Five-character quatrains are one of China's poetic genres, belonging to quatrains, which refer to small poems with five words and four sentences, conforming to the norms of metrical poems and belonging to the category of modern poems. There are two squares, one is convex and the other is horizontal. This style originated from Yuefu poems in the Han Dynasty and was deeply influenced by folk songs in the Six Dynasties. In the Tang Dynasty, it was like a twin sister with modern regular poetry, and it appeared in the poetry circle with brand-new brilliance. Five-word quatrains but twenty crosses can show a fresh picture and convey a true artistic conception. Seeing the big because of the small, there are always many small ones, and short chapters contain rich content, which is its biggest feature. Representative works include Li Bai's Thoughts on a Quiet Night, Liu Zongyuan's Jiang Xue, Wang Wei's Bird Watching Creek, Du Fu's Eight Arrays, Wang Zhihuan's In the Heron Tower, and Liu Changqing's Farewell to the Graceful Master.
From a poem "Five-character quatrains" written by Yu Xin, a poet of the Northern Zhou Dynasty, to see the fine calligraphy? Quatrains? Judging from the five-character poems, the five-character quatrains were not created by poets in the Tang Dynasty, but their stylistic forms were at least formed at the end of the Southern and Northern Dynasties. ? Tourists have traveled through the years and have a lot of feelings. Learn from Hengyang goose and cross the river at the autumnal equinox. ? This is one of Yu Xin's "Three Masterpieces of He Kan". This poem is plain and sticky, which completely conforms to the rules of the Tang Dynasty. The second and fourth sentences end in a flat tone, and the first and third sentences end in a flat tone. The title of this poem is. Absolutely? . But there were not many such neat five-character quatrains before the Tang Dynasty. It was not until the early Tang Dynasty that modern poetry was produced, and the five-character quatrains were gradually perfected and stereotyped. The previous five-character poems were generally called? Five-character ancient poems? Or? Gu Wu? .
Before the Tang Dynasty, the five-character quatrains were not only antithetical, but also even. Five-character quatrains after the Tang Dynasty strictly abide by the rules of metrical poetry, although a few don't pay attention to leveling? Ancient poetry? However, the five-character quatrains in the prosperous Tang Dynasty are already perfect modern poems in meter. This is mainly manifested in the following three aspects:
The number of (1) sentences is fixed. Only four sentences, five words each, a total of * * * twenty crosses.
(2) Rhyme is strict. Poetry rhymes, some of them rhyme with each other, and there is no essential difference between them and classical poetry. His rhyme is strictly manifested in the fact that it is generally flat and can't rhyme. That is to say, you can't rhyme, and you must use words with the same rhyme, not words with adjacent rhymes.
(3) Pay attention to leveling. Are you online? Flat, flat? Add a syllable to the base to form? Ping-ping-ping, ping-ping, ping-ping-ping-ping-ping, ping-ping-ping-ping-ping. Four basic sentence patterns of.