What is the creative style of Li Bai's poems and songs?

During the Tang Dynasty, poetry became an outstanding literature with many poets. The prosperity of his works can be described as a spectacular sight. Li Bai was an outstanding poet in the prosperous Tang Dynasty. Li Bai (70 1-762), whose real name is Taibai, was named a violet layman. Originally from Longxi (now near Tianshui, Gansu) and Ji Cheng, he was born in Suiye (now tokmak, Kyrgyzstan) in the western regions and grew up in Mian Governor Long (now jiangyou city, Sichuan). He is another great romantic poet after Qu Yuan. His achievements reached the peak of romantic art in the history of China's classical poetry development, which had a great and far-reaching influence on the Tang Dynasty and later generations, both in spirit and in expression. Han Yu of the Tang Dynasty has given him a high evaluation: "Du Li's article is there, and the fire is endless." Many writers after the Tang Dynasty, such as Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty and Gong Zizhen in the Qing Dynasty, all accepted his influence to varying degrees and made different achievements. This paper tries to make a brief comment on Li Bai's creative style of poetry and songs, please correct me. The culture of the prosperous Tang Dynasty gave birth to countless outstanding poets, among which Li Bai is undoubtedly the most talented and charming poet. The spirit, emotion and spirit of poetry in the prosperous Tang Dynasty are fully displayed in Li Bai's poems. Taking his poems as a whole, we can not only see the surging passion for no reason, but also appreciate the magical and grand imagination. In his poems, there are both vast and magnificent wonders and natural and beautiful artistic conception symbolizing charm; It not only has the grand ideal of "helping the poor" and "securing the country", but also has an extraordinary romantic color. On the basis of real life, he boldly used highly exaggerated metaphors to describe what he saw in front of him artistically, which made his image have a gripping and powerful artistic appeal. His imagination is strange and rich, and he gallops freely in images in distant time and vast space. In order to express his thoughts and feelings, he also used various historical legends and fairy tales to create unique and amazing artistic images. What is more noteworthy is that he always skillfully combines exaggerated metaphors, rich imagination and other romantic expressions with myths and legends, which makes many of his romantic poems have heroic momentum, high-spirited mood, strange images and extraordinary artistic conception, thus having a strong artistic appeal to readers. In addition, his vivid, clear, gorgeous and natural and fresh language has made him glorious and famous through the ages. Li Bai's above-mentioned creative style is vividly reflected in his quatrains, metrical poems, Yuefu, Gexing and other poems. 1, quatrains Li Bai's poems and songs, whether in five or seven words, are fascinating. Looking at Tianmen Mountain is one of Li Bai's seven masterpieces. With Li Bai's open mind and romantic feelings, the natural landscape shows more and more bold and magnificent magic. This poem describes the poet's aesthetic feeling and instant emotion in the embrace of nature, and it is a natural work with a wave of his hand. The first sentence and the second sentence have shown the majestic self-confidence of Jiajiang confrontation and choppy waves, while the last two sentences are cordial and wonderful, giving people rich imagination and distant interest. The whole poem has an open artistic conception, distinct layers and vivid images. The feeling of that moment, infinite charm, natural beauty, universal humanity and human feelings are simple and real, and life is very interesting, giving people a kind of beauty of "clear water produces hibiscus, naturally carved". Of course, it is not enough to explain the seven wonders of Li Bai just by saying "Looking at Tianmen Mountain from afar". Li Bai's seven unique poems are mostly landscape poems and farewell poems. In these poems, there is a temperament that blends with heaven and earth and nature. With his naive childlike innocence, the poet integrated feelings with mountains and rivers. No matter how you write about scenery and love, there is a kind of chic, fresh realm and elegant connotation. For example, watching Lushan Waterfall, making Baidicheng as early as possible, and asking questions in the mountains. Since ancient times, Lushan Mountain has strange peaks and rocks, swift springs and waterfalls, and infinite scenery. In "Looking at Lushan Waterfall", the poet only described a waterfall on the side of Lushan incense burner peak, but in the author's pen, Lushan was shrouded in "purple smoke" and reflected by the red sun; Waterfalls fly straight, just like the Milky Way, how magical and spectacular, how