Han Wo's father, Han Zhan, is Li Shangyin's brother-in-law. They are also scholars in the same year and have a deep friendship with each other. Li Shangyin saw the poem that Dong Lang blurted out when he was ten years old, and called it "Little Phoenix is brighter than Old Phoenix", which shows that Han Wo is an enlightened and wise person. It is completely reasonable that such figures and their works are favored by Qingzhao. It is considered that the works influenced by Ji are "superficial" and it is impossible for Li Qingzhao to include Korean poems in his works, which is actually a kind of strangeness and misunderstanding to Ji and Li Qingzhao. This paper intends to investigate the influence of Xiang Lian Collection on Ci, and use it as a "window" to spy on the spiritual world of Li Qingzhao, a girl who treats Chinese characters.
From the dominant aspect of theme and content, Han He's poems can be regarded as a true record of the late Tang Dynasty, but the influence of such poems on Zhao Qing is beyond the scope of this thesis. Han Wo's "proud" work "Ji Xiang" has written thousands of songs and poems, of which hundreds are beautiful and proud, often from the mouth of literati, or from the mouth of graceful and whitewashed music officials. The so-called "glamorous and proud" refers to the gorgeous and poetic collection of incense, and Li Qingzhao should also be one of the "thieves" of her "invincible discipline". The so-called "secret chanting" refers to the chanting of Jiao Fang's concubines, as opposed to "scholar-officials" and "music officials". It's not that Incense Collection is shameful, but that it can't be further considered as a uniformly elegant work. It should not be denied that Yongshou and Yongyu do have bad deeds, and it is understandable to call them "contemptible people" (Li Dongyang's Zutang Poems), but this is one of the few. To be sure, Xiang Lian Ji is not the kind of "extremely contemptuous person" and "obscene words" that make people blush after reading it (Fang Hui's Ying Kui Lu Sui Volume 7), so why does it have a notorious side? I am afraid this can be traced back to a passage in Yan Yu's "Cang Shi Style": "Xiang Lian Style, Han Wo Poetry, are all in the language of skirt powder, with discipline." Although Yan Yu equated Xiang Lian Ji with Xiang Lian Style, it was not derogatory. Later, some people compared "fragrant body" with "gorgeous body" and "fragrant body", but they thought that Han Wo was "noble and noble" and "fragrant body" was "too delicate, extremely lewd and disliked" (Wu Shidao's Poems Supplemented by Wu Li). Shen Kuo recorded this: "He and Lu Gongning had a series of colourful words called" fragrant collection ". After Ninggui, I married him to be Hanwo. Han Woji's incense was handed down to this world, which is what Ning did. " (Bi Wen) But Fan and Ge don't believe this. They analyzed the symptoms in Dunzhai Leisure Tour and Yu Yun (Volume 5) respectively, and thought that Xiang was really written by Han Wo. Fan and Ge's theory is well-founded.
"Xiang Lian" is a women's cosmetic case. As the name implies, The Collection of Xiang Lian is dominated by works that reflect women's lives, with a beautiful style. Judging from the preface to Incense Collection quoted above, this kind of works had a very negative reputation at that time. Judging from the main works, I'm afraid Han Wo is not bragging for no reason. In more than 100 poems in Xiang Lian Collection, adolescent women's pursuit of heterosexual love is mainly described:
The embroidery is flawless and the window is bright and clean. Hands are tender, teeth are soft, and the more sour they are. It's hard to report a secret date when you leave. I don't know magpie, but I still have to breathe a sigh of relief. ("deep window")
Learn to comb your hair and try on a new skirt. The good news is this spring. In order to confuse people, it is advisable to ask people. ("new head")
The previous song said that the hero felt unhappy after the actress became a actress. She tasted the taste of love alone, just like oranges and plums in the south, sweet and sour. I am embarrassed to go to the appointment, but it is difficult to deliver the letter. When she was upset, she heard the voice of the magpie and was relieved for the time being. The sentence of "learning to comb" in the latter song is obviously Xiaogang's meaning of "graceful and restrained to send a new head and a skirt to swim happily". If you only write about girls' intentional hairstyles, learn to comb their hair and try on new skirts, the intention is still general. Interestingly, she even asked the bridesmaid if she was dressed like this. Two short poems vividly describe two kinds of characters, the former is deep and shy, and the latter is charming and lovely with vivid images. There are many similar poems in the existing Xiang Lian Collection.
