The Imperial Capital refers to the capital Chang 'an. Land and sea, large bamboo forests. Zhong Rong's Poems: "I often say:' Shandong cuisine is like the sea, and Pan cuisine is like the river'". "Land and sea" is talent. The original meaning of "land and sea" in this sentence is bamboo forest, which means there are many talents. "
Lingyun has an inch of heart, which means an inch of tender bamboo shoots, but it has Lingyun's ambition. There is a pun here, which means that people are young and ambitious.
I'll answer your question, then enjoy the whole poem and see for myself.
Endure to cut lingyun an inch of heart.
Author: ■ Xiang Tiesheng
"The tender buds are out of the forest, and Yuling is as expensive as gold. The land and sea of the imperial capital should be countless, and bear the heart of Lingyun. "
Eating bamboo shoots for the first time is an early work of Li Shangyin, with deep sighs between the lines. Li Shangyin was born in the sixth year of Yuanhe (8 1 1) and went to Beijing in the sixth year of Daiwa (832). Liu He and Yu Shucheng's Poems of Li Shangyin think that this poem may be "given by a distinguished official when he visited other places when he was young" ... and he is weaker than "tender fragrant bud". "In my opinion, yes.
"The tender and fragrant buds have just emerged from the forest", and the poet described the shape of the nascent bamboo shoots in detail for us. This tender-shelled bamboo shoot is full of vitality, and it can only be high-spirited if it is watered by spring rain. "Yuling is as expensive as gold." Yuling, the name of Han County, was Changshan County in Tang Dynasty, now southeast of zouping county. "Yuanhe County Records" Volume 11 "Zizhou" contains: "Zizhou Governor Hill County, the land of Yu Ling in this Han Dynasty". Many people think that this poem is the poet's thanks to his master, but I don't think it's appropriate. Why should tender bamboo shoots be priced? Because the new bamboo shoots are fresh and delicious, there are many people who eat and beg, so the price here is as expensive as gold. "Yuling" is a general term that refers to all places. The poet pointed out a trace of sadness in this sentence. Bamboo shoots come from the forest. Why should we discuss the price? It's very valuable. But the tone is still depressed, gentle, calm and objective.
"The emperor, land and sea, should be countless, and can't bear to cut Lingyun's heart." Three or four sentences in the poem exaggerate this sadness and push it to the peak before it breaks out. The Imperial Capital refers to the capital Chang 'an. Land and sea, large bamboo forests. Zhong Rong's Poems: "I often say:' Shandong cuisine is like the sea, and Pan cuisine is like the river'". "Land and sea" is talent. The original meaning of "land and sea" in this sentence is bamboo forest, which means there are many talents. "Lingyun has an inch of heart", which means an inch of tender bamboo shoots, but it has the ambition of Lingyun. There is a pun here, which means that people are young and ambitious. These two sentences answer another reason why Yuling talks about the price of tender bamboo shoots. That is, the bamboo forest is lush, so you can eat bamboo shoots and have the heart to "cut" it into Lingyun's heart. When Zhang died, the poet's pity was also revealed. The poet lamented that the tender bamboo shoots were eaten, indicating that people's ambitions were not rewarded, which was a kind of sadness; However, when the poet Yu Daihe entered Beijing in the sixth year (832), it had another meaning. Perhaps there are too many "talents" in the imperial capital Chang 'an, so I am the first. But what you "cut" is an inch of Lingyun's heart! A word "forbearance" is well used. Ninja, with heart, is actually related to "Ling Yun's one-inch heart", but the author expresses the meaning of "He Ren". It means don't die bamboo shoots. Sorrow for one's own misfortune, pain for God's ignorance of oneself, and a feeling of sadness permeates it.
The whole poem compares itself to a tender bamboo shoot, one inch long and ambitious, and so does the poet, who is young and ambitious. But the sad reality is that bamboo shoots are to be eaten, and Lingyun's ambition died when he first left the forest. What about the poet? Poets are also imperfect, with the beauty of "buds and buds", but without high chances. This poem is full of sadness and resentment. The artistic style of the whole poem is sad and touching, but it is hard to have deep feelings, which has initially shown the artistic characteristics of Li Shangyin's "Affectionate Face" (Liu Xizai's "Art Outline").
