Linjiangxian Capital Yuanxi Original _ Translation and Appreciation

it is said that Chang' an lights are good at night, and BMW wheels are carved like clouds. Penglai is shallow and shallow. The jade emperor opens the blue sky, and the silver world loses dusk. Who sees the haggard guests in the south of the Yangtze River, worrying about being lazy and walking around? The small screen is cold and fragrant. Wine makes you dream in spring, and the window breaks the moon to find someone. -Song Dynasty Mao Kun's "Linjiang Xian Du Cheng Yuan Xi" Linjiang Xian Du Cheng Yuan Xi heard that Chang 'an Lantern had a good night, and the BMW was carved like a cloud. Penglai is shallow and shallow. The jade emperor opens the blue sky, and the silver world loses dusk.

anyone who sees the haggard guests in the south of the Yangtze River is worried and lazy. The small screen is cold and fragrant. Wine makes you dream in spring, and the window breaks the moon to find someone. Graceful and graceful, Lantern Festival, lyrical thoughts translation and notes

It is said that the Lantern Festival in Bianjing, the capital city, is full of lively lights at night, with gorgeous vehicles and handsome BMW as many as clouds in the sky, just like the realm of immortals. The Jade Emperor opened the blue sky, and the stars and lodgers in the sky fell one after another, making the "silver world lose dusk".

No one has seen me alone, and my wife has long lost interest in the prosperity of the Lantern Festival. Only in the boudoir, by the "small screen", I am alone in incense, and the incense is getting cold and condensed. Only when I am drunk can I get rid of loneliness in my dreams. Only the moon comes to me through the broken window of the guest house. Appreciating

The first part of this word is about the imaginary scene of Bianjing Yuanye, and the second part is about a kind of helpless mood in reality. The first piece is imaginary, and the second piece is real; One is virtual, the other is real, the other is virtual, and the other is real.

In the first sentence, "It is said that Chang 'an lights are good at night", and "Chang 'an" refers to "the capital city", that is, Bianjing. "Good night with lights" and "Yuanxi". The title is pointed out in the first sentence. The word "Wen Dao" points out that the lively scene of the capital Yuanxi is a fugue, not a reality. However, this "fugue" is not a memory of the past life, nor a vision of the expected future, nor a dream, but an imagination of another space at the same time, that is, the imagination of the "haggard guests in the south of the Yangtze River" in the bleak environment of Bianjing Yuan Night. It is almost infinite to get rid of the shackles of reality and do it according to your potential wishes. The phrase "Carving a BMW like a cloud" is a great expression of "Carving a BMW like a cloud". The poet described the bustling scene of Yuanxi, the capital. However, this prosperity is only the product of the poet's imagination, and the word "Wen Dao" in the first sentence makes this clear. The more prosperous and lively the last film is, the more it contrasts with the embarrassing appearance of the next film. In the following three sentences, the poet moved Bianjing Yuanye from the ground to the sky, and used the imaginary fairyland to describe the grand occasion of the capital Yuanxi. "Penglai is clear and shallow, facing the ridge" is to describe the night of Bianjing Lantern Festival as if it were a fairy realm. "The jade emperor opens the blue sky, and the silver world loses dusk." "Blue sky", especially blue sky. The word "Kai" in the sentence "Jade Emperor" inspires people's imagination. If you say "open", the "blue sky" was originally "closed". It was only on the night of last Yuan that the Jade Emperor opened the "blue sky" that was originally "closed". When the "blue sky" opens, the stars and lodgers in the sky will fall one after another, making the "silver world lose dusk". The poet's writing is nothing more than moving the emperor of the world to the sky, in order to dye a layer of blurred and trance color in his imagination, which makes the night of the Imperial Palace more lively in the performance of the poet.

