Alone, grass grows by the stream, and orioles sing on the trees.
The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
[Appreciation] This poem was written by Wei when he was the secretariat of Chuzhou. The poem describes the quiet scenery of Xixi Chuzhou: quiet grass grows silently beside the ravine, there are deep Woods beside the quiet grass, and there are orioles singing. In the evening, the spring rain suddenly rises and the stream surges. The ferry in the wild is very peaceful, there is no one around, only the ferry crosses the river. This poem is a combination of dynamic and static, with far-reaching style, like a quiet ink painting.
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This is a famous landscape poem and one of Wei's representative works. This poem was written in the second year of Jianzhong in Tang Dezong (78 1), and the poet became the secretariat of Chuzhou. Chuzhou was ruled by the Tang Dynasty, which is now Chuxian County, Anhui Province, and Xijian is located in the western suburbs of Chuzhou. This poem is about a trip to Xijian in spring to enjoy the scenery and a trip in the evening rain. Poets write scenes with feelings. They use scenes to express their feelings, write about their likes and dislikes, and talk about their comfortable and uncomfortable situations, but their inner peace and emotional sadness naturally show up. However, whether there is sustenance in poetry and what is its significance have been debated endlessly. Some people think that it is the thorn of "the gentleman is next, the villain is above"; Some people think that "there is no need to entrust the scenery of Xixi to this couple." In fact, each has its own bias.
In the first two sentences of the poem, in the prosperous spring scenery, the poet loves the solitary grass by the ravine, but has no intention of singing attractive orioles on the deep trees, so it sets off the contrast. When the grass is poor and sober, and the oriole is tall and flattering, its metaphor for the official world is obvious, which clearly shows the poet's calm mentality. The last two sentences, the late tide and spring rain, the water is more urgent. The rural ferry, originally there were not many pedestrians, is even more deserted at the moment. So, even the boatman disappeared, and the empty ferry floated freely and carefree. Because the ferry is in the countryside, nobody cares. If you are in Jin Yao, the tide will rise in the evening rain, which is just the time when the ferry comes in handy. You can't be idle. Therefore, in this leisurely scene of water crossing the boat, there is a kind of helplessness and sadness that is not in place and not used. In the first two sentences and the last two sentences, the poet used contrast techniques and emphasized them with striking words such as "pity", "urgency" and "horizontal", which should be said to be thought-provoking.
From this perspective, this poem is entrusted. However, why do poets have such sustenance?
In the early middle Tang Dynasty, Wei was an incorruptible poet and a good official who cared about people's livelihood. During his career as an official, he was "ill, thinking of his home in the country, embarrassed to get paid, and many people were idle" (To My Friends Li Dan and Yuan Xi), and he was often in the contradiction between being an official and retiring. He was worried about the political failure in the middle Tang Dynasty and felt guilty about the poverty of the people. He is unwilling to reform, but he is powerless to reform. He was in a dilemma and had to let nature take its course. Zhuangzi said: "Those who are smart and know are worried; Incompetent people want nothing but food and travel. If you don't tie the boat, you will do it in vain. " ("Zhuangzi. Lie Yu Kou) Wei has a deep understanding of this. He once made it clear that he is "a boat with a leaf that is not tied to his heart" ("Going from the public to the Yellow River and sending friends to the county"), saying that although he is worried about knowing, he is ashamed of incompetence, so his career is like a wanderer, doing nothing and being at ease. In fact, Xixi Chuzhou is to express such a contradictory and helpless situation and mood. I want to retire, so I pity the grass alone; Do nothing, just follow the current. Therefore, this poem reveals a calm mind and sad feelings.
It is true that it is good to say that it is popular, but it boils down to mocking "the gentleman is next and the villain is above", which is also rigid; To say that accidental scenery has no sustenance is to separate poetry from people and become superficial, which is not in line with the poet's original intention. Therefore, instead of appreciating strangeness, it is better to analyze doubts and learn from others.
This park is not worth visiting.
Song, Ye Shaoweng
Pity should be given to the moss on the fangs,
Small mouth firewood flies for a long time.
You can't close the garden in spring,
An almond came out of the wall.
Translation:
Probably the owner of the garden cherishes moss and is afraid that my wooden shoes will leave footprints on it. Knock gently on Chai Men, and no one will open it for a long time. The spring scenery in the garden can't be closed, and the blooming apricot trees stick out of the wall.