natural, pure, beautiful and elegant. "The apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man". The poet was banished as a yelang, but he was pardoned on the way. How elegant and elegant he was when he returned to Jiangling! Li Bai's Seven Wonders is the highest in the Tang Dynasty, and similarly, Li Bai's Five Wonders are unparalleled. Among the poets in the prosperous Tang Dynasty, Li Bai was the only one who was good at the five wonders and seven wonders. His five-character quatrains are often lively in style, showing endless emotional charm with clear and fluent language, which is both natural and implicit, true and concise, and rich in connotation. This is the highest realm of quatrains. Such as "sitting alone in Jingting Mountain" and "Old Laoting". A quatrain is an instant presentation of Li Bai's emotional world. His cheerful personality, frank feelings and free and easy temperament are all reflected in an epiphany, and he can immediately become a swan song if he blurts it out. 2. Li Bai's Yuefu poems and ballads not only have outstanding achievements in quatrains, but also have good achievements in Yuefu and ballads. Such as Yuefu poem "Difficult Road to Shu". This poem is a masterpiece of Li Bai. When the poet first visited Chang 'an, he used this poem to express his admiration. He said, "People who are not people are not white stars?" Call Li Bai "fallen immortal". The whole poem of Shu Dao Nan can be roughly divided into three paragraphs. The first paragraph is from the beginning to "then the ladder is hooked." "Hey, danger!" Voice, volley; "It's hard to get through the road, but it's hard to get into the sky." I want to fall from the sky and smell it. Then trace back to the pain of opening the way in Qin dynasty, so that the difficulty of Shu road is shrouded in a thick mysterious and tragic color. The second paragraph, from "high above, like on a tall banner, six dragons drive the sun" to "you are far away from here", specifically describes the dangers and hardships of Qingniling, as well as the miserable atmosphere and dangerous situation, which makes people feel as if they are in the near future. In the third paragraph, from "Although the Jianta Pass is firm and stern" to the end, I wrote about the danger of Jiange and the sinister place in Shu, urging my friends to return to Chang 'an as soon as possible. At the beginning, the middle and the end, there were three shouts of "It's hard to get through the Shu Road, and it's hard to get to the sky", and three sighs sang soul-stirring. The style of the whole poem is patchy and varied, with bold exaggeration and clever metaphor to highlight subjective feelings, and with unrestrained writing style, it has formed a majestic momentum, showing the personality characteristics of his poetry creation in front of us, which is unprovoked and powerful. Another example is "drinking". Li Bai brought his romantic temperament into Yuefu and gave new life to the ancient Yuefu. Although this poem seems to be "antique", it has "I" everywhere, which highlights the distinctive personality that others can't simulate and pushes Yuefu poetry creation to an unparalleled peak. At that time, the poet wanted to display his talents and help the world. However, during his trip to Chang 'an, when he was frustrated politically and his ideal was empty, the poet sought immortality, visited friends, drank wine and sang songs to dispel his worries. This poem begins with two parallel long sentences, "Did you see how the water of the Yellow River left heaven and entered the ocean, never to return? You can't see the lovely hair in the bright mirror of the high room. Although it is silky black in the morning, it has turned into snow at night. " Be ready to come out, full of momentum, pouring thousands of miles, expressing a profound understanding of life. Then it seems that "sadness" suddenly becomes "joy" and "joy". In fact, in the madness of "having fun" and "having fun", the poet is full of generous repression and indignation. The last sentence, "I'm worried about selling with you forever", came to an abrupt end in response to the beginning of the article. The whole story is extremely sad, expressed in bold words; The state is extremely wild, but it is actually depressed and helpless. Li Bai is known as "Brewmaster", and there are many drinking poems, among which this poem is an outstanding representative. Li Bai's achievements in composition are higher than Yuefu's. For example, works such as "Climbing Mount Tianmu in a Dream" and "Song of Liangyuan" are imaginative, alternating between reality and reality, with extensive strokes, sometimes downstream, sometimes countercurrent, sometimes leaping forward, with a large span, and can be written at will. For example, in Climbing the Tianmu Mountain in My Dream, oh, how can I solemnly bow and scrape to those people with high status and important positions, but