Look at the bark around the tree hole.
What a wonderful figure it is bent into!
And the golden water under the tree
Trembling like a piece of glass,
What a wonderful illusion!
Wicker is juicy and fresh,
Bend into an arc on the water,
Like a green waterfall;
Willow leaves are as thin as needles.
Crawl like a living thing.
Ripple the water countless times.
Through the mirror under the willow tree
I use my jealous eyes
Capture my beloved face ...
Soften, your arrogant eyes ...
I trembled, but I was very happy-
I also saw you trembling in the water.
(translated by Bai Fei)
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Necrasov spoke highly of Fett's poetic talent;
"It is certain that a person who knows poetry and is willing to open his heart to experience poetry can't enjoy so many poems from any Russian writer after Pushkin as Fett gave him."
Nature and love are the basic fields of Fett's poems. Liu, written in 1950s in 19, is a lyric poem integrating nature and love. Its main feature is extremely exquisite. Like a beautiful watercolor painting, it depicts the subtle ripples in nature and mind. The characters in the poem are a couple who are still in a delicate stage-maybe not a couple, because the girl is too arrogant. They came under the willows by the water, rested for a while under the Liu Yin, and entered the willow wonderland here, didn't they?
They saw that the trunk of the willow tree and the water surface under the tree showed wonderful ripples, forming a series of flowing and trembling patterns. Fresh willow branches bend to the water like a green waterfall, immersing many willow tips in the water and drawing thousands of thin lines in the water. Oh, it turns out that the ripples on the water surface are also the masterpieces of willows, which are the patterns painted by willows.
When characters enter this pattern and this situation, they will inevitably be influenced by it and have some changes. Sure enough, the trembling water is like a soft mirror, softening the girl's arrogant eyes, and even the image of the girl is trembling in the water. -Is the shadow in the water changing, or is the girl's eyes really softened? We can't verify it. What we see in Fett's poems is only the underwater image, which is "purely intuitive". But we do see how the natural ripples that tremble slightly turn into subtle emotional ripples.
"Liu" adopts the rhyming six-line style of "a a b, a a c" in melody, which is equivalent to the next chapter of an Italian sonnet. This three-body poem is a unit, and the two groups of three-body poems echo each other, appropriately expressing the delicate and euphemistic artistic conception.
(flying white)