-On Three Poems Describing Music in Tang Dynasty
proposal
The Tang Dynasty was an era of poetry and music. ...
In the voluminous Tang poetry, there are many works depicting the beauty of music, and talented artists have created a resplendent and dazzling artistic realm for us with their intelligence. It is a great initiative to make this kind of beautiful music, which can be heard and invisible, cross the boundaries of time and space and live forever in the world. We might as well extract a few paragraphs from this magnificent symphony and appreciate its charm.
The first movement: complaints in the pipa sound
-the pipa on the white elephant mountain river
In June of the 10th year of Yuanhe (8 15), Li Shidao sent someone to preside over Wu Yuanheng, the prime minister who put down the rebellion in the buffer region. Bai Juyi was the doctor of Prince Zuo Zanshan at that time. Although he was not an exhorter, he first wrote a letter to remonstrate and asked for the arrest of the murderer. As a result, he was destroyed by his political opponents and demoted to Jiang Sima. As he himself said: "Although it is named after the article, it will eventually offend the article." This blow left a deep wound on Bai Juyi's mind. This poem was written the following autumn after being demoted to Jiangzhou. After experiencing the cruelty of society and the indifference of the world, the poet had nowhere to pour out his grievances, and accidentally met the pipa girl in "We are all unhappy-to the end of the day". After listening to his emotional performance, the pent-up feelings rushed out and wrote this song. Inspired by events, the poet put his physical feelings in the unfortunate experience of the pipa girl and expressed his resentment with the pipa girl. Furthermore, it exposed all kinds of unreasonable phenomena in feudal society and expressed sympathy for pipa girls and indignation at dark society.
The most outstanding achievement of Pipa Xing is the description of music. How does the author express the music image that is difficult to capture with the help of language? He used four techniques:
First, there are many metaphors.
Describe it repeatedly with a series of metaphors to show the complex and subtle sound changes of pipa. "Urgent language" means that the big strings are complex and thick, and "Autumn language" means that the small strings are thin and dense, the songs of pearls and jade are harmonious and pleasant, the songs of flowers are flowing, and the songs of ice are flowing. Make beautiful and repetitive melodies and rhythms vivid and sensible.
The second is to express feelings with voice.
The change of pipa sound is integrated with the feelings of players and listeners, and the sound and emotion blend. In the poem, the cheerful flow at that time, sometimes high and stirring, sometimes temporary rest, and sometimes low and suffocating tone, contains the feelings of Pipa girl, either happy or sad or painful or sad. In addition, the pipa sound is the medium of emotional communication between players and listeners. Players express their feelings in music, and listeners will have emotions when they hear music. It is made up of sentient beings, and let her heart share everything with us bit by bit. Other sentient beings and banquet guests listened and covered their faces. But it also makes people feel that the music has the image of a pipa girl and the voice of the listener. In this way, the combination of sound and emotion, painting sound with emotion, not only makes the music described more artistic charm, but also helps to deepen the theme of poetry.
The third is to see the truth in the virtual.
Not only to write audio, but also to write silently, "Don't have a secret love, there are more silent complaints than audio ones"; "It's quiet in the east boat and quiet in the west boat, and you can only see the autumn moon in the middle of the river", all of which are silent voices, emphasizing the effect of music with rests. Such as seal cutting, "Counting white is black", and the application of traditional Chinese opera art on the stage. This kind of expression technique of seeing the truth from the virtual is a traditional feature of ancient art in China, which is different from Wang Wei's "It's too light for anyone to hear, so come and take pictures tomorrow".
The fourth is to use verbs skillfully.
Using accurate verbs to express the verbs such as "dial, gather, twist, wipe and pick" in the skillful fingering of the player accurately shows the degree of change in the performance of the pipa girl, turns the changeable fingering into a visual image, deepens the reader's impression of the pipa girl's delicate playing skills, and makes the music image more concrete.
