jinling (now Nanjing, Jiangsu) as his capital.
Clothing: refers to princes and nobles.
Sanshan: The name of the mountain is on the Yangtze River in the southwest of Nanjing.
Ershui: Qinhuai River flows through Nanjing and enters the Yangtze River in the west, and is divided into two tributaries because Egret Island passes through it.
Appreciation of poetry and prose
When Li Bai was young, he first came to the Yellow Crane Tower and stood upstairs to see the prospect of the Yangtze River. He was in high spirits and immediately became poetic. However, "the sight is a scene, but Cui Hao's poems are in his mind". Nevertheless, Li Bai has never forgotten this matter, nor has he forgotten the poem Yellow Crane Tower. Later, Li Bai wrote "On the Phoenix Terrace in Nanjing" with the rhythm of Cui Haoshi.
Jinling was the ancient capital of the Six Dynasties. The poet boarded the Phoenix Terrace and looked at the magnificent Yangtze River. Relying on history and feeling today, all people will become passers-by of history in a hurry, but the natural beauty in front of them is eternal. The whole poem perfectly combines history with reality, natural scenery with personal feelings, and expresses the feeling that ambition is hard to be rewarded in one go. Its neckline is gorgeous, ingenious, accurate and beautiful.
6. Images in ancient poetry The general images of ancient poetry are as follows. Let me give you an example. I believe you have benefited a lot.
Month. Full moon, homesickness.
Tang Li Bai's Thoughts on a Quiet Night: "Looking up, I found it was moonlight, and then sinking, suddenly thinking of home." Tang Du Fu's "Remembering Brothers on a Moonlight Night": "He knows that it will be frosty tonight, and the moonlight at home is bright! ."
Don Wang Jian's "Looking at the Moon for Fifteen Nights": "I don't know who will fall tonight." Chrysanthemum
It symbolizes seclusion, strong character and lofty temperament. Tao Yuanming drinking in the Eastern Jin Dynasty (V): "Picking chrysanthemums under the east fence, you can see Nanshan leisurely."
Tang Yuan Zhen's Chrysanthemum: "It's not that chrysanthemum is favored among flowers, but that this flower is even more flowerless." May.
Shuang Ling is proud of snow and has a noble character. Song Lu You "BuFu? Yongmei: "It still smells as good as before. "
"Mo Mei" by Wang Mian in Yuan Dynasty: "Don't boast of its lewdness, just keep your breath fresh and dry." Lotus.
"Lotus" and "pity" are homophonic, so "Lotus" is often used to express love. Western Zhou Qu by Yuefu in the Southern Dynasties: "Lotus seeds are as clear as water when you bow your head."
Lotus, which emerges from the mud but is not stained, is a symbol of the other. Ian.
Noble sentiment, a symbol of hermit. Song Yang Wanli's Orchid: "There is no spring breeze in life, and it is called Chu Shi's home in the forest."
It's loose Stand proudly in frost and snow, indomitable.
Three Kingdoms Wei Liuzhen's "Gift to My Brother": "If you don't suffer from cold, pine and cypress are sexual." Tang Li Bai's "Giving Books to Huang Shang": "Look at the pine, be careful not to be peach and plum."
Wutong is sad and sad.
Tang Wang Changling's "Chang Xin Qiu Ci": "The golden well phoenix tree has yellow autumn leaves, and the bead curtain does not roll frost at night; The smoked jade pillow has no color, and you can listen to the Nangong for a long time. " Song Qingzhao's "Slow Sound": "The phoenix tree is raining and dripping at dusk."
Xu yuan in water sprite? Rain at night: "A sound of Ye Qiu, a little banana and a little sorrow, and a dream after three nights. "Rhododendron
It symbolizes desolation and sadness, and also expresses deep homesickness. Tang Li Bai's "I heard that Wang Changling moved to the left, and Long Biaoyao had this letter": "Huayang has fallen to the ground, and Wendaolong has crossed five streams.
I entrust my sad thoughts to the moon, hoping to accompany you to the west of Yelang. "Walking on the Beach": "It's like a lonely pavilion in spring, and the cuckoo is sunset. "
Partridges symbolize the hardships of the journey and the sadness of parting.
Don Li Qunyu's "Jiuzipo Smells the Partridges": "The setting sun is wide and the autumn grass is bright, and the partridges are far away." Song Xin Qi Ji's Bodhisattva Man? The book "Building a Wall in Jiangxi": "The river is worried at night, and the mountains are deeply heard. "
It is chilling. The symbol of sadness not only causes homesickness, but also touches the feeling of parting.
"Cicada" by Yu Shinan in Tang Dynasty: "Drink clear dew when hanging, and listen to sparse tung when flowing. It's not the autumn wind that makes you afraid to speak loudly. "
Song Liu Yong's Yulin Order: "Cold cicadas are sad, pavilions are late, and showers begin to rest." red rock
Homesickness of wanderers, affection of relatives, sadness in travel. Sui's "People miss home every day": "After people return to geese, they miss flowers before."
