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Generally speaking, the first, second and fourth sentences have the same rhyme; The third sentence rhymes differently. The penultimate word in the second sentence is usually a conjunction; The whole poem has lofty artistic conception, elegant language and profound meaning.
Seven laws can be divided into two categories and four sentence patterns:
There are two kinds of standing postures: 1, standing closed, the first sentence rhymes, and 2, standing closed, the first sentence does not rhyme.
There are two opening patterns: 1, starting from the flat, the first sentence rhymes, and 2, starting from the flat, the first sentence does not rhyme.
The first sentence rhymes.
(flat) flat (flat) flat ◎,
Even number, even number.
(flat) flat,
(Ping) Ping (Ping) Ping ◎.
The first sentence is plain and blank.
(flat) flat (flat),
Even number, even number.
(flat) flat,
(Ping) Ping (Ping) Ping ◎.
Start with the first sentence and rhyme.
Even number, even number, even number,
(flat) flat (flat) flat ◎,
(flat) flat (flat),
Even number, even number.
The first sentence doesn't rhyme.
(flat) flat,
(Ping) Ping (Ping) Ping ◎.
(flat) flat (flat),
Even number, even number.
(Note: Parentheses indicate even numbers; ◎ For rhymes, be sure to use a flat voice) (The above text is edited according to the Appreciation Dictionary of Tang Poetry)
Summary of the Metric of Five-character quatrains Before the prosperous Tang Dynasty, five-character quatrains were not antithetical, nor did they pay attention to leveling. The five-character quatrains after the prosperous Tang Dynasty strictly follow the rules of metrical poetry. Although there are a few "archaic poems" written according to the practice of archaic poetry, they are now perfect modern poems in metrical terms. This is mainly manifested in the following three aspects:
The number of (1) sentences is fixed. Only four sentences, five words each, a total of * * * twenty crosses.
(2) Rhyme is strict. Poetry rhymes, some of them rhyme with each other, and there is no essential difference between them and classical poetry. His rhyme is strictly manifested in the fact that it is generally flat and can't rhyme. That is to say, you can't rhyme, and you must use words with the same rhyme, not words with adjacent rhymes.
(3) Pay attention to leveling. On the basis of "Pingping-Zuoping, Zuoping-Pingping", a syllable is added to form "Pingping-Zuoping-Pingping, Zuoping-Pingping, Pingping".
(4) On the dual problem. Because quatrains can be regarded as the interception of metrical poems, the requirements for antithesis are not too strict. Because metrical poems generally require antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithesis of antithe If you want to regard it as the first and last couplet of a metrical poem, you don't have to go against it, such as Wang Wei's Acacia. If it is regarded as the first half of the poem, three or four sentences are opposite, and one or two sentences are not needed; If it is regarded as an interception of parallel couplets and necklaces, it will be confronted. The latter two cases are relatively rare. [ 1]
Basic sentence patterns of flat and even sentence patterns:
There is no rhyme in the first sentence.
Flat and light, flat and light. (Ping) Ping, (Ping) Ping.
Example: the mountains cover the day, and the sea drains the golden river. Make further progress (Wang Zhihuan's "Heron Tower")
Fold the first sentence and rhyme.
Very simple, very simple. (Ping) Ping, (Ping) Ping.
Example: In the dim moonlight, wild geese are soaring, and the leader of the Tatars is fleeing in the dark. I was about to lead the light cavalry to catch up when the snow fell full of bows and knives. (Xia Sai Qu by Lu Lun)
The first sentence of c rhymes flat and even.
(Ping) Ping, (Ping) Ping. Flat and light, flat and light.
Her hands as white as jade are shining on the golden harp by the snow window. Trying to please Zhou Lang as much as possible, you see she deliberately dialed the wrong string. (Li Duan, "Listening to Zheng")
Press the first sentence to rhyme.
Flat and light, (flat and light) flat and light. Flat and light, flat and light.
Example: Spring blossoms and willows blow in the ditch. Liu Fang waits for no one to report to Liaoyang. (Wang Ya's "Boudoir People Send Away")
Five-character rhyme, eight sentences per sentence, five words per sentence, * * * forty words. Generally speaking, every sentence is bound with rhyme (the first sentence can be bound or not), and the rhyme is at the end and cannot be changed.