Bai Juyi is a great poet. He wrote more than 3,000 poems in his life. He is good at music theory and has a unique understanding of playing skills. He is familiar with pipa, sheng, Zheng, violin, piano and violin, and has studied national music and foreign music. He especially likes playing the lyre. He once said, "If you are kind, the dust will smell empty" and "If you do it yourself, you will not listen to your lover". This is quite pleasant. Before I wrote Pipa, I had described the performance of the stringed instrument Suo Le many times. For example, "the four strings are not like the sound of pipa, and the beads ring the bell and shake" ("Listening to the Spring Pipa as a Grandson"). "One or two strings, the autumn wind blows away, and the rhyme falls. Three or four strings are cold, and the night crane remembers the sound in the cage. " (Five-string Opera). This description reminds people of the most wonderful passage in Pipa Xing. Besides, such as Listening to Li Shiliang's Pipa, Pipa Story and Introduction to Pipa Playing all show that he has been exposed to pipa playing. It is no accident that beautiful sentences are vivid. So he wrote the best pipa, which has been popular for thousands of years. Not only in China, but also in the world literary world, they are outstanding. Therefore, Fang Funan's comments on Li Changji's poems are called "the best way to imitate sounds".
The second movement: the subconscious in the piano sound
-Han Yu, "Listening to Ying Shi Playing the Piano"
In Korean, that is, the decline of eight generations, there is a famous poem about music, "Listen to the teacher play the piano." This article can best reflect the style of Korean poetry, that is, "strange." This essay "Imitating the Best Sounds" once caused a pen and ink lawsuit. Wen Wengong (Ouyang Xiu) thought it was not a piano but a pipa, while Song poets Cai You and Xu Yanzhou (Xiqing Poetry and Yanzhou Poetry) thought it was a piano poem, and praised it as "deep retreat and interesting". "Those who are good at playing the piano are the most difficult to work with it."
We also think that this article is really listening to the piano. We heard it and described the wonderful sound of the piano. This piano also conveyed the author's subconscious mind at that time.
We might as well have a taste.
The sound of the piano is very much in love with me, thinking and telling like a love story between young men and women, warm and soft, full of tenderness; Become a tenor after a stroke and become a warrior March; Teams of brave people happily went to the battlefield; Then it became catkins between heaven and earth in Liao country; Then a hundred birds contend and sing the phoenix solo; Finally, climbing the peak, using both hands and feet, is difficult to walk and measure; Suddenly, power and influence plummeted and the sound of the piano came to an abrupt end. It seems to be broken, continuous and lingering.
Obviously, the author first used a series of metaphors (ten sentences and seven figurative metaphors) to describe the wonderful melody of the piano. The rhythm of the piano is from high to low, from slow to urgent, from slippery to astringent, from hidden to hidden. Among them, more is to use synaesthesia to turn the fleeting piano sound into a concrete and sensible image. This metaphor is a great method for Han Yu. For example, his Nanshan uses eleven novel metaphors in one breath. Another example is "If you accept the imperial examination every year, if you remove the epiphysis" in "Send Cui 26th Li Zhi"; In "Snuff Picking for Eleven", "Gold is a golden millet, and the hairpin phoenix is decorated with jade worms"; "Jing Tan" "Fish and shrimp don't have to avoid it, just follow the dragon". It's all novel metaphors created by Gaga alone, and so is this one.
Li Bai also wrote "Listening to Shu monk Rui playing the piano". The whole poem only uses three sentences and two images, "explosive, which brings me the breath of thousands of pines." I heard him in Qingxi, and his voice sounded like a frost bell. " In contrast, one is like meticulous painting and the other is like landscape painting. Thick acme, light just right, each has its own beauty, not elegant.
This figurative voice was inherited and carried forward in Lao Can's travels in the late Qing Dynasty. The tone of Bai Niu's singing is as high as three or four knots, which makes people seem to see the scene of climbing Mount Tai. It's really "more dangerous and more dangerous". This description can be regarded as the inducement of "exceeding the limit", which is artistic and vital and can be seen at a glance.
