How does Shu Ting's poems reflect independent female consciousness?

Shu Ting, a hazy poet, has unique female characteristics in her poetry creation, which has created a new era of female poetry in the new period. First, Shu Ting's poems are full of rich emotions. Secondly, Shu Ting constructed a brand-new and independent female image with distinct female consciousness. Thirdly, Shu Ting's poetry is a combination of classical and modern, with the fragrance of female discourse and unique female charm. Obscure poetry was born in the historical background of the deviation between society and literature. A generation of young writers who woke up after being fooled chose artistic rebellion, resisted the obliteration of people by society, and established their own world through their works. This is a sincere and unique world, a world of integrity, and a world of justice and humanity. Shu Ting, the only female poet among the five outstanding poets in obscure poetry, made female poetry independent from the poetry world and brought a bright future to female poetry. Her unique southern female poetry, which combines rigidity and softness, initiated a new era of female poetry in the new period and added a bright and dazzling landscape to China's contemporary literary world. Influenced and inspired by the two feminist movements in the West and the trend of women's liberation since the May 4th Movement, women in China have gradually awakened. After experiencing the catastrophe of history and the hardships of life, Shu Ting bravely issued a call to pursue women's self-esteem, self-love, self-reliance and self-improvement, expressed a woman's love for truth, goodness and beauty with sincere and profound poems, and explored the "spiritual road" leading to people. 1. From Shu's poems, people can feel the transparent heart of a southern girl, full of sympathy and hobbies. She expresses women's tenderness with exquisite, euphemistic, warm and restrained style. Most of her rich emotions are devoted to the relationship between people. "Man, understand me", what an eager call and expectation. This is Shu Ting's spiritual call to society in the cold years. In her poems, she expresses her feelings that she needs warmth, longs for friendship, and expects to be trusted, protected and relied on. As written in Mid-Autumn Night, "You should have solid shoulders,/lean on your tired head,/need your hands,/to support the heaviest moment." Shu Ting's poems are not only full of modern women's positive and optimistic outlook on life, but also give warm encouragement and support to friends, such as: willing to be the wind that sails with you (spring night), "My heart is split in two/half worried about you, half proud of you", "willing" and "smiling at each other with sorrow/exchanging struggling poems to watch the excitement" (Short Poem) Shu Ting's most touching love poem "To You" If I love you-I will never learn from spoony birds and repeat monotonous songs for the shade ... I must be a kapok beside you and stand with you in the image of a tree. Roots, close to the ground, leaves, lingering in the clouds. ..... We share cold waves, snowstorms and lightning, and we enjoy fog, clouds and rainbows. Seemingly separated forever, but dependent for life. This is great love ... Shu Ting interprets a brand-new modern love view from nature. Love is no longer a kind of attachment, but must maintain independent personality and freedom, pursue mutual understanding, trust, interdependence and support between the two sexes, and build a free, equal, faithful and great love. Get love on the premise of self-affirmation, share joys and sorrows, and never give up. The love between men and women has been injected into the fresh connotation of the era of women's awakening by Shu Ting, adding eternal human light to the love that has been celebrated through the ages. Goddess peak questioned the oppression of women's feudal consciousness, revealed the true nature of women's lives, and encouraged them to express their feelings bravely, get out of the narrow living space that imprisoned them and look for shoulders to lean on. It is better to cry on the shoulder of your lover for one night than to show off on the cliff for a thousand years. This announcement marks the awakening of women's life consciousness in the new period. Hui 'an daughter is a reflection and negation of ancient social and cultural psychology, which is permeated with the sadness of women's own experience. Graceful and gentle, beautiful and warm-hearted, girls are bound by ancient historical traditions and moral concepts, suffering from lost melancholy and unspeakable sadness. In the enviable amorous feelings and beautiful scenery, what is hidden is the hard-won misfortune and pain of several generations of women. However, this poem does not stop at sympathy and mourning. Breaking away from customs and shackles and publicizing women's life instinct are the tenacious burning flames in this poem. "Wildfire is far away, far away/in your amber eyes", neither external environment nor internalized morality can stop the desire for life. "Girls' dreams/public relations generally slowly fall into the sea", which embodies the awakening women's affirmation of their right to life. Boundless waves, induction is the silent noise of the protagonist's inner desire. The real tragedy is that women's imperceptible pain and painful gestures are still regarded as appreciation: "In the cover and illustrations/you become a landscape and a legend." It is pointed out that the society ignores the improvement of women's destiny, which once again reflects the poet's concern for human destiny. Shu Ting's poems do not stand in the narrow female consciousness background, but put aside her own gender characteristics and re-examine the world and poetry as an independent person. For example, in the poem "Heritage", the poet tells a distorted human story in an infectious language, asking children to love with maternal tolerance. "Love has given you the land of skin color and language", "Love has given you a class with upward faith" and finally shouted as a soldier: "Let all the waves that hit me/also hit you/I don't regret/you don't shy away! "This is the calm and tenacious mentality of the poetess in the face of the cold reality, which shows us her firm and broad mind. Shu Ting's magnificence is contained in simple and implicit poems, showing strong emotional tension, expanding the scope of female poems and