The poster must have remembered it incorrectly. The name of this poem is "Spring", which is a poem written by Mu Dan (Zha Liangzheng) of the Nine-leaf Poetry School in his youth in the 1940s.
Spring
Mu Dan
The green flame is swaying on the grass,
He is eager to embrace you, flower.
Resisting against the earth, flowers stretch out,
When the warm wind blows away trouble, or joy.
If you wake up, open the window,
Look at how beautiful this garden is full of desire.
Under the blue sky, what is bewitched by the eternal mystery
It is our twenty-year-old closed body,
Just like the bird made of clay Song,
You are ignited, curled and curled, but have nowhere to turn.
Oh, light, shadow, sound and color are all naked,
Painful, waiting to be stretched into new combinations.
Mu Dan is a representative of the "Nine-leaf School" poets in the 1940s and a very successful modern poet. His creations are praised as "the best expression of the almost cold-heartedness of modern intellectuals." Consciousness" (Yuan Kejia's words). His familiarity with modern British and American poets, especially Yeats, Eliot, and Auden, his absorption of their poetic and critical theories, and his youthful vitality all gave his poetry outstanding modern characteristics. In the little poem "Spring", all this is also very obvious.
In Mu Dan's poem, we can find three groups of words with different tones. One is strong and dynamic: flame, sway, desire, embrace, resist, stretch, push, ignite; the other is static: green, earth, seeing, refuge; this is the opposition between grass and flowers, the inner opposition of spring ; It is also the opposition between "awakening" and "bewitchment", and the opposition between the restless desires of adolescence and the poet's contemplative image. "Window" is a medium that separates and connects "desire" and "seeing", thus bringing about a third group of words that reflect the existence of tension: close, curl, and combine. These three groups of vocabulary are intertwined with each other, forming the basic framework of the poem, and also laying the foundation for the poem's serious, solid, and modern lyrical tone; compact and tense language; as well as full rhythm and concentrated imagery.
So, what is spring like? It is waking up, the first birth and rebirth, but it is also the temptation of desire and addiction; it is soaring song and open joy, it is also stagnant soil and closed body; it is burning, dispersion, resistance, and dispersion. Then new combinations and rebirth. It is the spring of nature and the youth of life. It is the sprouting of the poet's spring heart and the flourishing of his poetic heart. The trinity of dawn, early spring, and twenty-year-old youth is just like the nakedness of light, shadow, sound, and color, and the openness of senses and thoughts. They are waiting for the emergence of new combinations.
The poet feels the conflict of opposing concepts: sobriety/intoxication, stagnation/flying, foundation/getting rid of, and they are expressed through vivid images related to "spring": green/flame, embrace/resistance, tightness Close/naked, land/flower, soil/song, curl/reach in. The poet's mood also changes, from trouble and joy brought by the warm wind to nervous pain. Like windows and eyes, he is intoxicated and watching; like birds, he sings and looks forward to it. This is the fascination and waiting for new life and powerful impulses.