Random Talk Writer: なかはら まこと Division (Part Two)

I have to write a poem by Mr. Nakano alone. The connotation in his poems is too profound and rich, which is worth digging deeply. If possible, I hope to write a few articles to analyze his poems in detail. This time, I can only summarize the main characteristics of moonlight poets in general.

? なかはら まこと Division has always been called the Japanese Rambo, mainly because of Rambo's influence on his poetry. Because of this, French is the second language of なかはら まこと, and he has always dreamed of going to France. In addition, he translated many of Ben Rambo's poems and was also a poet of Moonlight School. He linked Japanese native culture with symbolism and created many valuable poems.

? After becoming famous, Zhongyuan Chu also wrote in his diary that "many writers did not learn how to write after becoming famous, but how to be a writer", which explained to some extent the difference between him and the Japanese literary world at that time.

? Such differences can also be seen in the diary, for example:

? "Only genius is beautiful, and everything else is the same."

? "Vulgar people like to lie, and their rationality is just a strategy. Those who want to survive by interests are laymen. "

? "Stupidity is evil, and evil comes from lack of imagination."

? "They are happier than me, just because they don't pursue perfection."

? "Only those who have no faith have the heart to compare with others."

? And there is a very famous saying that "the crowd is despicable, naive and evil, and the crowd is just a combination of human shortcomings."

? Chu in the Central Plains is also naturally withdrawn, the writer's courage to pursue art, and what he sees and hears in his diary are all self-centered feelings in his poems.

? Therefore, the content in his poems is destined to be centered on "individuals", or you and I, the first person and the second person. The advantage is that his poems are more sincere in expressing emotions and more profound in feelings such as loneliness, nothingness and help-seeking, but at the same time, they also make the poems generally monotonous and lack a little so-called "big picture"

? Like many poets, this 30-year-old poet once enthusiastically praised the beauty of life.

? He said, "For art, it is not important to enrich and burn feelings, but to enrich and burn life." He also loves life.

? However, as mentioned in the last issue, the beginning of his poetry creation came from the loss of his younger brother when he was eight years old, which had a great impact on his poetry creation career and even his life, making him feel a little more worried and lonely when describing the beauty of life.

? At the same time, people who have lost their families and suffered from diseases are indifferent to death. In his poems, life and death have never been separated. Life and death are not static, but constantly flowing. Death is not out of reach, but there is no need to be pessimistic because of his sudden arrival. This is just a continuation of life. In his poems, there can be a strange feeling of life and death facing each other. I'd like to take it out if possible.

? At the beginning of everything, when Prince Hasegawa was an actor, he read the poems of Chu Ye of Zhongyuan. Just because there are many interesting onomatopoeia words in it, she likes it very much, so she started this lifelong relationship. So the most amazing thing about his poems is the perfect rhythm and subtle control. Unfortunately, the rhythm of the translated poems seems to have evaporated, and only people who speak Japanese as their mother tongue will have this wonderful feeling.

? In Chu Ye's poems in the Central Plains, people often fall into an inseparable situation of subject and object, that is, the subject and object depicted in the poems seem to be integrated and inseparable, just like snowflakes and lovers, the moon and me, and residual flowers and old friends, as if they were the same thing.

? This is the "instantaneous beauty of harmony between man and nature" that Japanese literature often pursues. This is very great, and なかはら まこと, Kawabata Yasunari, and Jiro Konabemoto have all explored this beauty.

? Unfortunately, a group of writers headed by Haruki Murakami pay more attention to the experience of emotional communication between people. Keigo Higashino, now in full swing, also uses detective novels or other fantasy novels to express the fetters and feelings between people. The affection between man and nature seems to have faded a lot, which may be caused by the different social environment! Of course, talking too much is another article of thousands of words.

? As Gao Qiao and JunkoS said, "In my opinion, only Chu in the Central Plains is also a poet who can sing the distress, sadness and hope of society wholeheartedly", which may be one of the best comments on his poetry collections.