Not at all. In fact, in normal speech, people will consciously or unconsciously observe the hierarchy. In a word, catchy, refreshing, not sloppy, not ambiguous, must be crisp and neat. Therefore, in the years of elimination, the idioms we usually use, as well as various two-part allegorical sayings, jingles, children's songs and allegro lyrics, are smooth and beautiful. Because it is unfair, it is not easy to say it several times, so everyone abandoned it.
On the basis of predecessors' poems, poets in the Tang and Song Dynasties sorted out the rules of flat and parallel, and applied them to the creation of a brand-new poetic physique, that is, modern poetry, in order to help later scholars quickly achieve the effect of smooth and easy memorization of poems by learning flat and parallel. Some mistakes that are prone to misreading are completely eliminated, such as "three flat tails" and "loneliness". We will automatically avoid these mistakes after learning to use leveling. This is a convenient tool, not an obstacle. People from China can learn ancient Chinese as long as they have a certain foundation.
As for rhyme, it can be divided into Ping Shui Yun in Tang Dynasty and New Rhyme of Chinese in modern times. Now I am learning to write poems based on Putonghua, and the rhyme "China New Rhyme" is easy to understand. After all, we have all studied Chinese Pinyin, and it is too easy to press vowels together. Some ancient people praised Ping Yun Shui as an authentic work, so they must follow the ancient rhyme, which is their personal pursuit. Let's each get what we need. Literary creation is neither fixed nor mutually exclusive. Just like ancient poetry and modern poetry, they coexist and develop well.
Let's explain in detail how to master the law of leveling with five absolutely. Because there are fewer words in the five wonders, we can see them clearly. There are only four kinds of basic metrical poems, namely, rhyming, rhyming, rhyming and rhyming. Then the metrical poem is divided into seven sections, seven sections, five sections, five sections and four times four combinations. You can deduce it yourself. Let's focus on one. It is most important to learn how to deduce the hierarchical relationship. All formats can be derived from the four basic formats without rote learning.
Let's give an example to illustrate.
To learn to be even, you must read the first sentence before reading poetry. Remember that the so-called "stand up" and "stand up" are based on the second word of the first sentence. Generally, the starting word can be even or even, which has no influence on meter. There are four tones, that is, "round spirit is cold and empty" and "spirit", so this poem is single-hole. See if the first sentence rhymes? The rhyme of metrical poems is generally flat, and "emptiness", "likeness" and "wind" all belong to the "one east" rhyme in flat rhyme. Obviously, this poem is the beginning of rhyme. Then we can infer the level of the whole poem according to the level of the metrical poem.
What is the derivation law of flat tones in metrical poems? Two words, "right" and "sticky". "Yes" means that one or two sentences are completely opposite, and three or four sentences are completely opposite. "Stickiness" is the hierarchical similarity of two or three sentences. In fact, the tone is opposite and similar.
The first sentence rhymes: "round and cold"-"average" According to the principle of "right", what should the second sentence be? "average" But the conjunction must rhyme, so it can only be flat and even, and the second sentence of "flat and even" will be flat and even.
According to the principle of "sticky", the pronunciation of the third sentence should be similar to that of the second sentence, but the third sentence can only be "flush" when it is not finished. Then, according to the principle of "right", the flush relationship of the fourth sentence is directly deduced: "flush" gets the level of the whole poem. Let's take a look at it accordingly:
Not only harmony, but also the transition of phonology, back to the pronunciation of the first sentence, perfect connection.
The seventh paragraph is preceded by a hyphen, and so is the relationship between hierarchy and level. Rhyme, on the other hand, only has four more sentences, which can also be deduced from this rule. If the answer is not too long, I won't say it one by one.
It should be noted that we have chosen a special five that must be analyzed, which is why it is so perfect. This deduction rule is a general rule, with similarities and differences. But if the difference is too big, it will not be the five wonders, and it will be classified as an unruly ancient style.
In fact, if you write your own poem, you must first construct the artistic conception, determine the first sentence, or think about the whole poem, and then check it according to the level and the relationship between levels. Perfect harmony is good, and occasionally there will be differences. As long as artistic conception exists, it is not a big problem.
After all, the ancients have long said "don't hurt your meaning with words."
Of course, if you can write freely in the meter, you are the real master.