1, combination of front and side
Scenery description can start from the front, directly describe the characteristics of the scenery, making people clear at a glance; We can also start with the side scenery related to it, not the front scenery, so as to reveal the characteristics of things and provide readers with rich imagination space. The combination of the two methods can make the features of the scene more distinct and prominent. 2, the combination of dynamic and static
In ancient Chinese poetry, in order to create artistic conception, poets pay special attention to dynamic description, and the combination of dynamic and static is a common way to describe scenery. In the use of this technique, poets are often ingenious, "every word is the best" and "the realm is the best" However, as a combination of dynamic and static scenery, it often depicts dynamic and static with a kind of artistic conception, and often focuses on static, and forms a harmonious unity of artistic conception and image in a way that dynamic sets off static.
3. Combination of sound and melody
The description of scenery in ancient poetry often involves sound and color, which is the poet's use of senses to describe the scenery from multiple angles, making readers feel as if they were there, and receiving high artistic effects. In poetry, the author often writes about the scenery from the perspectives of his own hearing, sight and smell, which requires us to analyze what the poet sees, hears and feels when appreciating.
4, the combination of reality and reality.
"Virtual" and "real" are two big concepts, specifically, intangible and tangible, abstract and concrete, imagination, memory and reality. Ancient poems often express some feelings with tangible things, or write realistic situations and interests with imagination or memories. Real scene is a realistic and objective scene described by the poet, while virtual scene is a virtual scene produced by the poet through association or imagination. The combination of reality and reality can better express an overflowing emotion.
5. Point-surface combination
Everything is interrelated, not isolated, and the scenery described is the same. They are always inextricably linked with the surrounding scenery. Therefore, when poets write landscapes, they don't write the subject in isolation, but also the related images around the subject, combining point and surface to make the subject image fuller and more distinctive.
6. Space-time angle
Looking at the same scene, the observer's position is different and the angle is different. Looking down, looking up, looking far away and looking closely, the visual image will be varied and varied. Describing from different angles will make readers have a more comprehensive understanding of the scenery described and get a more perfect feeling.
7. Subjective and objective perspectives
From the subjective and objective perspective of describing scenery, personification is often used.