Jiang Nanchun is always sighing red and thin, and the residual English flies high and low under the tree.
What a hurry! ⑵ How many bacteria are there, and how much less?
It's dry and fragrant, and it's cold. The billiard hall is shaded by the sun.
Quietly covered the door, lonely and melancholy, from grass to flying.
To annotate ...
Spring is getting old: spring will pass.
(2) Red and thin: Red flowers on branches are rare.
3 residual English: falling flowers.
(4) Swallows step on flowers. Kick: kick. It is said that Du Fu's poem "First Banquet at the Court with the Gentleman Baidicheng" and "Flower Swallowing and Dancing Banquet".
⑤ Yingying Topic: Yingying takes away the petals. From the long stick "Ode to a Rose": "The butterfly shakes gently, and the warbler enters dusk."
③ (hΡ n): cesspit. Yin (y Ρ n): Gorgeous seats. From the Biography of Nan Shi Fan Zhen, Fan Zhen used flowers to "fall on the mat" and "fall in dung" to explain "where is the cause and effect, although the nobility is different".
⑦ Fragrant strips: flower branches.
⑧ Pengmen: A door made of straw refers to a simple portal.
9 from: Ren.
Attending Feifei: Describe lush.
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Guizhuang (16 13- 1673) is a native of Kunshan (now Kunshan, Jiangsu). The great-grandson of Gui Youguang, a writer in Ming Dynasty, was a painter and writer in late Ming and early Qing Dynasty. Those who make good friends with Gu are known as "strangeness and strangeness". In the thirteenth year of Chongzhen (A.D. 1640), he was summoned by special token, but in view of the political disputes in the DPRK, he resigned. In the first year of Hong Guang (AD 1645), his second brothers Gede and Shi Kefa died in Yangzhou.
In the same year, Guizhuang fought against the Qing Dynasty in Kunshan and fled for his life. Shunzhi nine years (AD 1652) went to Huaiyin to teach and secretly contacted Gu Kangqing. Later, he returned to Kunshan to live in seclusion, selling calligraphy and painting for a living, refusing to be an official and making a living by wild clothes. In his later years, he devoted himself to engraving the Complete Works of Gui Youguang by his great-grandfather. Guizhuang is good at cursive script and bamboo painting. His articles are full of profound fetal interest and his poems are full of strangeness. Also, the works of Heng Xuan, Gui Wenchao and Gui.
This is a poem about chanting things. In the poem, the author compares the fallen flowers in late spring to those who resist the Qing court, expressing his tenacious will and determination not to submit to the Qing court. At the beginning of the poem, I lament that spring has gone and flowers have fallen, which is a metaphor for the sacrifice and separation of anti-Qing people. The general trend has gone, and the poet's heart is full of infinite sadness and helplessness. With the gradual consolidation of the rule of the Qing Dynasty, former comrades-in-arms had nowhere to hide. Here, the poet uses "Yan Cuo Ying Zhi" and "Yan Duo Yin Shao" to describe the harsh and filthy social environment under the rule of the Qing Dynasty. Villagers expose each other, and people with lofty ideals have no fixed place. In the morning, the flowers are empty and the dew is mottled. In the evening, the sun sets and the trees are long. Here, the poet compares "Fang Tiao" with "Green Shade" and tells the difficult situation of the anti-Qing people and the generous welfare of honest officials. This metaphor is both appropriate and clear. Nowadays, the poet lives in seclusion in the humble room, and is melancholy alone, leaving those who fall to the Qing court to compete for favor and show off. It expresses the noble quality and determination of the poet to stick to the famous festival and not go with the flow.