However, this is only an ending. The beauty of Korean poetry lies not only in writing the beautiful voice of the piano, but also in listening. The author felt so much that he sat up in the world and wet his skirt with tears. He "stopped it" and wouldn't let it play again, so as not to "put ice and charcoal in his intestines". How can it be banned if it is cold and hot? On the one hand, it is undoubtedly exaggeration (deliberate exaggeration), saying that the sound of the piano is touching; On the other hand, the author highlights the * * * sound of the soul from the specific feelings. Qin Le's theme also seems to pour out Han Yu's heart and life. Because the poet combines his time and his half-life experience, the political tide rises and falls, and the official sea rises and falls. Especially the sound of the piano reminds me of the days when he was rejected, demoted, away and ready to die. Isn't this the refraction of the times projecting on poetry? We can clearly feel a subconscious existence of inner trembling at that time from the author's implication.
This may be the reason why Su Shi decided that his weight was the highest in Qin poetry.
The third movement: magic kingdom in the sound of music.
-Li He's Quotations from Li Ping
Li Shigui, he deserves to be a poet. "Twilight rags Zhao Yueqiu, poetry night Oriental white". His Quotations from Li Pingyou depicts a magical music kingdom for us in different ways. Its artistic quality is much higher than Gu Kuang's Song of Li Ping Playing Rugby and Juyuan Yang's Song of Listening to Li Ping Playing Two Rugby, and it is also called "Wen Zhi" by predecessors.
This poem describes the outstanding achievements of music, not because it is rich in content, beautiful in melody and lively in rhythm; But a metaphor for music, describing the effect of music through various myths and legends; Created an artistic realm where heaven and earth are intertwined with immortal figures. Bring readers into the colorful and magical music kingdom. He described the beautiful voice like this: crisp as Kunshan jade, bright as Feng Ming for nine days, sad as lotus tears, happy as vanilla smile. This sound made the fish dance, and even Wu in the moon palace was moved to sleep; An elegant voice broke the vault; The gravel in "Goddess Mending Heaven" turned into autumn rain.
Although the author's genius lies in using all kinds of beautiful and touching legends and facts to express the magical musical realm. His musical allusions have three artistic achievements:
The first is to use it secretly.
This poem is a metaphor for music, flexible and diverse, and it is inexhaustible whether it is used explicitly or implicitly. For example, Qin Qing's theory of "Elegy, Acoustic Vibration of Trees, Very sonorous" contained in Liezi and Tang Wen is implicitly used in "Empty Mountains and Clouds Don't Flow"; The Sorrow of Motome compiled the Record of Han Shu's Sacrifice in the Suburb as a secret book. "Dream into the Holy Mountain to Teach the Old Age" secretly takes "searching Ji Shen" as something that the lady can play with; "An old fish dances in a small wave and reaches the dumplings", but there are allusions to drumming and playing the piano in Liezi and Tang Wen. As for Broken Rock, Jiang 'e Tizhu, Feng Ming and Lan Xiao, there is almost no trace of compatibility. But one thing is clear: the author randomly arranges and writes in the ocean of history, which seems to be handy. In fact, he has carefully scrutinized and expressed his needs. This article mentions music, which is a musical fact to a great extent. This shows that the author's imagination is endless. Even if Nu Wa was invited, the experts had no second opinion. It is believed that "teasing the autumn rain" in Li He's poems can not help but remind people of the story of Shi Kuang's "Rain on the Piano" ("Party of Literary and Art Circles"). The comparison of "rain" here shows that Li Ping can play the piano with the level of Shi Kuang. In order to exaggerate the heavy rain, I remembered that it was breaking and it was raining cats and dogs. Also with Huainanzi? What happened to the goddess mending the sky in Xiao Ming Xun? On the other hand, the breaking of rocks greatly strengthened the momentum of rain. This is how people feel. Li Ping's strength seems to have surpassed the heavy rain in Shi Kuang, which shows his superb piano playing skills. However, Zhao Yi thinks that although this sentence is dangerous and meaningless, it just feels "unreasonable", which the author thinks is biased. "Broken Rock" has become an idiom, which shows that its image is still enough to impress people.