improving the artistic realm of female poems. The female emotional world created by Shu Ting's poems is full of modern female consciousness and distinctive female subject characteristics, which is a sincere portrayal from the depths of women's hearts. Her love poems pry open women's hearts and expect women to sing. Secondly, Shu Ting constructed a brand-new and independent female image with distinct female consciousness, subverted the metaphor of flowers and plants in the mirror image of male power, and established a unique female image. In her masterpiece To Oak, she never portrayed the traditional female images of "climbing Campbell flowers" and "spoony birds", but firmly portrayed the image of "a kapok tree" to show women's independence and equality. The roots of kapok and oak stick to the ground, and the leaves touch in the clouds. They share the cold wave, wind and frost, thunder and lightning, and enjoy the fog, clouds and rainbow. This kind of kapok is the embodiment of independent women, symbolizing the brand-new face of female images in the new era, and has a distinct female position. The image of "light" in Shu Ting's works is no longer just a general symbol of beliefs and ideals in the hearts of literati, but also endowed with vivid content of women's awakening consciousness. In the poem "When You Walk Under My Window", the poet repeatedly sings "The lamp is on", which makes me "not heavy" and "not old". It has "ardent love", "lofty pride" and "distinctive personality", and has become a symbol of all the rich emotions in the poet's inner world. In Farewell, "May there be a light on every platform in the fog" and "May the light shine today". At this time, the lamp has become a symbol of love, understanding, care and other beautiful human nature, giving people warm power and shining hope and light for "people who set out from afar." The rich connotation of this image is the artistic embodiment of the spirit of humanitarian care that Shu Ting has been calling for and pursuing. The earth image in Shu Ting's poems also endows her with maternal connotation, such as tolerance, generosity, obscurity, dedication and tenacity. For example, "Land Love Poetry", in which the full love for the land is poured to the fullest. In her works, the land has her father's sadness, generosity, severity, wisdom and strength, as well as her mother's fullness, indignation, ruthlessness, bumps and gentleness. Taking land as a metaphor, the poet reflects on the fate and quality of women in the history of China, with solemn and deep female introspection between the lines, leaving endless aftertaste. The image of tears is no longer a symbol of weakness, but more contains the strength of fortitude and tragic. " Maybe there is an ocean hidden/but only two tears come out. "(Missing) Shu Ting's" tears "is a sublimation of pain, a manifestation of sympathy and even love for others, and a kind and powerful spiritual force. Shu Ting constructed a series of unique and brand-new images with brand-new female feelings and delicate and affectionate female writing, expressing the spiritual pursuit of a person and a woman. These images were never created by previous poets, which enriched the image system of poetry and provided inspiration and reference for later female poets. Thirdly, Shu Ting's poems are a combination of classical and modern, with feminine spring breeze, revealing feminine characteristics different from previous writers. Take Missing as an example: "A colorful wall chart without lines/a pure but unsolvable dulcimer substitute, a rosary plucked from the eaves/a pair of paddles that can't reach the other shore. "The first section lists four things that are still irrelevant, such as fragmentation, rootlessness and passivity. But everything is so rich in connotation, the image is appropriate and vague, conveying an emotion, materializing it, and silently depicting the extremely complicated content contained in the emotional state of missing. This is also the poet's unique experience as a woman, beautiful and sad, with endless aftertaste. In the second poem, the more I miss you, the more emotions are contained in the "two tears", which are as profound as the "ocean". There is a strong emotional tension and imagination between the connotation and extension of poetic language, which externalizes implicit, euphemistic and dignified female emotions into perceptible female discourse, which has strong appeal and distinctive female characteristics. Shu Ting pays great attention to the language of poetry. The language of Shu Ting's poems is fresh and unconventional. She often uses function words to express assumptions, concessions or turning points to combine poems to express twists and turns. " I'll be charcoal if you like/I want to comfort you like this/but I dare not. (Gift) "If I love you-"(to the oak tree), "But I won't tell you why", "But I won't tell you who he is" (untitled), "That's true" (? . ! 》)。 Her poetic language is very original and has become one of the important symbols of her artistic style. In order to express her unique women, Shu Ting has made many seemingly handy but painstaking reforms to her mother tongue, which makes the language refreshing in her hands. For example, in the poem "Lu Yu", the phoenix tree suddenly fell/the bicycle bell hung in the air/the earth reversed rapidly/and went back to the night ten years ago. "What imaginative and creative sentences implicitly convey the image of Lu Yu causing great changes in the emotional world." Darkness has been closed/the skylight of memory and your eyes have come again "is purely an irrational feeling, which is the unique feeling of a poetess when memory and reality suddenly overlap." Women's experiences and emotions are subtle and rich, and poets "show" them to readers in a way that readers can appreciate and feel by themselves. This is the charm of female discourse, clever metaphor, strange imagination and soft words, which construct an infinitely beautiful poetic world. Shu Ting constructed a series of brand-new female images with unique female brushwork, expressed the rich emotions and profound consciousness of women in the new era, and created a unique artistic world. Shu Ting's poems are worthy of being the pioneers of China's contemporary female poems, connecting the past with the future, laying the foundation and position of female poems in the poetry world, and providing a lot of reference for the development of female poems.