Snow energy
At the end of last spring, tears wet the red paper and said goodbye.
I am often afraid that I will disperse with the martial arts. Why did the Wuling period appear again?
Every time you express your love, you should know it without saying anything.
Cut pillows at the bar and talk about lovesickness at night.
In the early years of Xian Tong, Tang Yizong, Xue Neng worked in Chang 'an, Kyoto. Five years later, with Li Fu into Sichuan; Three years later, he was transferred back to Chang 'an. Xue can leave Shu and return to Beijing, which coincides with the late spring and early summer. Peony is in full bloom in Luo Jing. He has nothing to do every day, of course, he wants to linger in Liuxiang among flowers, pleasing Wei Ziyao's red eyes and telling peony the pain of acacia after three years' absence. "Who will play in Beijing? This poem belongs to me. " ("Four Peony Poems") 4) This poem shows the complex feelings of sadness, joy, resentment and love after the reunion of the flower people.
"Last year, when the peony was in full bloom," the poet saw him. After such a long separation, there is bound to be more excitement and joy, but he started writing when the peony bloomed in autumn last year. This kind of playing hard to get writing can fully express the poet's complex feelings of sadness and joy. Why did the poet start writing when he left last year? "Tears are wet and red, and resentment is parting." It turns out that in recent years, poets have missed the peony in Beijing, written poems with tears and told the suffering of acacia. "Tears wet the red note", when the poet was writing a poem, the red note was wet by the tears of acacia. This is a meaningful sentence, and it seems like crying, and the poet's feelings of missing peony are exhausted.
Xue Neng's four peony poems were not written at the same time. The tone, emotion and place names involved in the first two five-character poems can all be proved to be written by Xishu. There is a cloud in the first poem: "Shu water can be dyed, and Wushan is not pitiful." The second song is "Guang Xiao is like Qushui, and its color is amazing." Therefore, the "red note" in the sentence should refer to the first two poems in Four Peony Poems. There are also some sentences in the poem, such as "I am worried about the rain every day" and "I am sick for it", which show the infatuation of the poet who missed peony day and night after leaving Beijing and West Shu, resulting in resentment and illness.
The third and fourth poems, closely surrounding the word "resentment" in the previous sentence, skillfully use two allusions to stimulate the poet's subtle and complicated psychological state after bidding farewell to peony from a microscopic point of view. "If you often think about it, you will go away with the martial arts." The poet borrowed the ups and downs of martial arts and told himself that after parting, he was always in fear, fearing that this parting and hatred would be like ups and downs in Wushan, perhaps scattered but not gathered, or gathered and scattered. How complicated the poet's feelings are, with fear, anxiety, faint sadness and a trace of longing. The poet yearns for the peony in Beijing, and he is eager to see it. Now he is finally looking forward to the day of reunion after a long separation. How could he not be surprised "Why did the Wuling period appear again?" . The poet borrowed the story of Wuling fisherman's accidental discovery of Peach Blossom Garden, suggesting that the reunion was completely unexpected and unbelievable. The poet is looking forward to the reunion, but he knows that the chance of reunion is as far away as the mist in Wuxia Gorge. Therefore, once this fantasy becomes a reality, it is inevitable that you will doubt yourself as if you are in a fairyland in your dream.
The poet's first four sentences, from last year's departure to today's reunion, from myths and legends to the present reality, are full of twists and turns, but they always haunt the poet's lingering clues about peony, making the poem illusory, chaotic and not chaotic, closely touching the readers' heartstrings and producing strong artistic effects.
In the fifth and sixth sentences, the poet uses anthropomorphic techniques to describe peony positively. However, poets still focus on expressing feelings rather than drawing shapes. As the saying goes, the poet is so affectionate to peony, not because of its beautiful appearance, but because of its inner fragrance. It is this innate beauty and deep love that makes the lovers linger on even though they are thousands of miles apart and separated for many years. You should have met without saying anything. After breaking up, I had a million love stories to tell about Qian Qian, but I met them unexpectedly, and they were relatively silent and affectionate. "Silence is better than sound", love words and whispers seem redundant. The word "silence" used by the poet is dignified and profound, which not only conforms to the characteristics of peony flowers, but also fully expresses feelings.
"I just want to put a pillow at the bar and miss you at night." These last two poems push the inseparable attachment between flower lovers to * * *. How can you leave without saying a word of confidence when you meet again after such a long separation? So the poet just wants to put the pillow under the flowers beside the column and lie with the peony; Wait until the dead of night, the mood is stable, and then tell the pain of lovesickness from the beginning. The depth of feelings and the desire for love have reached a crazy level.
In fact, this poem by Xue Neng not only expresses his attachment and yearning for the peony in Kyoto, but also contains his persistent pursuit of an ideal realm. Throughout his life, he loved poetry like a life, wherever he went (biography of talented people in Tang Dynasty), he was poetic and picturesque, forgot to eat and be greedy for demons, and became a thin man (self-satire). He was worried that the poetry world at that time was full of lewdness and weakness, worried about trivial things (remnants) and often felt lonely and shed tears, but this was fate. Therefore, can we understand that the deep feelings and dreams in the poet's poems are the highest realm of his poetry creation, which he devoted a lot of effort to and struggled for all his life?
This seven laws is ingenious in conception and novel in brushwork. The poet does not directly describe the beauty of peony, nor does he need a word of praise. From beginning to end, he regarded peony as his lover in an anthropomorphic way. The elegance and charm of peony are all set off by the tone of lovers, and the writing is sincere and euphemistic. Hu Zhenheng, an Amin poet, praised Xue Nengzhi's poem "Taking different colors as scenery, sending others to write feelings, getting rid of previous opinions and opening up a new world for me" in "A Mirror of Tang Yin". It is too high to evaluate all Xue Neng's poems, but it is not a compliment to evaluate this peony poem.