The second is fuzziness.
In addition to general accidents, the actual function has a variety of information storage. The general intention is virtual and figurative, indicating the unusual performance effect. It shows that Li Ping can be compared with Qin Qing's elegy, the happiness of Jiang 'e, Motome's sorrow and resentment, Shi Kuang's piano playing, his wife's piano playing and guqin playing, and even surpass them. Because of its flexible use, its function is not limited to this. Sometimes it can also play a role in rendering the atmosphere. For example, "an empty mountain condenses clouds without flowing", just like the empty and sad real environment when Li Ping performed; Also like the musical effect of music. This kind of "very sonorous" is rich in meaning and is reflected by the reality of musical effects. Even allusions that do not directly produce music contain many meanings. Twenty-three silk moves the purple emperor is realistic. It is well documented that Li Ping really touched the emperor by playing the piano. But we can also imagine that Li Ping's birthday touched the Purple Emperor in Taiqing Palace, which was said by Taoism and had a great influence on the celestial world, not bad. The former is nothing more than a metaphor for reality and for man and god, while the latter is a metaphor for god and man, with infinite charm. Other allusions such as "autumn rain" and "martial quality" in the poem also have the same effect.
The third is full of feelings.
Li He is a passionate romantic poet, and his poems are passionate and unrestrained. And many allusions in the poem are also stained with strong feelings. Clouds are empty, autumn rain is sudden, Jiang E cries, dragons dance, immortals don't sleep, ghosts and gods are emotional, and flowers cry and laugh. As Yao's "Poetry in the Valley" said, "The gods of heaven and earth and the spirits of mountains and rivers are all inspiring", such as "Old fish dancing and fine waves", which has rich connotations. Old fish and thin dumplings always make people feel powerless to leap, but they dance with the waves. Why? The music is very touching. "Clouds don't flow" turns a very sonorous passivity into initiative, and clouds become emotional things, which makes him miss, love and stop flowing. It can be seen that in this poem, no matter people, gods, ghosts, immortals, living or inanimate, they are all depressed, sad, crying, laughing, surprised, dancing or jumping, all of which have strong emotional colors and are full of the poet's passion.
Li He is also a poet who is proficient in music. "The pavilion smells the string and feels sick, and the medicine bag sends the dragon away." Love music, even cure diseases, with such a life foundation, coupled with magical imagination, the music kingdom is extraordinary. The wings of imagination transcend the boundaries of time and space, summon wind, rain, thunder and lightning, drive away ghosts and gods, enslave vegetation as fish, mobilize the sun, the moon and the stars, create a bizarre music world, and give people beautiful artistic enjoyment.
Su Shi won the third place, and the sound of the cave in his Red Wall Fu "dancing in the valley and weeping for the orphan girl" can't be said to be the result of imitating Li He. As Du Mu said, "The swaying of whales and ghosts are not illusions."
The fourth movement: humming, whispering-and then mixing together.
-Comparative appreciation of three poems
When we enjoyed these beautiful and moving music, we were deeply moved by the poet's superb art. The reappearance of this art seems to be that we have heard the wonderful music of the music artists in the Tang Dynasty and witnessed their dazzling elegance. This is the reappearance of art .. Poetry and music, originally a family, can express their feelings and shape their images, but in different forms; But art is interlinked. With his outstanding talent, the poet reproduces the magical music art. We might as well listen to their symphonies and look at the art they reproduce in turn.
Hans Rick of Austria said in On the Beauty of Music that "all imaginative descriptions, descriptions and explanatory explanations of musical works are concrete or wrong". The performance of music is often concrete, which he is absolutely right. Book of rites? Yue Ji said: "There are countless singers, and they are like pearls." Confucius's Ying Da Shu "Sound touches people and makes people want to be here". Ma Rong's "Flute Fu" also said that "the sounds are similar", which is what it means here. Therefore, China's poems are good at using metaphors when expressing music. These three poems are no exception. Although they all write music with the same theme and use metaphors, their artistic conception and style are quite different because of their different ideas and writing styles.
