The schools of poetry in the 1920s mainly include: Trial School, Literature Research Society (Life School), Creation Society (Early Romanticism), Lakeside Poetry School, New Metric Poetry School (Crescent School) and China Early Symbolic Poetry School.
The earliest vernacular poems in the history of China are eight poems published by Hu Shi in New Youth in 19 17. In 19 18, Liu Bannong and Shen began to publish vernacular poems in New Youth, and modern vernacular poems in China were born.
1920, Hu Shi's personal collection of poems was published and welcomed by readers. It is the first personal collection of modern poems in history, so more poets began to imitate Hu Shi's writing of vernacular poems, forming the first "experimental school" in the history of China literature. The maturity of this school of poetry is marked by the publication of Hu Shi's Trial Collection, so it is generally called China's Trial School of Modern Poetry.
Representative poets: Hu Shi, Liu Bannong, Shen, Yu Pingbo, Kang, Liu Dabai, etc.
Life School Life School (Literature Research Association) is the earliest literary society established in the May 4th New Literature Movement. Founded in 192 1, the representative poets are mainly Lu Xun, Bing Xin, Zhu Ziqing and Zhou Zuoren.
Literary attitude and creative practice tend to be realistic. It is argued that "literature is a kind of work, and it is also a very important work for life." Zhu Ziqing, Ye Shengtao, Liu Yanling and Yu Pingbo, the main members of the Literature Research Association, later established the first new poetry society in modern literary world-China New Poetry Society, and founded the first new poetry special issue "Poetry Magazine" in June 5438+the following year 10. Ye (Mao Dun), Ye (Ye Shengtao), Yu Pingbo, Xu Dishan, Geng Jizhi, Guo Shaoyu, Zhou Zuoren, Sun Fuyuan, Zhu Xizu, Qu Shiying, Jiang Baili, Huang, Lao She, Hu Yuzhi, Liu Bannong, Liu Dabai, Zhu Xiang, Xu Zhimo, Peng Jiahuang, etc.
Poets of literary research society are often called "life school" or "life school" because of their poetic values centered on "life".
Representative poets: Lu Xun Bing Xin Zhu Zuoren Zhu Liu Bannong Dabai Xu Zhimo
Chuangzaoshe chuangzaoshe
Modern literary groups in China. 192 1 was founded in Tokyo, Japan in July, 1979 by Guo Moruo, Cheng, Yu Dafu, Zhang Ziping, Tian Han, and Zheng Cheng. The early creative society opposed feudal culture and retro ideas, advocated genius, advocated self-expression and personality liberation, and emphasized that literature should be faithful to its "internal requirements", which was the core proposition of its literary thought, showing romanticism and aestheticism. Guo Moruo's poetry collection Goddess, Yu Dafu's novel Sinking and Guo Moruo's translation of Young Werther (Goethe) are the most influential works of the Society. With its unique literary concept and sharp-edged literary activities, it has become a new force in new literature, especially among literary youth after the May 4th Movement. During the first revolutionary civil war, most of the main members of the creative society tended to be revolutionary or engaged in revolutionary practical work. Later, it showed a trend of "changing direction", in which radical younger generations, such as Li, Feng Naichao, Zhu Jingwo, who had just returned from Japan, participated, and then developed into the later creation society. In the later period, the Creation Society and Sun Society strongly advocated proletarian revolutionary literature. At the beginning of 1928, Guo Moruo's The Tree of Heroes, Cheng's From Literary Revolution to Revolutionary Literature, Feng Naichao's Art and Social Life, and Li's How to Build Revolutionary Literature all required that literature should meet the needs of the revolutionary situation, face the masses of workers and peasants, and writers should have proletarian consciousness. After the May 4th Movement, writers such as literature and Lu Xun, as representatives of bourgeois petty-bourgeois consciousness, made extreme criticisms. This led to the debate about "revolutionary literature". 1February, 929, Chuangshe was closed by the Kuomintang government.
In the early stage, the publications sponsored by Creation Society included Creation Quarterly, Creation Weekly, Creation Day (China Xinbao Supplement) and Flood bimonthly. Later publications mainly include Creation Monthly, Cultural Criticism, Quicksand Semimonthly, Thought Monthly and New Ideological Trend Monthly. In addition to literature, the publications of the later creation society paid more attention to the research and propaganda of Marxist theory and social science issues. After the founding of Chuangshe, the series of Chuangshe was edited and published, which mainly published poems, novels, plays, essays, theories and translations of its members. In the past ten years, * * * has published more than 60 kinds.
