Analysis:
"Qinyuanchun? Changsha (1925)
Independent cold autumn, Xiangjiang River north, Orange Island.
I saw that the mountains were red all over the place, the forests were dyed, and the river was blue and transparent, and it was invincible.
The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom.
Lonely, ask the boundless earth, who is in charge of ups and downs.
I took a hundred couples on a trip to reminisce about the past years.
Just classmates and teenagers, young, scholar spirit, Fang Qiu.
Pointing out the maze, inspiring words, the dirt in Wan Huhou that year.
Do you remember that you hit the water in the middle stream and the waves stopped the flying boat?
The word * * * was first published in Poetry Magazine in 1957 1 month.
To annotate ...
Qinyuanchun: epigraph name, named after Qinshui Princess Garden in the Eastern Han Dynasty.
Orange Island: It's in Xiangjiang River near Changsha.
G: Big ship.
Students and teenagers: * *1913-1918 years in Hunan First Normal University. 19 18, Mao, Xiao Yu, Cai Hesen and other organizations organized Xinmin society and began his early political activities.
Hey: Qiang.
Stop: stop.
Notes on the title or background of a book.
/kloc-in the autumn of 0/925, Zhao Hengti, the governor of Hunan Province, was wanted again. Mao left Changsha for Guangzhou. This word was probably written when he left Changsha.
Appreciation of Qinyuan Spring in Changsha
Author: heaven and earth, one star
Image is a term in China's classical aesthetics, including meaning and image. The meaning here refers to the thoughts and feelings of the creative subject, and the image here refers to the objective image as the creative object. The image of poetry is the fusion of the poet's thoughts and feelings and objective images, while the artistic conception is the artistic realm of poetry created by the combination of various images. * * * The word "Qinyuanchun Changsha" is not only rich in content, but also magnificent, with magnificent pictures, magnificent images and lofty artistic conception. The author thinks that if we appreciate this word from the perspective of image beauty, we may find another way to accurately grasp the ideological content and artistic characteristics of this word.
The image beauty of the word "Qinyuanchun Changsha" is highlighted in the choice of scenery. The author has a broad vision, and the selected scenery is either vast, magnificent or majestic. Take the word "look" as an example. There are "layers of forests" in the mountains, "hundred ge" in the river, eagles in the air and fish in the water. From the state of the scenery, there are static flaming maple forests, and dynamic "rushing" and "rushing", and so on. The author from a distance to a close view, from looking up to overlooking, the sky is boundless, the mountains are red and green, and "caged in the form, frustrated in the pen" (Lu Ji's Wen Fu).
The author's choice of scenery is largely restricted by his conception, and the poems of ancient literati such as "mourning for autumn", "hurting autumn" and "sighing autumn" are determined by their specific meanings. For example, Ma Zhiyuan's "Tianjingsha Qiu Si" implies that heartbroken people are at the end of the world, and the images chosen are naturally dead vines, old trees, faint crows and thin horses. Du Fu's "Climbing to the Top" bases its meaning on "Wan Li mourns autumn" and "coming through all the hardships", and the images taken naturally cannot be separated from "mourning for apes" and "falling trees". The idea of * * * is positive and enterprising, and the "image" he takes is naturally a vibrant scenery, such as mountains, layered forests, doves, eagles, swimming fish and so on.
The image beauty of the word "Qinyuanchun Changsha" is also reflected in the expression of images. The choice of image is very important, but the expression of image should be more ingenious. The images in the poet's works should not be objective sketches, but "images infused with life" (Kandi). In Qinyuanchun Changsha, * * attaches great importance to the expression of images, so as to inject more life into the selected objective images, such as a group of image group headed by the word "look" in the above-mentioned book, in which "the mountains are all over the place" and "the layers are overlapping". The poet not only shows the beauty of static scenery of mountains, red, water and green, but also deliberately describes the dynamic magnificence of things. The word "struggle" in "Hundred Struggles" adds a high-spirited and enterprising atmosphere to the green and dust-free river surface, vividly showing the warm scene of Qian Fan's struggle for beauty. Because of the use of two creative and expressive verbs "strike" and "Xiang" in "Eagle Strikes the Sky", it accurately and vividly depicts the agility of the eagle flying in the sky of Wan Li and the joy and freedom of the fish swimming in the crystal clear river. If "striking" and "flying" are replaced by "flying" and "swimming", the agility of the eagle when spreading its wings and flying can not be expressed. The poet's use of the word "quiet" in "Ten Thousand Frosts Fight for Freedom" strongly highlights the vitality of everything in the cold autumn, making people feel the poet's infinite love for nature and sincere praise.
The image beauty of the word Qinyuanchun Changsha is manifested in the combination of images. The connotation of poetic artistic conception is not only contained in one image, but also reflected in the combination of images. When creating poems, poets often combine single images into organic, spatio-temporal and hierarchical pictures according to the law of beauty, so that they have the functions of coherence, contrast, contrast and suggestion, show readers colorful life pictures and convey colorful thoughts and feelings. Poets often use many methods to realize the combination of images. In Qinyuanchun Changsha, * * mainly adopts two ways: juxtaposition and radiation.
The juxtaposition of poetic images, like the montage of focal plane, mainly juxtaposes individual images with each other in the form of juxtaposition, thus forming the "beauty of compound images" of the whole word, that is, the beauty of combination. A group of image group, always headed by the word "Kan" in "Shanghai Beach", is in a parallel relationship as a whole. Poets combine images in a parallel way, pay attention to dynamic and static collocation, and combine far and near, thus forming a colorful "Xiangjiang Autumn Color Map". Another example is the past lives recalled in the second poem, which are also juxtaposed in pairs, highlighting the spirit of young revolutionaries to make progress and dare to do things, and depicting a lively "picture scroll of young students" for us.
The radiation of poetic images refers to "radiating" around one of the group images to form a image group. Take the seven sentences of the word "look" as an example. Under the radiation of the central image "ten thousand kinds of frosty days", images such as "mountains", "layered forests", "white pigeons", "eagles" and "swimming fish" are formed, and the two juxtaposed composite images of "pointing out the mountains and inspiring words" in Xiatan are also elegant. From the whole word, the central image should be the "I" of "independent and cold autumn", and other images are formed under the "radiation" of this central image. Here, people who look at the scenery with a broad mind will become "scenery" and a magnificent "great man map"!
* * * In Qinyuanchun Changsha, due to the selection of typical images, vivid expression of images and ingenious combination of images, a lofty artistic conception is created and a magnificent picture is formed, which makes the word have a strong aesthetic effect.