Appreciate:
This poem is a blend of scenes and scenes, which has been passed down through the ages. The first two sentences, "Pity the dog's teeth, seal the moss, and Chai Fei won't open for a long time", show that the author didn't meet his relatives and friends, and the garden door was closed, so he couldn't enjoy the spring flowers in the garden. However, it is very humorous, saying that it is probably because the garden owner cherishes the moss in the garden and is afraid that my fangs will leave traces of trampling on it, so Chai Fei has been delayed. The host is not at home, deliberately saying that the host intends to refuse the guests. This is to pave the way for the following poem. The last two sentences are more novel because of the concept of "pity for teeth and moss": although the owner selfishly closed the garden door and seemed to want to leave spring scenery alone in the garden, "spring scenery can't be closed all over the garden, and an apricot will come out of the wall." The latter two poems are vivid and have strange ideas. Both "spring scenery" and "red apricot" are anthropomorphic, which contain feelings and logic in the scenery, which can arouse many associations of readers and be inspired by philosophy: "spring scenery" can't be caged, and "red apricot" will inevitably "come out of the wall" to announce the coming of spring. Similarly, all new and beautiful things can't be stopped or imprisoned, and it will surely break through any bondage and flourish. Disappointed and excited because the tour was blocked, it should be regarded as a spiritual adventure. This poem records this spiritual adventure. This is a unique poem about travel, which can't be completed, but it is better than completion. It is a bit disappointing that the desire to enjoy the tour is blocked because of the inability to enter the garden gate. But when I was disappointed, I was pleasantly surprised to find adventure and miracle. An apricot tree rose from the wall and imagined that all the love in the wall was dazzling, turning the "square tooth garden" into a "spiritual garden". The unexpected spiritual compensation after disappointment is precious. Spring scenery is between "off" and "out", breaking through the fence and overflowing the garden, showing a vigorous and locked vitality. In the final analysis, nature is more considerate of the interests of tourists than the garden owner, which is not only the regret of tourists, but also the messenger of red apricots sent by spring. Judging from the poem, this poem highlights Ye Shaoweng's spiritual concentration. In the profound spiritual experience and psychological twists and turns, generate shows the irresistible vitality of spring, his happiness falling from the sky and the enlightenment of interesting spiritual philosophy.
Drink wine/alcohol
Tao Yuanming
Building a house is human, and there are no horses and chariots. What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, you can see Nanshan leisurely. The mountains are getting better and better, and the birds are back. That makes sense. I forgot what I wanted to say.
1, about the author:
Tao Yuanming, a great poet in the Eastern Jin Dynasty. A latent and vivid figure, a private and quiet festival. When he was young, he served as a Pengze county official, and he had the integrity of "five buckets of rice don't bend over". Later, he was extremely dissatisfied with the social reality and could not realize his political ambitions, so he had to leave his job and retire.
His works include 160 poems and 10 essays on ci and fu. Among them, the most influential is the pastoral poems describing the quiet pastoral life and simple pastoral scenery, which have been classified as "pastoral poets" and "hermit poets" in all previous poetic theories. His poems initiated the pastoral school in the history of literature. Representative works include the prose Peach Blossom Spring, the poem Going Home and Drinking. There is Tao Yuanming's collection.
This poem is a five-character ancient poem.
2. The main idea of this poem.
This poem shows Tao Yuanming's attitude and interest in life after he left his post and returned to the field. The author is happy to live in the field and revel in nature, which not only reflects the mentality of rejecting secularism, dissatisfied with reality and leading an honest and clean life, but also reveals the negative thoughts of avoiding contradictions, fighting against the world and being independent.
3. How does poetry integrate scenery, reason and lyricism?
The first four sentences and the last two sentences of the whole poem mainly focus on reason and emotion, while the middle four sentences mainly focus on painting and emotion, thus integrating scenery, reason and lyric.
4. Understanding of the sentence "Picking chrysanthemums under the hedge, leisurely seeing Nanshan".
"Chrysanthemum" is a noble symbol, and this life segment of "picking chrysanthemums" shows the poet's interest in transcending the secular, leading an honest and clean life and loving nature. "Look" is an unconscious action, which shows that the poet accidentally saw Nanshan, thus integrating people and things, boring the society and setting off a carefree and intoxicated poet image.
There are many here. See for yourself if you like:
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