Tang Ouyang Xiu's Play Answers to Yuan Zhen: "Listening to it at night makes you homesick, and during the New Year, you get sick." In addition, Hongyan's biography is also a concrete image. In the Tang Dynasty, Du Fu's "Li Bai at the End of the Sky": "The geese don't answer me, and the rivers and lakes are full of rain."
Willow. Farewell, miss, and farewell to others.
Wang Changling in the Tang Dynasty will always be in my heart: "I suddenly saw the strange head and willow color, and regretted teaching my husband to find a Hou." Vae wrote "Operator": "The Liuwai Mountains overlap, constantly covering up and worrying about the road."
It can also symbolize the rise and fall of the times. Zhuang Taicheng: "The most heartless Taicheng willow is still a smoke cage."
In addition, floating catkins are often used as a symbol of sadness. Song He Zhu's Jade Case: "How much leisure? Yichuan smoke, full of wind, plum yellow rain. "
Swallow it. Images in ancient poems are very rich.
(1) Show the beauty of spring and cherish the feeling of spring. Zhang Yuankejiu's "Late Spring is Things": "Five bodies are elegant, and the face is crowned with yellow willow flowers."
(2) The symbol of love and yearning for the lover. The Book of Songs? Yan Yan: "Yan Yan is flying, and it is a feather."
My sister married in the country today. Song Yan Shu Broken the Array: "The curtain is light and cold, and the swallows fly away."
(3) To show the indifference of the world and express feelings and indignation over the ups and downs of the past and the ruin of the country. Wuyi Lane in Yuxi, Liu Tang: "In the old society, Xie Wang Tang Qianyan flew to the homes of ordinary people."
Song Wentian's "Jinling Post": "The scenery of mountains and rivers is the same, and the people in the city go to half. Reed flowers everywhere accompany me to grow old. Who will fly next to the old swallow? " Lonely lamp.
The journey is bleak and homesick. Don Ma Dai's Autumn Chrysanthemum on the Dam: "The soft drooping leaves of foreign trees and the cold light of lanterns are lonely at night."
Don's "Su": "Thinking about the past under the cold light, a stray goose kept me awake." Tang Wei Zhuang's Night Thoughts on the Lounge: "There is a solitary lamp, a horn, and a bright moon outside the Lounge."
Boat. It is often synonymous with drifting.
Tang Du Fu's "Climbing Yueyang Tower": "But I have no news from my relatives and friends. I am old, weak and sick, and I am alone. There are wars and mountains to the north of this wall, and how can I not cry by this railing? . "
Song Sushi's Linjiang Fairy: "I hate this body for a long time. When will I forget camping? At night, the wind is calm and the food is flat. When the ship dies, Jiang Hai will spend the rest of his life. "
It is also unrestrained, free and broad-minded. Don Li Bai's Minister of Xuanzhou Zhuang Bie: "Since the world can't satisfy our desire, I will loosen my hair tomorrow and take a fishing boat."
At sunset. Vast and withered, lamenting the passage of time and the vicissitudes of the world.
Tang Li Shangyin, Leyuan Scenic Area: "to see the sun, for all his glory was buried in the coming night." Song Liu Yong's Jade Butterfly: "In a broken rainbow, the setting sun stands."
Zhiyuan, Sha? Qiu Si: "When the sun sets, heartbroken people are at the end of the world." Ape.
A symbol of loneliness and sadness. Tang Wang Changling's "Seeing Weier": "I remember that Jun was far away in Xiaoxiang Moon, but I was worried that I would grow up in my dream."
Tang Hanyu's "Awarding Zhang Eleventh Meritorious Cao in Central Hunan": "Today's mountain apes are all birds, and they are pitiful and don't know how to worry." Han Yu's satire is more charming.
From "A Park in Tonglu" to Haoran's "A Friend in Yangzhou": "The monkey shadow mountain whimpers and the river flows at night. The wind on both sides of the strait rustled the branches and leaves, and the moonlight reflected on the river, one river and one boat. "
Or a diaphragm (rod). It is an interesting phenomenon that this image exists in a large number in Song Ci.
Often symbolizes missing, loneliness, sadness, relatively stable and obvious. Song Liu Yong's "Eight Tones of Ganzhou": "Strive to know me, lean on the dry place, and worry."
Song Yan Dao Ji's Young Beauty: "Music is dry and the sky is like water. I leaned on it last night. "
Qin Song Guan Man Ting Fang: "With a long time, the smoke is thin and the day is light, and loneliness is in the city." Song Xin Qi Ji's "Fishing": "Idleness is the most bitter.
Don't lean on the dangerous fence, the sunset is there, and the flowers are bright. "The above are all my personal collection materials, which are presented to you today.