First of all, the emphasis of metaphor is different.
White poetry stress, Korean poetry re-shape, Li poetry re-code. Of course, we can't generalize. Among them, the brushwork is interoperable, obviously, but the focus is different. This point has been explained, needless to say.
Secondly, the materials used to shape artistic images are different.
In A Journey to Cerpa, the touching performance of Cerpa girl is described, and a series of image metaphors are used, such as "noisy and urgent words", "whispering", "whispering in the air" and "flowing in the throat". This metaphor is based on common things in real life. It can be seen that the poet Bai Juyi's thinking in images is in the soil of real life and within the scope of being familiar with things, so his metaphor is easy to understand and has a strong flavor of life. Li He's Poem of Li Ping depicts beautiful music with mythical materials, and the poems such as "Jiang E cries for bamboo resentment", "Kunshan jade is broken and the phoenix cries" and "Furong cries and smiles" are surreal scenes. The poet is fascinating with his rich imagination, mythical color and novel artistic conception; However, Han's poems are different from the first two. The author's description of music not only has various tones such as children's talk and bird's talk, but also has heroic spirit, catkins flying and climbing, which belongs to rhetorical synaesthesia, just as Han Yu described "that is the shape of his mind" and "listening to sound" in synaesthesia theory, which transformed hearing into vision. And said: "Maybe not only hearing is connected with vision, but also hearing is connected with the feeling of muscle movement. With the ups and downs of the sound, the feelings of "resistance", "falling", "pulling" and "falling" in the body can be said to be correct. It also describes the sudden change of tune from low to high. Baishi uses the metaphor that "a stream of water suddenly broke a silver vase and jumped out of the conflict and blow between armored horses and weapons"; Li's poems are described from "Nu Wa's refining stones to make up the sky, and stones break the ground to stir up autumn rain", while Han's poems imitate "rowing into a strong man to go to war". The same is to write touching artistic effects. The phrase "the east boat is silent and the west boat is quiet, and we see the white autumn moon entering the middle of the river" in the white poem is to write out the real scene in front of us, and the song ends with joy and the bright moon is in the sky. How many boats on the river were attracted by the wonderful performance and how many listeners on the boat were moved. In Li Shili's poem, "Wu sleeps in the osmanthus tree, flying barefoot and flying wet and cold rabbits" is a graceful aftertaste that touched the sky. Even WU GANG was intoxicated, forgetting the cold sky, leaning against the osmanthus tree, thinking about flying and fantasizing about wings. However, from the personal experience of "pushing hands to stop it, there is no way to stop it", Korean poems set off the sound of the soul.
Furthermore, in the structure and expression of poetry, they also have their own characteristics.
White Stone is a complete narrative poem. The poet first wrote about meeting a girl from Cerpa, then about her wonderful performance, and finally about her life experience and her own feelings. Writing harpsichord performance also starts with tuning and tuning, and then "she frowned and bent her fingers, and then started her music". Finally, the whole process of performance, the change of tune, the player's manner and the music effect are described in turn, and the characters and music images are portrayed in a slow and endless picture with clear context. Li's poems are completely different from this writing rule. In addition to the first two sentences introducing time, place, characters and musical instruments, the main length of the whole poem is used to describe the performance and artistic effect of music. The poet has no words to describe and explain, only a beating and vivid picture, such as "Kunshan Jade Broken". The first sentence is about the sharp and crisp voice when writing high-pitched strings, and the next sentence is about the soothing melody when writing low-pitched strings. "Nothing is said, it's all romantic." Although there is no external connection, the whole poem is full of context and the internal rhythm is very close. Images in poems often appear in front of us in a jumping way, such as montage of film and television techniques. Korean poetry is another way. He wrote ten sentences in one breath, using seven metaphors in succession, describing the twists and turns of melody when playing, turning intangible into tangible, so that readers can appreciate the charm of music from specific scenery. As Hong Mai said, "The two official documents of Korea and the Soviet Union are repeatedly connected by metaphors, and there are seven or eight turning points" (Three Things of Rongzhai, Volume 6). Then the author closed his pen, focused on describing personal feelings, and set off the artistic effect of music from the side. In contrast, the three poems are famous for their excellent musical descriptions, but they are all reasonable, unexpected and reasonable. Even things with the same image can be written in two different ways. For example, a poem by Han describes the phoenix's cry "A hundred birds are singing together, and suddenly a lone phoenix is seen", which makes the phoenix's cry stand out from the crowd, but Li He is not. He combined the crying of the phoenix with the mythical jade in Kunshan, the purple emperor in the sky, Nu Wa's smelting stone and Jiang E's crying bamboo, and wrote a fantastic world.