Korean poetry has a great influence on Qingzhao. For example, Li Qingzhao's "Little Red Lip" (a swing) implicitly includes Han He's "Occasionally See" poem; In some of her other works describing her early life, it is not difficult to see the obvious imprint of "Xiang" poetry. Moreover, this influence is not negative, but a useful hint from predecessors to future generations.
Among the existing Incense Collection, there are many works with high enlightenment significance, such as Ode to a Lamp and Wugeng. "Nian Hua Deng" is a quatrain: "High in the restaurant, far away in the fishing boat. Ancient letters and complaints are sold out, don't turn your back on Nagato. " It's about the disappointment of abandoned maids. As far as its theme is concerned, Wugeng is very similar to Bai Juyi's poem A Silver Bottle at the Bottom of the Well in New Yuefu. Although Han's poem is not about elopement, it is also a secret engagement behind people's backs. The last two sentences of the poem are "It's better to win than to grieve all your life", which is also related to Bai's sentence "I'm crazy about my family, so be careful not to treat myself lightly". Others, such as "Peach Blossom's face is full of tears, and suddenly it flows deeper into the pillow" ("New Autumn"), also wrote a kind of worry about "abandoning the fan". It can be seen from this kind of poems that Han Wo's concern and deep sympathy for the social problems that women were teased and excluded at that time are commendable. These poems are by no means "beautiful without bones" (zhouyan's poetics). Its possible impact on clear photos will be more positive and profound.
The General Catalogue of Sikuquanshu (15 1 volume) gives a fair evaluation of Korean poems: "Although his poems are not as profound as those of their predecessors, their loyalty is always outside the language. Temperament is awkward, arrogant and impassioned, which is different from the decadent voice at that time. " Therefore, after reading Han's poems, some people expressed such feelings: "I love Dong Lang's wonderful speech, and I will never miss Tang poetry in my life." (Chen Cengshou's "Autumn Night Class") Among Dong Lang's "Farewell Poems", its most proud hundreds of "sweet poems" are self-evident, which are the inspiration for this girl who is waiting for a word, and also the inspiration for her creation.
Fragrant body
China's Poetic Style and Tang Hanwo's Fragrant Collection. A gorgeous body. This kind of works mostly describe men's and women's love and women's clothing, and the style is beautiful and delicate. It originated from the palace style of the Six Dynasties, and its description scope expanded from the court nobles to the love and narrow life of ordinary literati, which had a certain influence on later poems.
Yan Yu's "Cang Shi Style" in the Song Dynasty said: "Xiang Lian Style and Hanwo Poetry are all in the language of skirt powder and have discipline." According to Han Wo's Preface to Incense Collection, "Sigong style does not belong to Yu Xin's attack on the text; However, why make a preface to Yutai? At first, I was holding a heart attitude. Fortunately, I have no shame in breaking my teeth. Liuxiang brothel, never chaff; An embroiderer in a golden boudoir is the beginning of early romance. The mouth contains five-color ganoderma lucidum, which is fragrant and gives birth to nine orifices; Swallow the dew of three dangers, and spring moves seven emotions. " It shows that the writing of Xianglian-style poems originated from the palace style of the Six Dynasties, and the description scope expanded from the palace aristocrats to the love and evil life of ordinary literati, and the brushwork was more enjoyable. Fragrant style has a certain influence on later poetry. Ye Yin, a poet in the Song Dynasty, wrote several poems about boudoir, entitled "Fragrant Style". Yi Yu Ji in the late Ming Dynasty, Shu Yuan (Zidou Village,No. Xiangting) and villagers' poems in the Qing Dynasty also deliberately imitated the works of Ji Ji.