(1) contrast technique
For example, "this waist drum makes the cold air hot and dry immediately, makes the quiet sunshine splash immediately, and makes the sleeping world excited immediately."
In the sentence, "cold" and "hot", "quiet" and "splash", "sleepy" and "excited" are in sharp contrast. In contrast, it highlights the distinctive characteristics of Ansai waist drum, which makes people feel the beauty of Ansai waist drum dance, as well as the strength and charm contained in Ansai waist drum dance.
(2) parallelism
Its function is to express the strongest momentum in language and improve the effect of expressing feelings. In Ansai waist drum, parallelism is the most rhetorical device, which is related to the momentum and musical beauty of Ansai waist drum that the author wants to express.
Like a "shower", it is a hurried drum sound; Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Like killing a tiger, it is a powerful charm. Using this contrast, the spiritual outlook and artistic characteristics of the waist drum of the youth in northern Shaanxi are displayed.
(3) Repeated operation
For example, the rhetorical question "What is Ansai waist drum" appears repeatedly in the article, which is in the form of interval repetition, which is not only the main idea of the article, but also the main thread of the author's thoughts and feelings throughout the whole text.
The repeated appearance of What an Ansai Waist Drum not only strengthens readers' emotions and internalizes them in their minds, but also makes readers feel the massiness and profundity of northern Shaanxi culture and the boldness and heroism of the people on the Loess Plateau.
Extended data
Ansai Waist Drum is Liu Chengzhang's prose. It was first published in1People's Daily on June 3, 986, and included in the third lesson of the eighth grade textbook (Zi Jun read).
Ansai waist drum is a must in the Loess Plateau, and its rough, vigorous and dynamic style is integrated with the local natural environment, geographical features and folk customs. Another point is quite interesting: it is the combination of man and drum, and no musical instrument can require the combination of man and musical instrument to reach such a height.
People's performance and musical instrument "performance" are completely blended and complement each other. Therefore, the performance of success is that people borrow the drum potential, drum the power of others, and they are hearty and smooth. The essay Ansai Waist Drum just captures this feature of Ansai Waist Drum.
Creation background
In the early 1980s, Mr. Liu Chengzhang, a middle-aged man, gave up his familiar creative forms such as poetry and lyrics and found a new way of artistic creation-prose. In fact, the life core of his prose is still gripping romance, or the melody of "believing in heaven".
When he came to the provincial capital far away from home, the magnificent scene of "Ansai waist drum" that broke through the years and swallowed mountains and rivers flashed in his mind, and the silent drums on the plateau still hovered in his ears.
In the face of the ever-changing reform and opening up of the motherland in the 1980 s, how can he not be heartbroken? How can he not rejoice in this? This situation is transformed into what Liu Chengzhang realized day after day, that is, "Ansai waist drum", which presents a complex of reason and emotion at that moment.
He must use the concrete image of "Ansai waist drum" to convey his aesthetic feelings about life and the times and his poetic understanding of life!
Baidu encyclopedia-Ansai waist drum