Finally, the style is different.
Bai Juyi, as the backbone of the new Yuefu movement, advocates popular, natural and fluent poetic style, which makes him unique. His poems are "mostly touching the scene, starting from things, looking at things, eloquent, refreshing and chewy" (Zhao Yi's Ou Bei Shi Hua). Li He writes poems with poor management and hard work, but he can be creative. Rich in imagination, often not limited by form and phonology, he is a person who capitalized "free poetry". Therefore, he is lyrical, full of charm, full of fantasy, ingenious in conception, and always shows his ethereal charm. The poetic style is sad and sad, resulting in a cold and grotesque style. It also developed from buckling. Du Mu once said that Li He's poem "Miao Gai Sao, though unreasonable, resigned or passed" is very insightful. Han Yu, as opposed to Bai Juyi, is different from other schools. He advocated "acting according to the facts", not copying predecessors, stressing the scrutiny of words, making good use of strange words, creating dangerous sentences, betting on dangerous rhymes, taking words as poems, and had obvious prose tendency, thus forming a unique style. Si Kongtu once described the art of Korean poetry with the image language in poetry. "Korean officials have written hundreds of songs, but they have promoted this momentum. If there is thunder and lightning, they will hold hands between heaven and earth. Strange things have to encourage breathing. " Ye Xie also said in "The Original Poetry" that "its strength is great, and its thinking is especially the originator", which is not unfair. Combining these works, it is not difficult to see their different styles.
End of movement
The Tang Dynasty developed not only poetry but also music. Many poets are proficient in melody. Li Bai, Wang Wei, Bai Juyi, Li He and so on. Their artistic accomplishment is very high, so they have created a vast music world for us, which is colorful, bizarre and beautiful. It is this wonderful musical poem that constitutes a magnificent symphony, and it also corresponds to the description in Pipa Xing:
Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.
May we all know pearls and know the truth, goodness and beauty of the art of life.
Attached:
1, pipa hanging
Bai Juyi
In the tenth year of Yuanhe, he moved to Sima, Jiujiang County. Next autumn, he will send guests to Songpukou and play the piano in the middle of the night. Listen to its voice, there is the voice of Kyoto. Asked male, Ben Chang 'an advocates women, learns the pipa from the old and faded Mu and Cao, and devotes himself to being a good girl. He ordered the winemaker to play a few tunes quickly. Quba Ran Min. Talking about happy things when I was young; Today, I am wandering and haggard, and I am wandering between rivers and lakes. I have been an official for two years, and I feel very at ease. I feel that I have moved away from home. Because of the long sentences, the songs are given to them. Every 6 12 word is called Pipa Xing.
In the evening, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn.
I, the host, have dismounted, my guest has boarded his boat, and we raise our cups, hoping to drink-but, alas, there is no music.
Although we drank a lot of wine, we were not happy. When we were leaving each other, the river mysteriously widened in the direction of the full moon.
We heard a sudden sound, a guitar crossed the water, the host forgot to go home and the guests left.
We followed the direction of the melody and asked the player's name, and the voice was interrupted ... and then she reluctantly answered.
We moved the boat closer to hers, invited her to join us, and summoned more wine and lanterns to start our party again.
