In the use of this technique, it is unique, with "every word is the best" and "the realm is the best". As a combination of static and dynamic scenery, it often depicts the dynamic and static in a kind of artistic conception, and it is often based on the static, and the static is set against the dynamic (the "dynamic" here includes the dynamic and the sound, such as "the orphan girl returns to the bamboo to sing, and the lotus leaves are harvested before the fishing boat", "noisy" is the sound, and "dynamic" is the dynamic), forming a harmonious unity of artistic conception and image.
Therefore, the combination of dynamic and static scenery writing techniques can not be completely separated from the foil Writing articles about scenery, writing dynamic or static in isolation is often not impressive.
If we can combine dynamic description with static description, we can create vivid literary scenes by writing static and reacting static to dynamic. 2. A typical example is Wang Wei's famous Autumn Night in the Deep Mountains, which goes like this: "There is moonlight in the pine forest and crystal stone in the stream.
"The previous sentence is about the spotless pine trees on the mountain, the bright moonlight and the mottled shadows left by the moonlight through the gaps in the leaves, all of which give people a quiet feeling-this is to highlight the tranquility in the mountain through static description. The second sentence is about the mountain spring. After the rain, the spring water is full, the flow potential increases, and it gurgles over the stone-this is a dynamic description, which reflects the tranquility in the mountain with movement.
"Birds in the Stream"-Wang Wei "When people are idle, osmanthus flowers fall, and the night is quiet and the mountains are empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.
"This poem is mainly about a quiet night in spring. Flowers fall, the moon rises and birds sing, all moving. The author uses the dynamic method to contrast the quietness and receives the artistic effect of "Tonamiyama is more secluded".
3. Classification of Techniques ① Turning motion into stillness and writing motion with stillness means writing moving things into static things, imagining and describing the form and performance of static and dynamic things. For example, Li Bai's "Looking at Lushan Waterfall" and "Looking at the Waterfall Hanging in a Thousand Rivers" is the first image of looking at the Waterfall from a distance. The running water is regarded as a static cloth, and the waterfall hangs on the mountain like a huge white practice, and the word "hanging" is vivid and vivid.
(2) Turning static into dynamic and writing static with dynamic means writing static things into moving things, imagining and describing the shapes and expressions of static things when they are moving. For example, the word "send" in Wang Anshi's "Mr. Yin's Book on the Wall of the Lake" made Jingshan angry.
(3) The combination of static and dynamic is to describe static and dynamic things at the same time, so that static and dynamic scenes complement each other, complement each other and are interesting to each other. For example, Du Fu's "The city is full of meaning", "The heron on the sand head is silent, and the fish at the stern is whistling", which is a clever combination of visual silence and auditory movement.
④ It is a contrast technique to contrast the static by describing and rendering the dynamic and highlighting the static. For example, the scenery painted in Jia Dao's poem Li Ning's Seclusion is very quiet, and the famous sentences "Monks knocking at the moon door" and "knocking" are full of movement, movement, movement as the background and sound as the background. On a quiet moonlit night, a "thump" came, which made the environment quieter and portrayed poetry more accurately. In Wang Ji's "Into the Xi", "The cicada forest wants to be quiet, and Tonamiyama is quieter", which is a model of calm by sound.
⑤ It is a contrast technique to contrast the dynamic by describing and rendering the static. As Tang's poem "Qin Ge" says: "Once played, there is no other sound: there is a spell on the banquet, and the stars are getting thinner.
"This is how you feel about the beauty of music when you write and listen to the piano. It was written from the perspective of hearing, and the static background moved. The next sentence says that the stars fade away when listening to the piano, which shows that the listener has long been intoxicated with the beauty of music and the feeling of time has been forgotten without a trace. ⑥ Moving by moving means moving things by moving things (including moving things when they are stationary).
For example, Su Shi's "Wangjiang Up the Mountain": "The boat looks like a horse, and a hundred regiments pass by. The front mountain is suddenly different, and the back ridge is like running.
Looking up, the path is oblique and there are pedestrians on the street. Raise your hand and talk on the boat and sail south like a bird.
"Arguably, people stand in the boat, the boat is moving, the mountain is static, but the author turned it upside down, gave the mountain movement, let the mountain fly in front of him and watched the mountain rush behind him. The whole poem presents a brisk and magnificent rhythm. ⑦ Dynamic and static contrast is to describe both moving things and static things, so that one sets off the other.