Lakeside poets Ying Xiuren, Wang Jingzhi, Pan Mohua and Feng Xuefeng founded the Lakeside Poetry Society in Hangzhou on March 1922, which is called the Lakeside Poets of China.
The school of Lake Poetry originally refers to the school of poetry formed by three English romantic poets in the19th century, namely Wordsworth, Coleridge and Southey. There are similarities in style between the poems of China Huxiang poets and the works of British Romantic Huxiang poets, among which the most distinctive one is the poem praising love.
The Lakeside Poetry Society published Poems by the Lakeside and Songs of Spring in 1922, and later poets such as Wei, Xie Danru and Lou Jiannan joined the Poetry Society.
Crescent School Crescent School: an important school of poetry in the history of modern new poetry, influenced by Tagore's Crescent Collection. This school of poetry is generally divided into two periods with 1927 as the boundary. The early stage began in the spring of 1926, supplemented by Beijing Morning Post? Poetry magazine is the front, and its main members are Wen Yiduo, Xu Zhimo, Zhu Xiang, Rao Mengkan, Sun Dayu and Liu. They are dissatisfied with the style of "liberal poets" who ignored the art of poetry after the May Fourth Movement, advocate new metrical poetry, advocate "rational emotional control", and oppose the promiscuity and prosaic tendency of poetry. From theory to practice, they made a serious exploration of the new poetic meter. Wen Yiduo put forward the famous thought of "three beauties" in "The Metre of Poetry", that is, "the beauty of music, the beauty of painting and the beauty of architecture". Therefore, the crescent school is also known as the "new metrical poetry school". The crescent school corrected the weakness of the early poetry creation that was too informal, and also made the new poetry enter the period of conscious creation. /kloc-in the spring of 0/927, Hu Shi, Xu Zhimo, Wen Yiduo, Liang Shiqiu and others founded Crescent Bookstore, and the monthly magazine Crescent was founded the following year. The main activities of the "Crescent School" moved to Shanghai, which was later the Crescent School. Its main positions are New Moon and Poetry, which were founded in 1930. The new members are Chen, Fang and Bian. In the later period, the Crescent School put forward the principles of "health" and "dignity", adhered to the position of "pure poetry" which was super-utilitarian, self-expression and aristocratic, and emphasized "purity of essence, thoroughness of technique and rigor of meter". However, the artistic expression and lyricism of poetry are close to modernist schools.
The beauty of music in the "three beauties" means that each section of the new moon poem is different, just like music. Architectural beauty means that the format of poetry is like architecture. The beauty of painting is that every paragraph of a crescent poem can be painted.
Poetry publishing school and crescent school belong to the same school, so it is difficult to distinguish them. In the Republic of China 15, he published poems in Beijing Morning Post.
Yes, the new moon was held in Shanghai in the Republic of China 17. It is very important that anyone who makes a great contribution to the new moon is called the Crescent School.
Poets include Sun Dayu, Rao Mengkan, Chen, Lin, Bian, Liu, Jane, Shen Congwen and Sun.
Yutang and so on. And Fang and his aunt Fang Lingru.
China's early symbolism poetry school China's early symbolism poetry appeared in the 1920s, with Li Jinfa as the main representative poet. Other symbolic poets or poets with symbolic poems include Wang, Mu and Feng Naichao.
Symbolism began in French poetry movement in the second half of19th century, and Baudelaire's Flowers of Evil is the earliest symbolic work. Later, Wei Erlun, Malamei, Bo Han and other poets published more symbolic poems, and the Manifesto of Symbolism was published in le figaro on 1886. Since then, symbolism has matured as a school. The theory and practice of symbolism began to influence China's modern poetry movement, and entered vernacular poetry in the 1920s. 1925, Li Jinfa published China's earliest symbolic work "Slight Rain", and in the following four years, he published more symbolic poems. In addition, Shao, Peng Zi, Mu, Feng Naichao and Wang of Crescent School also published symbolic poems.
China's early symbolism implied subjective spiritual meaning through symbolic writing techniques, and he got to know himself in the irrational spiritual world. This symbolism principle had an important influence on the formation of China's early modernist poetry.