However, before she came to us, we called a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar from us.
... she turned the tuning pin and tested several strings, and even before she played, we could feel her feelings.
Every string is thought-provoking, and every note is thought-provoking. It seems that he has been frustrated all his life.
She frowned, bent her fingers, and then started her music, letting her heart share everything with us bit by bit.
She brushed the strings, slowly twisted, swept and plucked, first the air in the rainbow skirt, then the six small ones.
Big strings hum like rain, and small strings whisper like secrets.
Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.
Between Guan Ying's words, the bottom of the flower is slippery, and spring water flows along the beach.
By checking its cold touch, this string seems to be broken, as if it can't pass; And notes, fade away.
The depth of sadness and the hiding of sadness are more told in silence than in voice.
A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons.
Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk.
The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river.
She tied it thoughtfully on the rope, stood up and smoothed her clothes, serious and polite.
Tell us how she spent her girlhood in the capital and lived in her parents' house in Toad Hill.
She mastered the guitar at the age of thirteen, and her name ranked first in the list of musicians.
Song often teaches excellent talents, and her beauty is the envy of all the leading dancers.
How did the aristocratic youths in Wuling compete generously? Countless red silks were given to a song.
The silver comb inlaid with shells was broken by her rhythm, and the bloody skirt was stained with wine.
Season after season, joy followed, and neither the autumn moon nor the spring breeze attracted her attention.
Until her brother went to war, and then her aunt died, and the night passed, and the night came, and her beauty disappeared.
There were fewer and fewer cars and horses in front of the door, and finally she married herself to a businessman.
Who, first of all, stole money, accidentally left her and went to Fuliang to buy tea a month ago.
She has been taking care of an empty boat in the estuary, and it is very cold around the boat.
Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears.
Her first guitar note made me sigh. Now, after listening to her story, I feel even sadder.
We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? !
A year ago, I left the capital and came here. Now I am a sick Jiujiang exile.
Jiujiang is so far away that I haven't heard music, neither strings nor bamboo sounds for a whole year.
I live in a low humidity area near Kankou, surrounded by bitter reeds and yellow rushes.
What can you hear here in the morning and evening? The cuckoo's bleeding cry, the ape's sobbing.
I often pick up the wine and drink it alone in the morning of spring with flowers and the night of autumn with moonlight shining.
Of course, there are folk songs and bagpipes in the village, but they are rough and harsh, and they are harsh in my ears.
Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.
Don't leave us. Come, sit down. Play it for us again. I will write a Long song about guitar. ..
... she was moved by my words, stood there for a while, and then sat down to play her strings-they sounded even sadder.
Although the tune was different from what she had played before, all the listeners covered their faces.
But which of them cried the most? ? This Jiujiang official. My blue sleeves are wet.
2. Listen to Ying Shi playing the piano
Han Yu
Just like a pair of close children whispering, I had a dark conversation with two beautiful friends, the secretary.
Like the wind, who is singing the flag? A soldier likes to fight the king with his sword.
Clouds and catkins have no roots,
The world is wide and far away.
There were hundreds of birds, and suddenly I saw a lonely phoenix.
You can't climb this line,
Fall out of favor and fall.
I have two ears, so I don't have to listen to diaosi.
Listening to your music, the piano suddenly rose, making people sit down low.
In the panic, I reached out to block my chin, and tears had already poured into my eyes.
Smart and sincere, ice and charcoal can't buy me.
3. Li Ping's Quotations
Author: Li He
Wu Si, Shu and Zhang Tong are in high autumn, and the empty mountains are not flowing.
Jiang Yue wept for Motome's sadness, while Ping Li was playing China.
Kunshan jade broken Fengming, hibiscus crying, Xianglan laughing.
The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor.
Nu Wa makes up the sky by refining stones, and the stones break the ground to stir up the autumn rain.
Dream into the holy mountain to teach the gods, and the old fish dance with the waves.
Wu sleeps in osmanthus trees, flying barefoot and slanting wet rabbits.