Second, the combination of reality and excess: 1. Introduction: This is the structural feature of artistic conception. Virtual realm refers to the aesthetic imagination space induced and developed by the real realm, which is realized through the real realm. The real realm should be processed under the control of the virtual realm, and the virtual and the real become a unique structural way of artistic conception.
Learners should pay attention to the different connotations of "virtual" and "real" and their dialectical relationship, and understand them in connection with specific works. 2. Detailed explanation: In the traditional techniques of Chinese painting, emptiness refers to the part with sparse strokes or blank parts in the picture.
It gives people room for imagination and endless aftertaste. Poetry and painting are the same, and poetry draws on this method of Chinese painting.
The emptiness of poetry means that you can't touch it intuitively, but you can appreciate the ethereal images and ethereal realms between the lines. "In Chinese painting, it actually refers to the meticulous and rich brushwork in the picture.
In poetry, "truth" refers to the real images, facts and reality existing in the objective world. For example, the dark reality of Tianmu Mountain ascended to heaven in a dream; In Niannujiao Red Cliff Nostalgia, there is still a lack of description of the precipitousness of Red Cliff. In Yulin Ridge, Shangque wrote about the separation of two people, such as "cold and sad, dying for the pavilion" and "holding hands and looking at each other with tears, speechless and choking."
Wait a minute. Virtual and real are complementary, since they can coexist, it shows that virtual is also a kind of existence, and virtual is by no means nothing.
This existence is born of reality and created by the imagination of the brain on the basis of reality. Virtual and real are a pair of relative concepts.
"The combination of the virtual and the real" refers to the mutual connection, mutual penetration and mutual transformation between the virtual and the real, so as to reach the realm of the coexistence of the virtual and the real, thus greatly enriching the images in the poem, opening up the artistic conception in the poem, providing readers with a broad aesthetic space and enriching people's aesthetic taste.
2. Dynamic and static combination 1, autumn rain is like a pearl shining all over the sky and fluttering.
When it rains, the leaves of all kinds of flowers and plants are condensed with glittering and translucent water drops.
3. Wind chases rain, rain chases wind. Wind and rain unite to chase the dark clouds in the sky, and the whole world is raining.
It is raining heavily from the sky, and the dark sky seems to collapse.
Autumn rain, like smoke and fog, floats silently in the rubble of the open space, on the dead branches and leaves, getting wet on the ground, the house and the trees.
6, raindrops together like a big net, hanging in front of my eyes.
7. It keeps raining cats and dogs, and the rain under the eaves gathers into a stream in the street.
8. Silky light rain fell from the sky, the raindrops were so small and the rain curtain was so dense that the mountains were covered with cicada-like white gauze.
9. Rain is like thousands of silver threads falling from the sky.
3. The role of dynamic and static combination in the appreciation of ancient poetry 1\ According to the similarity of things, explain abstract, abstruse and unfamiliar things with concrete, simple and familiar things, that is, make an analogy. Function: It can make the content expressed vivid and concrete, give people a vivid and profound impression, explain abstruse and unfamiliar things with simple and common things, and help people understand them deeply. There are three types of metaphors: simile, metaphor and metonymy.
2. Write things as adults, endow things with people's words and deeds or thoughts and feelings, and describe things with words that describe people. Function: Personalize specific things and visualize language.
3. Imagination can be divided into involuntary imagination and random imagination. Unconscious imagination is an imagination without a predetermined purpose and plan. Is the dream an extreme situation imagined at will? Random imagination is a kind of imagination that is consciously carried out with a predetermined destination. According to the creative degree of imagination, it can be divided into recreating imagination and creating imagination. Imagination based on other people's descriptions or pictures is called recreating imagination. Imagination independent of ready-made descriptions or pictures is called creative imagination. Fantasy is an imagination that combines personal wishes and points to the future. This is a special form of creative imagination.