If such a sad poem was written by middle-aged and elderly people, we would feel very natural and ordinary, but it was written by Li Shangyin, who was about twenty years old at that time. This is a golden time for young people to express their ambitions, but when our poet sees fresh bamboo shoots, he can't help feeling sad, and his poems are also sad and touching. Isn't this amazing?
In fact, the sadness of "forbearing to cut off an inch of Lingyun's heart" includes the poet's half-life experience and a sad consciousness of "falling apart in advance". First of all, his family is lonely and "there are many hardships."
("An Shi") His family has been declining since Gaozu, and several generations of calendar officials have never had a county magistrate.
My parents and grandparents live forever. My father died when I was less than ten years old. He returned to China with his mother and lived a poor life. In "Letter to Sister Pei", he wrote: "Apart from clothes, the purpose is to be sweet and urgent, but it occupies several eastern stores and doubles as a book seller." This is a vivid portrayal of his poor life. In addition, in the late Tang dynasty, life was turbulent, governors were separated, eunuchs were in power, cronies were fighting, and peasant uprisings continued. In addition, the society pays attention to the concept of respecting the valve first, and the poet himself "has no strength inside and no dependence outside" ("Sacrificing Sister Xu"), which also makes him lack confidence in the future. The combination of these two factors makes the poet show a pessimistic mood from an early age. The untitled "Stealing a Mirror at the Age of Eight" written at the age of sixteen is a good proof: "Stealing a mirror at the age of eight can draw with long eyebrows. At the age of ten, I went for an outing and imagined the clothes that Lotus made for myself. I began to learn to play the guzheng at the age of twelve, and the silver nail on my finger has never been pulled out. At the age of fourteen, she avoided seeing men, even the closest ones. At this time, she may be thinking about when to get married. Fifteen tears in the spring breeze, under the swing on the back. " It's like writing about a sad woman, but every sentence is about yourself. "Stealing the mirror at the age of eight", with the word "stealing", wrote its precocity, "long eyebrows can draw" and wrote its early knowledge. The same is true of "five-year-old reciting books, seven-year-old writing brush and inkstone" (the book of Shang Cui Huazhou) and "sixteen books of gifted scholars and philosophies, published in ancient Chinese" (preface to (Fan Nan) anthology); Then at the age of ten, she can make skirts, and at the age of twelve, she can play the guzheng. This shows that this woman is blue-hearted, but at the age of fourteen, she was unmarried, and the "spring breeze of fifteen tears" turned to a sad situation. Beauty didn't meet a good master, so only the spring breeze was crying. What kind of sadness is this? Mr. Wang Meng's "consciousness of early death" is called "worrying about others in advance" and "lamenting in advance", which can be said to be correct.
Li Shangyin's tragic consciousness of "falling early" accompanied his life-long poetry creation. For example, "the pomegranate flowers are not as good as spring, and the early autumn is more worrying" ("The peony in the middle is defeated by the rain"); Seeing Zaomei, I am also sad: "Who is Zaoxiu?" Unequal years "("Go to Fufeng to see plum blossoms in mid-November "); When flowers bloom in the forest, I sigh that "paying attention to details is really helpless, but it still blooms" ("Today"); When he sees weeping willows, he will feel disillusioned that "flowers are like snow, and wine flags are waving in brothels" ("Giving Willows"). Even if it is a lush and tall tree, he will feel "in the middle of green and indifferent trees!" " ("Cicada") ... Generally speaking, Li Shangyin was unhappy all his life. In addition to sentimentality, there was always a trace of anxiety, or allusions, or images in his poetry creation in order to obtain the aesthetic feeling of "sentimental cotton". Grasping his tragic consciousness of "early fall" is also the key for us to appreciate Li Shangyin's "The First Bamboo Shoot in the Seat" and even all his poems.
I wrote a poem "Hanging Li Shangyin" in my early years, which can be used as a footnote to this poem. It was recorded at the end of the generation:
The years of Jinse are fleeting, and the first hatred is impermanent.
Dance, song, feast, bamboo shoots, cicadas and catkins.
The article has hated fate since ancient times and has never been chivalrous.
Lingyun is only empty, and sorrow gave the sunset to Guyuan.