These four verses all have a specific name. The first couplet is called the first couplet, the second couplet is called the platoon couplet, the third couplet is called the neck couplet and the fourth couplet is called the tail couplet. Parallel couplets and neck couplets must be opposite, and the first couplet and the last couplet can be right or wrong. Different from the seven laws, the first couplet of the five laws uses antithesis, mainly because the first sentence of the five laws does not rhyme much, and the first sentence of the seven laws does not rhyme much. But this reason is not absolute. In the case that the first sentence rhymes, there are still examples of antithesis in the first couplet.
There are four basic sentence patterns in the Five Laws:
Flat and flat (up and down);
Flat and flat (flat and flat);
Flat and flat (flat and flat);
It is flat (flat and peaceful)
These four sentence patterns are the basis of the change of the flat and flat format of the rhythmic poem, and constitute the four basic formats of the five-character rhythmic poem.
The first format: the first sentence begins with rhyme (note: brackets indicate that it can be leveled; Bold words are rhymes and require a flat voice. In the form of five-character rhyme, the first sentence does not rhyme, and it is common to pucker up. )[2]
Very simple, very simple.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
(Ping) Ping, (Ping) Ping.
Example:
Inscription of Xu Hun's Autumn Tour Tongmen Inn in Tang Dynasty
Maple trees rustle in the autumn night; After a night at Tongguan Station, I got my own bouquet.
A few residual clouds gathered on the towering Huashan Mountain; Sparse autumn rain falls on Zhongtiaoshan Mountain range.
With the extension of Tongguan Mountain, remote viewing of tree colors; The Yellow River flows into the sea.
Tomorrow, we can reach the prosperous capital Chang 'an. I am still at ease with the dream of fisherman and woodcutter!
The second format: the first sentence doesn't rhyme.
Flat and light, flat and light.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
(Ping) Ping, (Ping) Ping.
Example:
Du Fu (Tang Dynasty)
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
The bald head has become shorter, and there is no room for hairpins.
The third format: the first sentence enters the rhyme level.
Flat and light, (flat and light) flat and light.
Flat and light, flat and light.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
Example:
Li Shangyin in the Late Qing Dynasty (Tang Dynasty)
A person lives in seclusion, overlooking the city, spring is gone, summer is clear.
The grass was drowned by the rain and finally got the love of God. The rain was sunny.
Climbing on the high shelf, overlooking the distance, the sky is high and the afterglow of the sunset passes through the window lattice.
Birds' nests have been dried, and their bodies are light again.
The fourth format: the first sentence doesn't rhyme.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
Example:
Autumn night in the mountains (Tang) Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Poetry metrical editor
The basic sentence pattern of seven-character rhythmic poetry is eight sentences per sentence, seven words per sentence and * * * fifty-six words. Generally speaking, every sentence is rhymed (the first sentence can be bet or not), and the rhyme remains unchanged at the end.
These four verses all have a specific name. The first couplet is called the first couplet, the second couplet is called the platoon couplet, the third couplet is called the neck couplet and the fourth couplet is called the tail couplet. According to the regulations, parallel couplets and neck couplets must be opposite, and the first couplet and the last couplet can be right or wrong.
There are four basic sentence patterns in the Seven Laws:
Flat and flat (the last word is flat and flat, called flat and flat feet);
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat;
Flat and flat (the last word is awkward, called awkward feet);
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
These four sentence patterns are the basis of the change of the flat and flat format of the regular poem, and constitute the four basic formats of the seven-character regular poem.
The first format makes the first sentence rhyme.
Flat and light, flat and light.
Flat and light, flat and light.
Plain, plain, plain.
Flat and light, flat and light.
Description: 0 means even number or even number.
The second format is flat and the first sentence doesn't rhyme.
Plain, plain, plain.
Flat and light, flat and light.
Plain, plain, plain.
Flat and light, flat and light.
In the third format, the first sentence begins to rhyme.
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
Plain, plain, plain.
Flat and light, flat and light.
Plain, plain, plain.
In the fourth format, the first sentence does not rhyme.
Flat and light, flat and light.
Plain, plain, plain.
Flat and light, flat and light.
Plain, plain, plain.