1. What are the poems describing the water towns in the south of the Yangtze River
1. "Bodhisattva Man·Everyone Says Jiangnan is Good" - Wei Zhuang in the Tang Dynasty
People Everyone says Jiangnan is good, but tourists only like Jiangnan.
The spring water is as green as the sky, and the boat is painted and sleeping while listening to the rain.
Translation: Everyone says Jiangnan is good, which makes tourists just want to stay there until they grow old. The clear and green water of the river in spring is better than the blue of the sky. You can also fall asleep listening to the sound of rain outside on the painted boat.
2. "Early Spring in South Lake" - Bai Juyi of the Tang Dynasty
The wind has returned, the clouds have stopped, the rain has cleared, and the sun has returned to the lakeside, which is warm and bright.
The red mountain apricot hair is randomly scattered, and the new green water apple is spread flatly.
Translation: The dark clouds have dispersed, the wind and rain have stopped, the weather has just cleared up, and the sunlight reflects on the lake, giving it a warm and lively feeling. The apricots all over the mountains and plains are dotted with broken red; the water apples floating on the lake stretch as far as the eye can see, like neat lawns.
3. "Jiangnan" - Anonymous in the Han Dynasty
Lotus can be picked in the south of the Yangtze River, where there are fields of lotus leaves, and fish play among the lotus leaves.
The lotus leaves are to the east, the lotus leaves are to the west, the lotus leaves are to the south, and the lotus leaves are to the north.
Translation: You can pick lotuses on the water in the south of the Yangtze River. The lotus leaves are so lush and the fish are playing among them. Fish play on the east side of the lotus leaf, fish play on the west side of the lotus leaf, fish play on the south side of the lotus leaf, and fish play on the north side of the lotus leaf.
4. "Recalling Jiangnan" by Bai Juyi of the Tang Dynasty
Jiangnan is good, and the scenery is familiar to me.
When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. Can you not remember Jiangnan?
Translation: The scenery in Jiangnan is so beautiful, the scenery has been familiar for a long time. The sun rises from the river, shining the flowers on the riverside redder than red, and the green river water is greener than the blue grass. How can one not miss Jiangnan?
5. "Boat Mooring on Guazhou" - Wang Anshi of the Song Dynasty
Jingkou Guazhou is separated by water, and Zhongshan is only separated by several mountains.
The spring breeze is green again on the south bank of the river. When will the bright moon shine on me again?
Translation: Jingkou and Guazhou are only a river apart, and Zhongshan is only separated by a few layers of green mountains. The gentle spring breeze blows green on the south bank of the river again. The bright moon in the sky, when will you be able to shine on me when I go home? 2. Poems describing the water towns in the south of the Yangtze River
Lotus can be picked in the south of the Yangtze River Han Dynasty Anonymous Lotus can be picked in the south of the Yangtze River, and there are fields of lotus leaves.
Between the fish and lotus leaves, the fish and lotus leaves are to the east, the fish and lotus leaves are to the west, the fish and lotus leaves are to the south, and the fish and lotus leaves are to the north. Jiangnan Hao/Recalling Jiangnan by Zhao Shixia of the Song Dynasty The sky is connected with the water, and the water is far away and connected with the sky.
The sky is clear and horizontal, with the cold moon rippling across it, and the water, light and moonlight both present. The moon reflects the sky in the water.
People and scenery, people and scenery are difficult to combine in ancient times. When the scenery is good, the heart feels happy, and when the heart is far away and happy, the scenery should be beautiful.
Don’t talk to the common people. Looking to the South of the Yangtze River by Zhu Dunru of the Song Dynasty The sun shines forever, and the moon invades the bed at first night.
The dew lies beside a clump of lotus leaves, the hibiscus is fragrant and the water is cool. On the pillow is a fairyland.
Looking to the South of the Yangtze River by Zhou Bangyan of the Song Dynasty. The wandering prostitutes dispersed and circled back to the embankment alone. The fragrant grass carries the smoke and the water meanders, and the dense clouds hold the rain in the dark west of the city.
Jiu Mo is not stained with mud. Under the peaches and plums, the Spring Festival Gala has not yet become a trail.
Seeing flowers outside the wall, looking for the way around, horses passing by in the shade of willows and orioles singing. Everywhere is miserable.
Looking at Jiangnan/Reminiscing about Jiangnan by Wang Qi of the Song Dynasty On the south bank of the river, the clouds and trees are half sunny. The sails have gone and the sky has aged, the tides have risen and the sun has set.
The north and the south are separated from each other. The ups and downs of things have been linked to each other through the ages.
The fishing market is dawning in the solitary smoke at the foot of the mountain, and the rain is pouring deep beside the willows in the restaurant. Travelers should not come here.