In the first sentence of the next film, the author refers to "the haggard guest in the south of the Yangtze River". "Who sees" is a rhetorical question, which means no one sees. In particular, the author's wife, whom he deeply misses, doesn't know the dilemma of treating her guests with sin. This sentence, in the tone of questioning, wrote his own loneliness. The word "who sees" also pulls the reader (and the author himself) back from the imaginary bustling scene to the bleak reality. "Worrying about it is lazy to walk in the dust", which means that the boudoir has long lost interest in the prosperity of the Lantern Festival, and the boudoir in Mao Gu's ci does not need to "find". She knows that her husband is thousands of miles away and is "lazy" to go to the prosperous place of the Lantern Festival. She is only in the boudoir, beside the "small screen", and the incense is curled up alone, and the incense is getting cold and condensed. A kind of helplessness is displayed in front of readers, like a picture of a night in the boudoir, which is extremely well painted. This kind of description is only the idea of the poet, but the idea that the boudoir is missing himself shows more deeply that he is missing the boudoir. In the sentence of "strong wine", the poet came back to reality from his yearning for the boudoir. On the night of the Yuan Dynasty, it was supposed to be a joyful evening, but the author himself was in a cold and lonely state of mind to enjoy the night of the Yuan Dynasty, which should not be so sad. "Spring dreams" can only be done when the wine is strong. And wine can't really relieve anxiety, it just makes people forget it temporarily during anesthesia. At the end of the sentence, "The window breaks through the moon to find someone", and the lyricist is lonely, and only the moon in Yuanxi is accompanied by a spring dream. The word "seek" is to imitate the moon with people. This "haggard guest in the south of the Yangtze River" is waiting for a trip, and no one "looks" for him. Only the moon "looks" through the broken window of the guest house, which makes him more lonely, and his mood has changed from cold to bitter. Creation background In his later years, Mao Kun was convicted of words and deeds, so he went on strike as the prefect of Xiuchuan. In the winter of 1115 (the fifth year of Zhenghe), he was punished in Qixian Hostel, Henan Province, and his family was poor and miserable. Linjiangxian Capital Yuanxi was written when the poet was in Henan. Mao Kun, a native of Jiangshan, Quzhou, was born in the sixth year of Jiayou (161) and died at the end of Xuanhe. There are ten volumes of Dongtangji and one volume of Dongtangci handed down from generation to generation.

Mao Kun

Mao Kun, a native of Jiangshan, Quzhou, was born in the sixth year of Jiayou (161) and died in the last year of Xuanhe. There are ten volumes of Dongtangji and one volume of Dongtangci handed down from generation to generation. ? 673 poems shake the armature. Step on the plain snow. Bravely took advantage of the sound of the army to sweat blood. Idle through the rising season. Spring grass is everywhere. A trickle of wild water and clear sand. How many people are getting old, and they are still trapped in the salt car. -song dynasty Zhang Yan's

qingpingle plain horse release

song dynasty: Zhang Yan shook the armature. Step on the plain snow. Bravely took advantage of the sound of the army to sweat blood. Idle through the rising season.

velvet spring grass is everywhere. A trickle of wild water and clear sand. How many people are getting old, and they are still trapped in the salt car. Graceful and restrained, writing about horses, feeling the arrival of Ye Chaoying, smoothing the waves and rolling the flocks, and returning to the ship at an oblique day after the bridge is broken. I can travel several times, and seeing flowers is next year. The east wind lives with the rose, and it is pitiful to the rose and spring. More sad. It's all green in the west, a touch of waste smoke. Swallows knew where they were, but the moss was deep and crooked, and the grass was dark and oblique. Seeing the new worries, I am now at the gull's side. I have no intention of continuing my dream of singing, covering the door and sleeping lightly. Don't open the curtain, for fear of seeing flying flowers and listening to cuckoo. -Song Dynasty Zhang Yan's "High Balcony West Lake Spring Feeling"

High Balcony West Lake Spring Feeling

Song Dynasty: Zhang Yan received Ye Chao Ying, rolled up the catkins in a smooth wave, and returned to the boat at an oblique day after the bridge was broken. I can travel several times, and seeing flowers is next year. The east wind lives with the rose, and it is pitiful to the rose and spring. More sad. It's all green in the west, a touch of waste smoke.

swallows knew where they were, but the moss was deep and crooked, and the grass was dark and oblique. Seeing the new worries, I am now at the gull's side. I have no intention of continuing my dream of singing, covering the door and sleeping lightly. Don't open the curtain, for fear of seeing flying flowers and listening to cuckoo. Graceful, chanting things, West Lake, full of flowers. Fly, fly to Shuang Yan. The red rain does not roll when it enters the curtain. Six fans in Xiaoping Mountain. Jade sleeves are sad and broken. The pulse of two moths is shallow. I don't know if the message is far away. Dream for a long time in spring. -song dynasty, Chen ke's

paying homage to the golden gate, the flower garden and the flower garden. Fly, fly to Shuang Yan. The red rain does not roll when it enters the curtain. Six fans in Xiaoping Mountain.

the jade sleeves are full of sadness. The pulse of two moths is shallow. I don't know if the message is far away. Dream for a long time in spring. Graceful and restrained, writing flowers and cherishing people