The literary schools of Hongzhi and Zheng De in Ming Dynasty (1488- 152 1). Members are, He Jingming, Bian Gong, Kang Hai, Wang, and He Jingming. It was first seen in Biography of Li Mengyang in Ming Dynasty. In order to distinguish the seven sons, such as Li Panlong and Wang Shizhen, who appeared after Jiajing and Qin Long, the world called them "the first seven sons". These seven scholars are all scholars, full of moral integrity. They are dissatisfied with the corruption in the political affairs of the DPRK, and their morale is low. They strongly oppose the "relaxation and overlapping" habit of popular Taggart poems and eight-part essays. His literary proposition was summarized by later generations as vigorously advocating "literature must be in the Qin and Han Dynasties, and poetry must flourish in the Tang Dynasty", aiming at pointing out a new way for poetry creation and saving the flagging poetic style. They all have a strong historical mission of changing the style of writing, but they have embarked on an old road of taking retro as innovation. After the rise of the first seven poets in the literary world, their retro thoughts swept the world and became the mainstream of literary thoughts, setting off a literary retro movement. This is of certain progressive significance in the literary history of the Ming Dynasty. However, some of their specific literary views are different, and their creations have their own characteristics. Li Mengyang insisted on "deliberately imitating the past" in retro simulation, which forced his predecessors to imitate words. Poetry emphasizes boldness of vision and pursues a bold and unconstrained style. He Jingming's thought is more flexible. He advocates "understanding the expression" and "not imitating the traces" of ancient works in order to achieve the purpose of "building a raft on the shore". Poetry emphasizes talent and emotion, and tends to be fresh all the way. Xu Zhenqing's poetic theory is incisive and unique. After Li and He, his poetic style has changed obviously. The main achievements of Kang Hai and Wang are Sanqu and Zaju, and their poems are straightforward. Bian Gong and Wang Tingxiang's short poems are fresh and lively, but their overall achievements are inferior. The literary thoughts and creative practices of the first seven scholars are of practical significance, but due to the over-emphasis on retro and the lack of literary creativity, some even become "the heights are the shadows of the ancients, and the lowlands are the mouths of the present", which brings new abuses to the literary world.
Houqizi
Literary schools in the Ming Dynasty between Jiajing and Qin Long (1522- 1566). Members include, Wang Shizhen, Zong Chen, Liang Youyu, Xu Zhonghang and Wu. Represented by Li Panlong and Wang Shizhen. This name first appeared in the Biography of Wen Yuan Li Panlong in the Ming Dynasty. Because after the first seven sons, it is called the last seven sons; Also known as "Seven sons of Jiajing". The latter seven sons inherited the literary thoughts of the former seven sons, and also emphasized that "literature must be in Qin and Han Dynasties, and poetry must flourish". Taking the Han, Wei and Tang Dynasties as a model, it is more absolute than the first seven scholars to say that "literature is from Xijing, poetry is from Tianbao, and there is no sufficient view" and "there are no words after Han Dynasty and no words before Han Dynasty". They imitate retro, admire style, talk about statutes, flaunt each other, set up a wide range of doors, and have a greater momentum, thus pushing the retro tendency of Ming literature to a climax. The last seven sons were more active in the literary world than the first seven sons. At first, they formed a poetry club, with Xie Zhen as the leader and Li Panlong as the leader. After Li's death, Wang Shizhen dominated the literary world for more than 20 years. Li Panlong's view of retro is the most solid, but he is full of talent in creation and sometimes has heroic works. Xie Zhen's literary thought is more open, and he attaches importance to the transcendence and interest of poetry. He is good at poetry and full of personality. Wang Shizhen gave up retro in his later years, and definitely expressed his spirit without seeking ornamentation. His poems are full of talent and can reach the plain state. Liang Youyu seldom imitates diseases, and his poems are full of southern sentiment, which is the most independent outside Xie Zhen. Zong Chen was good at prose, and the book Liu Bao Zhang Yishu became famous for a while. Xu Zhonghang is vigorous and powerful, and Wu is sincere and simple. On the whole, the creation of the latter seven sons did not break away from the imitation of their predecessors, but they also made some achievements. Some people later showed a tendency to attach importance to originality and spirituality.