Patriotic poems written by symbolic means

Point out the land complex and appreciate the first two sentences: "If I were a bird, I would also sing with a hoarse throat." The poet's love for the land has reached the point where he doesn't know how to pour it out. So he can only abandon people's thinking language and pour out his love in the simple and simple language of birds. In the poet's view, this simplicity and simplicity are often the most sincere and warm. The adjective "hoarse" can no longer sing beautiful and clear love songs, but this "hoarse" song can express the sincerity and persistence of the land without hesitation. So the exciting song of land complex sounded. Pour out the land complex: the first layer is a metaphor for human suffering. This land hit by the storm, this river of our grief and indignation will surge forever. The images in "The Storm" and "The River of Sorrow and Anger" tell us that the land that Ai Qing dreamily loves is a land full of pain, and there is too much sadness in his body. At that time, the Japanese invaders successively captured vast areas such as North China, East China and South China, and they were crazy everywhere, regardless of their lives. Ai Qing has a similar description in Snow on the Land of China: "Snow falls on the land of China,/the cold is blocking the wind in China,/like an old woman who is too sad,/following/sticking out cold fingers/pulling the skirts of pedestrians,/using words as old as the land/whispering constantly ..." The poet used it. These two poems were written at the same time, both of which show the poet's deep concern for people's sufferings. The second layer is a metaphor for human resistance. The phrase "this annoying wind blows endlessly" symbolizes the indomitable spirit of the Chinese nation in the war of resistance. China has nurtured the Chinese nation and its indomitable national spirit. "Endless life" means the inheritance of the spirit of resistance, "scraping" and "provoking" indicate strength, and the poet's land complex deepens from lamenting the suffering of the land to praising the land. The phrase "incomparably gentle dawn from the forest" on the third floor can be regarded as a symbol of the prospect of struggle, or it can be more "real", as a symbol of the vibrant liberated areas and as a symbol of the great national liberation war. In short, the poet's feelings changed from sadness and praise to longing, showing a firm belief in winning and reaching a new level. On the fourth floor, "-then I died, and even my feathers rotted in the ground." The poet did not indulge in the appreciation of the "gentle" and quiet "dawn", and made the solemn choice to leave this land forever for his love. This dedication can be interpreted as: I come from the land and finally return to the land, so that love can be sublimated and eternal. What an extraordinary, tragic and noble land complex it is! The fifth layer, the question and answer of the second section of the sublimation land complex, the poet changed from borrowing birds to directly expressing his feelings: "Why do I often have tears in my eyes?" Because I love this land deeply, my love for the land is too "deep" and too strong, which makes it difficult for poets to resort to language and can only condense into crystal tears. Tears show the author's deep love for the country, which is worrying, and there is more stubbornness that does not admit defeat. The word "deep" may not reach the expression intensity corresponding to the actual feelings, so the six heavy ellipsis behind it, as if surging with the passion of underground fire, beat the reader's heart more heavily and arouse the reader's continuous * * * sound. The whole poem reached its climax in this question and answer, and its warm and sincere patriotic feelings left endless aftertaste. The tone of the article is at the beginning of the poem. The poet assumes that "I" is the image of a bird, and this "bird" is a bird with a hoarse throat, which makes the reader immediately infected by the poet's sense of hardship. This sense of hardship comes from a broad and deep love for the troubled motherland. In this tone, the poem further describes the objects that birds sing: land, river, wind and dawn. Judging from the modifiers in front of the four singing objects, they are all images of long-term suffering from wind and rain, grief and indignation, and struggling hard, which is in line with the spirit of the birds dedicated to the land below and strengthens the theme of "loving the land" and "loving the motherland" that the poet wants to express.