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4. What are the true and false words of the classical Chinese /f in this post? Kz= 142204786 Content words: Book: ① Letters: Let people leave Zhao Wangshu (couplet) ② Writing calligraphy: Learning books (items) ③ Words ④ Book invitation: ① Request ② Invitation: Inviting guests (letters) ③ Visiting: My son heard it. Please (believe) 4 adverb pairs: ① Answer: Play a symmetrical theme (Tan) ② Right: Sing a song for wine (idiom) Lucky: ① Lucky: It is unfortunate that there was a drought of two or three thousand miles (part I) ② The emperor went to a place: he stood far-sighted, and I hope he was lucky. 3 I love my pet: Ruji is the luckiest (letter). I am lucky: I am lucky to find this woman (hole). Adverb: The king is also lucky to be a courtier (not expensive). Xu: ① Xu: negative Qin takes (cheap). ② Predict indefinite zero: Gao Xu (nuclear) bears: ① Rely on: Qin greedy, bear the responsibility of this trip (yellow) ③ Abandon: never promise and break promises: fear of bearing the imperial court (left) ⑤ back ⑤ defeat: ① stand upright: thousands of feet (stone) stands on the edge of a big stone ③ Immediately: Zhao Lai (inexpensive) makes friends: ① Communication: I think clothes make friends. Setting: Set up nine guests in the court (inexpensive): ① Lead: Lead each other (inexpensive) from left to right; ② Pull: Lead the baby to the riverside (prison) he wants to throw; ③ Retreat: Lead the fear of Jiangbei (red); ① Worry: Qin Wang is afraid of breaking the wall (inexpensive); ② Fear: The boatman is afraid of (stone); ① Finish. All: soldiers who do not meet the requirements (bend): ① infantry; 2 death; ③ Finally: communication between soldiers and Huan (company); (4) there are emergencies at the border; ① Officer: Scholar-officials refused to spend the night on the boat under the cliff (stone); 2 Scholar: Scholar is determined to be honest, and is ashamed of being naked and not eating enough (training); 3 talents: dare to win? Governor (Red) 2: Take Dazhong (5): 1 Run: Take sword and shield (Red) 2 Strike: Lishan north structure, west fold. Go straight to Xianyang (1): ① Things ② Serve: Serve Qin to the ground (6) Courtesy: ① Etiquette: Return after the ceremony (inexpensive) ② Politeness: Qin rudeness: tricks, schemes: I don't know what to do (refer to) difficulties: (nánàn)① disasters: I was ordered (out) ② Refutation: the so-called argument.
(Hong) Name: ① Name: Wu Gu Wu Ming (Fu) ② Name: And this one is named after Zhong. (Stone) Yue: ① Say ② Call it, and call it: Yue disciple Yunzhe (teacher) Wen: ① Wen: Its Wen Man (wandering) ② Wen: Its Wen Yue (bending) makes progress: ① Jin: It is more difficult to enter (wandering) ② Dedication: Just like Jin (incorruptible) ③ Being an official: Jin is also worrying. Regret and worry (Yue) Strange: (qí) Strange: The more strange, the more strange (jρ) Strange: The boat is about eight points long (the story of the nuclear boat) Good: (h o) Beauty (hao) Preference: I can't swim better than swimming after swimming for eleven times: ① As opposed to "in", I started (promoted) ② Production (out of its place) Appreciation: Looking at the so-called stone clock (stone) from the perspective of it ② Observation: The ancients looked at heaven and earth (patrolling) ③ Scene: Wonderland (patrolling) (guàn) Palace building: Your Majesty looked at the official position (incorruptible) Seeking: ① Seeking: Asking for help can make those who reported to Qin (incorruptible) ② Requesting: Asking for help cannot (sending) Risk: ① Uneven terrain: That's it. 2 moved, encouraged, waved: I am a butcher (letter) with a knife in the market; ③ Performance: Wang Zhao's drums and musical instruments (even); 4 punctuality in ancient nights: five gods and five drums. (2) omission and neglect: the primary school left a legacy (teacher) (3) legacy: first visit its legacy (stone) (wèi) gift: first study (red) with books: ① get ② harvest: often get (swim) that: ① say (call) to ……………………………………………………………………………………. (3) Transmission: Fallacy is transmitted in later generations, but those who can't be named (swim) learn from Tao, reason, theory, thinking, and benefit the sage's way (development), method, strategy, ignorance (Ma Shuo), and fashion: learning from Tao is not transmitted (division). Or hungry (I) 3 Teaching, teaching: Teachers are also confused by preaching (teacher): 1 Confused: not confused (test) 2 Confused: Confused (teacher) cheap: 1 Low price: worried about charcoal, willing to be cold (selling) 2 Humble, low status: insulting others; 3 humble words: humble concubines.