First of all, since it is a poem about things, of course, we should be able to write the characteristics of the things we sing realistically, go deep into them and capture the charm and character of things, that is, to be "like a god." For example, Zheng Sixiao, a veteran of the Southern Song Dynasty, wrote "Painting Chrysanthemums":
Flowers bloom without falling, and the interest of independent hedging is not bad.
It is better to hold incense in the branches and wait for death than to be blown into the north wind.
Chrysanthemum is independent, lonely, not vain, and disdains interacting with "flowers". It insists on moral integrity, and Ao Shuang is in full bloom, radiant and full of interest. The chrysanthemum here has a certain charm, and it is also the poet's self-portrayal, and the corresponding "Hundred Flowers" is an allusion to those condescending and official Steven Song genera.
The 342nd poem is translated into Zhu's poem "I'd rather hold my head and grow old than dance with the west wind and yellow leaves", which depicts in detail the indomitable spirit of chrysanthemum that would rather die with fragrance than succumb to the north wind and fall to the ground, perfectly embodying its loyalty, integrity and integrity, and "I'd rather die than die". Here, "North Wind" is a pun, which literally refers to it. In fact, it is a metaphor for the rulers of the Yuan Dynasty who came from the north. Although they destroyed the Southern Song Dynasty by powerful force, they could not conquer the lonely ministers like poets. The poet used anthropomorphic techniques to chant chrysanthemum and write people, and vividly expressed his feelings by praising chrysanthemum's indomitable character.
Secondly, when appreciating poems about objects, we should pay attention to the author's feelings in the things described.
For example, the following Lyrics of Lime was written by Yu Qian at the age of 17:
A thousand hammers cut deep mountains, and the fire burns like a fool.
I'm not afraid of broken bones and mud, but I want to stay in the world.
The first sentence of the poem is difficult to write lime, and the powerful words contain the profound meaning that it takes a lot of effort to train talents. The second sentence shows the extraordinary tolerance of Lime in the face of difficulties and not afraid of change, and also contains the character of Yu Qian, a teenager who is not afraid of difficulties and obstacles. The third sentence once again fully shows Lyme's lofty spirit and anthropomorphic virtue of being willing to sacrifice. It also shows the poet's heroic feelings of not being afraid of sacrifice and dying. The last sentence of the poem "I want to stay on earth" is the conclusion and destination of the first three sentences, and it is the crowning touch of the whole poem. The key reason why lime can be sung as always lies in its ambition to "stay naive in the world", which is also the poet's ambition and ideal. We can say that the author writes lime in every sentence and writes himself in every sentence.
In addition, we should pay attention to the analysis of the writing skills of chanting poems. Different techniques can often reflect the depth of the integration of chanting and the poet's self-image.
Such as "Chrysanthemum" written by Huang Chao after his last visit:
Stay in Qiu Lai on September 8th, and I will kill all the flowers after they bloom.
The incense array pervades Chang 'an, and the city is full of golden flowers.
The author affectionately calls "chrysanthemum" "my flower", which is obviously regarded as a symbol of the oppressed people. Then, the corresponding "letting a hundred flowers blossom" is naturally a metaphor for the reactionary and decadent feudal ruling group.
The third and fourth sentences in the poem describe the magnificent scene of chrysanthemum in full bloom, "The fragrance is all over Chang 'an, and the city is covered with golden armor". The whole Chang 'an city is covered with golden chrysanthemums, which exude a strong fragrance, reaching the sky and soaking the whole city. This is the world of chrysanthemums, the kingdom of chrysanthemums and the grand festival of chrysanthemums. Deep thinking, strange imagination, novel metaphor and magnificent rhetoric. The chrysanthemums in the author's works have changed the static beauty of quiet and elegant in the past, and presented the dynamic beauty of rough and bold and full of fighting atmosphere. It is neither an "isolated label" nor a cluster of "chrysanthemums", but flowers blooming all over the city, occupying the whole of Qiu Guang and emitting strong fighting fragrance, so it is described as "fragrant array". Therefore, this poem has a "fragrance array" in artistic conception, image, language and technique.