Huang Tingjian's achievements in poetry are reflected in Jiangxi Poetry School. Huang Tingjian is the founder and leader of Jiangxi Poetry School. As the research object, he put forward many new theories himself.
Jiangxi poetry school
Jiangxi Poetry School was formed in the late Northern Song Dynasty with Du Fu as the ancestor and Huang Tingjian, Chen Weizong as the ancestor (that is, "one ancestor and three schools"). Yellow. This school advocates Huang Tingjian's theory of "turning iron into gold, robbing a fetus to change bones". Moreover, the members of the poetry school are mostly influenced by Huang Tingjian, and their poetry creation style is mainly chanting the life of the study and paying attention to the scrutiny skills of words.
Huang tingjian's poems
Taking Du Fu, a master of Tang poetry, as the research object, Huang Tingjian constructed and put forward poetic theories such as "turning iron into gold" and "taking fetus as bone", which became the theoretical program and creative principle of Jiangxi poetry school and had a far-reaching influence on later literary creation. As one of the great poets in the Song Dynasty, Huang Tingjian's influence on the Song Dynasty even surpassed that of a generation of great writers. Su Shi's poems are full of vitality, vertical in conception, wide in opening and closing, unpredictable, complex in structure and untraceable. Therefore, although Su Shi's achievements were high, there were few teachers and he failed to form a genre. His creative ideas are traceable, and he is eloquent and studious, so he has many followers. Huang Tingjian's poems, with rigorous statutes and meticulous reasoning, represent the characteristics of the Song Dynasty. It can be said that Huang Tingjian's poems are the most artistic in the Song Dynasty. Influenced by Huang Tingjian, Jiangxi Poetry School also influenced the poetic style of the Southern Song Dynasty, which had a far-reaching impact on later generations. When Su Shi was a squire, he once recommended Huang Tingjian to replace himself. In the recommendation, there are "magnificent articles, wonderful in the world; The sentence "filial piety, catching up with the ancients" shows the importance of recommendation. Huang Tingjian pays attention to words in his poems. Use the word "every word has a place". At that time, people commented on Huang Tingjian's poems, "Every word must be refined in the month, and it has not been lightly issued." Huang Tingjian also put forward the poem of "eyes in sentences". The so-called "eye in a sentence" is what later generations call "eye in a poem", which means paying attention to the tempering of key words. For example, the word "green" in Spring Breeze and Green Jiang Nanan is tempered, which can be described as "turning a word like a key to closing a door". Second, pay attention to grammar. Huang Tingjian's poem "Send Gu Zidun to Hedong": "The syntax is unknown, and the autumn moon is from Chengjiang". What is "syntax"? As can be seen from this poem, Huang Tingjian's exposition of poetry syntax is relatively simple, such as clear and sensible autumn moon. In "Two Letters with Wang", he said: "After arriving in Kuizhou, if you are familiar with his ancient poems, you will find that their syntax is concise and ingenious.
The plains and mountains are high and deep, which seems unattainable. The article is successful, without axe teeth, and it is a good ear. "Third, pay attention to discipline. Huang Tingjian made a lot of discussions on the significance of the composition, such as: "If you want to write songs of Chu and catch up with the ancients, you must first read the songs of Chu and observe the twists and turns of the ancients' intentions before writing. For example, a clever woman embroiders me. If she wants to embroider, she must have a brocade machine that can embroider. " The structure of the composition is compared to a "brocade machine". Another example is "the things in the valley must be carefully arranged." Every time I see the post-school, I often tell you that the original road is tortuous. " Another example is: "Writing poetry is like writing a zaju. It was arranged from the beginning, and when it comes, it will be muddy. "Taken together, Huang Tingjian's so-called composition emphasizes the tortuous changes in the structure of poetry, which was conceived by studying the works of predecessors. Although Huang Tingjian talked about the poetic method, he did not stick to it, but wanted to go beyond it and reach the realm of "self-harmony without worrying about breaking the rope".