There is something wrong with screaming poetry! Poetry, poetry, poetry and song are actually interlinked. Let's first understand the importance of sound for reading poetry!
Whether people will have emotional reactions when listening to poems. How many emotional reactions you have are related to the following factors:
First, the quality of the speaker's voice itself (this is related to the reader);
The second is the sense of rhythm (the poet's responsibility is to provide the beat sign, and the reciter should show the potential rhythm);
Thirdly, poetic imagery (which is related to the quality of poetry and the cultivation of the audience);
Fourth, the personal situation of the reciter (being famous and beautiful helps to improve the openness of readers).
The difference between listening to poetry and listening to songs is only the order of these factors. The order of importance of listening to songs is:
(2), (4), (1) and (3)
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I understand the importance of pronunciation for reading poetry, and there is nothing wrong with saying that sharp sounds are difficult to recite, but: these can still be saved.
Poetry, as a style with obvious rhythm and rhythm, sometimes a good poetry text can really make people ignore the reader's own level. Classical poetry is not discussed here, because most of them are metrical and the space is too short. For example, some surreal poems can easily meet this condition. Let's take the poem of love as an example:
Most love poems have similar experiences. The image in the poem advances silently, and the image is powerful and complex. In this colorful writing world, readers feel exotic flowers and grasses, and flowers scattered at will. More importantly, there is no room for readers to question the order of flowers and plants, and it is even more impossible to think about whether the prominent rocks are in harmony with the natural scenery in an instant. Readers must free themselves to accommodate the objectivity, consciousness and words that complex eyes can touch. (Jane Zhengzhen's "The Image World of Love Works")
The meaning of the above passage is very clear, that is, when facing these poems, the audience must empty everything to understand the connotation of the works. Because many works of love are squeezed by different parts of speech, single sentences are constantly twisted and folded, resulting in different meanings. Specific to the text are:
When I opened my eyes slightly, there was a metallic sound.
The jingle fell from the wall and landed on the dinner plate at the guest door.
Followed by an afternoon of debate, all kinds of unclean displays.
Language is just a pile of unwashed clothes.
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My face spreads like a tree, and the tree grows in the fire.
Everything is still, only the eyes behind the eyelids are moving.
Move in a direction that many people dare not say.
I am a bitter pear that has been sawn off.
On the rings, you can still hear the wind and cicadas clearly.
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The above is the choice of writing techniques, and then the cold lyricism. The works of poets such as Kitajima and Duoduo can also suppress the voice of the reciter to some extent. Take Duoduo as a column: his poems are concise in image, lively in rhythm, accurate in language, sharp and full of tension. Some poems are just suitable for sharp voices to read, so I chose two at random:
Facing the sun?
Author: Duoduo
Give our family, give our motto.
You put all the children on their father's shoulders.
Give us light and shame.
You let the dog wander with the poet.
Give us time and let us work.
You sleep in the dark, pinning our hopes.
Baptize us and make us believe.
We were born, and then we died with your blessing.
See the dream of peace and smiling face.
You are God's pastor.
Confiscate human greed and jealousy.
You are the king of souls.
Love fame, you encourage us to be brave.
Touch everyone's head, you respect the ordinary.
You created and rose from the East.
You are not free, like a universal money!
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Only may.
Author: Duoduo
The teenager's face is so red.
Old enough to keep giggling.
Wear pearls to debate life.
Travel around the world singing and collecting.
Before roses put words to shame
An excited glance at the empty classroom
There is no movement in the depths.
Trees slowly grow fins.
The nucleus returns to the mouth.
Run out of naming at the source location
No need to kiss, just peck it open.
There is no reason, only mileage, only possibility!
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Well, that's all I have to say for the time being. Sound condition is very important for reciting, but it is not the only criterion. If the landlord is really interested in reading poetry, I recommend a book, The Art of Reading Poetry, Wang Fusheng, which is more suitable for beginners to learn.
If you are satisfied, please adopt it. If you are not satisfied, please continue to ask!
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Answer bibliography:
Li Zhimin's Poetry Construction: Form and Image
Weng Wenxian's Poetics of Metamorphosis
Jane Zhengzhen's Aesthetics of Modern Taiwan Province Poetry