these people will never be seen with a sincere face. "There is no doubt that Li Bai's lyric will be revealed, like a storm, falling suddenly, like mercury pouring down, as if pouring out directly from his chest. Li Bai's songs completely broke all the inherent forms of poetry creation, with no support and changeable brushwork, reaching the realm of unpredictability and random swaying. It fully embodies the vigorous spirit of the times in the poetry of the prosperous Tang Dynasty and has the great masculine beauty of expanding it. Looking at Li Bai's poems, it is not difficult to see that Li Bai is a very distinctive artistic personality; In the history of China's poetry, the artistic individuality of his works is also unique. His poems have a strong subjective color, which is mainly manifested in paying attention to expressing heroism and passionate feelings, and rarely describing objective images and specific events in detail. The most striking feature of Li Bai's lyric style is that it often breaks out. Once feelings are aroused, they are like hurricanes in the sky, overflowing volcanoes, rushing out without restraint. Combined with the expression of bursting feelings, his poetic imagination is unpredictable, often unreasonable and strange. Most of the images in the poem are: Dapeng, giant fish, long whale, great river, snow-capped mountains and other magnificent things. This provides more and broader imagination and creates more romance. The language style of Li Bai's poems is fresh and lively, and hearty and lively is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his noble personality of rejecting secular identity. Li Bai's life experience and its influence on his creative style. Why is Li Bai's creative style so romantic, elegant and unrestrained? Let's take a look at Li Bai's life experience. I think Li Bai's life runs through two main lines: one is his official career, and the other is the influence of Taoist thought on him. Li Bai comes from a rich and educated family. Let him "carry Liu Jia at the age of five and watch a hundred schools at the age of ten. "He grew up in Shu as a teenager. Zhongshu is a place with a strong Taoist atmosphere, and the environment has a great influence on his immortal Taoist belief. The influence of Taoism has been with him almost all his life. 18 years old, learning vertical and horizontal techniques. In my opinion, it is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament, and his poems also have that kind of strong, rushing feelings and unrestrained momentum. In the 12th year of Kaiyuan (724), Li Bai began to travel about life, asking for recommendations many times, but failed. In the first year of Tianbao, Li Bai was called to Beijing, which was the most brilliant moment in his life. But not long after, he was vilified by powerful people and his career was hit again, which made him full of dissatisfaction and disappointment with the court, but he also cared about state affairs and hoped to make achievements. Since the Anshi Rebellion, Li Bai thought it was time to serve the country, entered the Wang Yong shogunate and joined the army generously, but was later convicted of rebellion. Was pardoned on the way. When he went to the southeast of Li Guangbi, he joined the army again, but he was half ill and later died. In my opinion, Li Bai idealized the life philosophy of the scholars in the prosperous Tang Dynasty who actively joined the WTO, and at the same time had the Confucian thoughts of "helping the poor" and "settling down" of the poets in the Tang Dynasty. Therefore, his overly idealistic life design is bound to fail. But he has always yearned for such an ideal. Therefore, he kept running back and forth between success and failure, which made him often fall into grief, injustice and disappointment, and maintained a spirit of conceit, self-confidence, openness and high spirits. Li Bai was deeply influenced by Taoism, strategists and Confucianism all his life. Among them, the influence of Taoism runs through Li Bai's life. The reason why this part is put forward separately is because Taoist belief in immortals occupies an important position in his thought. When I was a teenager, I lived in central Sichuan, where Taoism was relatively developed. I naturally came into contact with it, and then I learned the vertical and horizontal techniques. During his career, he held many Buddhist ceremonies. Because of this, Li Bai has shown the idea of dreaming, eating, drinking and having fun in time in many poems. In addition, his arrogant, informal and elegant temperament also comes from this ideological basis, and He Zhangzhi once called him a fairy. The most prominent feature of Li Bai's personality is independence. " This is the product of the peak of human awakening since Wei and Jin Dynasties, and the product of the high sublimation of the spirit of the prosperous Tang Dynasty. "