Jiangnan grass is as easy to plant as it is to be traced. The orioles' tongues are confused as the fallen flowers are reflected deeply, and the souls of Nanpu's guests disappear due to the green fascination.
Fighting against the green robe every day. The wind is about to turn, and the tenderness is overwhelming.
There is a night rain in the distant green land, and there is a faint tide on the cold sand. Who dreams about Lan Tiao?
Jiangnan water, the river road turns to flat sand. The rain is coming, the smoke is gathering, the wind is clear, and the waves are blowing out cold flowers.
Deliver the stars far away. A man of fame and fortune, wandering and yet to return home.
In front of Xisai Mountain, the fishermen sing far away, and the geese walk diagonally on the waves in Dongting. Conquer and stay at the end of the world.
Jiangnan Yan, the embroidered curtain breeze is blowing lightly. In February, the new society in the pond passed, and the old palaces of the Six Dynasties were empty.
Jie Jie Xun Xidong. Wang Xiezhai once entered Qitang.
The smoke path passes over the flowers and flies far away, and the dawn window scares the dreamer with hurried words. Partially accounted for the apricot garden red.
The moon in the south of the Yangtze River fills the west building in the clear night. When the clouds fall and open, the ice spits out the mirror, and the jade hook sinks deep in the waves.
When will the round and the vacancy rest? The stars are far apart, and the wind is blowing into the new autumn.
Dangui doesn’t know how to shake and hate, Su’e should be sad to say goodbye. ***Yuyou in the sky.
Jiangnan wine has a strong taste. I lie drunk in the spring breeze deep in the alley, looking for the fragrance at dawn to the east of the small bridge.
Bamboo leaves are covered with golden bells. The sandalwood board is drunk, and the people's faces turn red.
On the pavilion of green apricots, yellow plums and reds, there are anchovies and bitter bamboo shoots on a jade plate. If you are drunk, you can attack with worry.
The snow in the south of the Yangtze River is lightly cut into the clouds. The Qiong tree is suddenly surprised by the early arrival of spring, and the plum blossoms feel the dawn fragrance is cold.
Leng Yingqing Qing Huan. The toads and jade are so different that it’s easy to watch them again in the clear night.
It is a pity that the dancing hero is disabled.
It rains in the south of the Yangtze River and the wind fills the Changchuan River. The smoke from the green tiles dims the willow bank, and the fragrance of red silk penetrates the plum blossom sky.
Floating and elegant. Morning and evening, they grow up in front of Chu Feng.
On a cold night, I am worried about wearing a gold pillow, and at dusk the river is deep and the magnolia boat is closed. The smoke and waves are connected far away.
Jiangnan bamboo is clear, moist and extremely fibrous. The deep path is intended to accommodate two phoenixes, and the back courtyard reflects the blooming peach blossoms.
The wind and moon shadow linger. The cold jade is thin, and the frost and sleet are urging each other.
The pink tears flowed empty and the makeup was there, and the sheep cart once came near the green branches. Don’t cut the dragon flute lightly.
Poems about Jiangnan Water Town (2) Bodhisattva Man in Weizhuang, Tang Dynasty Everyone says that Jiangnan is good, but tourists only like Jiangnan. The spring water is as green as the sky, and the boat is painted and sleeping while listening to the rain.
The people on the side are like the moon, and their bright wrists are covered with frost and snow. Don't return to your hometown before you are old. Returning to your hometown requires breaking your heart.
Nanhu Spring in Early Tang Dynasty by Bai Juyi The wind returns and the clouds stop, the rain begins to clear, and the light returns to the lakeside, which is warm and bright again. The red mountain apricot hair is scattered randomly, and the new green water apple is spread flatly.
The white wild goose with low wings is still heavy in flight, and the tongue is astringent and the oriole language has not been completed. I don’t know that spring in Jiangnan is not good, as I get sick and lose my mood every year.
The Kuai Zai Pavilion in Huangzhou, a water melody singer, is presented to Zhang Xuan and Su Shi of the Song Dynasty. The embroidered curtains are rolled up by the setting sun, and the water under the pavilion is connected to the sky. I know that you have made a new work for me. The windows are wet and green and red.
In Changji's Pingshan Hall, I was sleeping in the misty rain in the south of the Yangtze River, and there was no lonely bird. Recognize the drunken man's words, and know whether the mountains are beautiful or not.
A thousand hectares, all mirrors are pure and green peaks are inverted. Suddenly the waves rose, and a white-headed leaf danced.
You can laugh at Mr. Lantai, but he has not yet understood the natural sound of Zhuang Sheng. There are male and female in the right path. A little awe-inspiring spirit, a thousand miles of joyful wind.
Thirty-six spring waters, I want to see the south of the Yangtze River.
Bu Suanzi sent Bao Haoran to the King of Song Dynasty in eastern Zhejiang Province to observe the water. If you want to ask passers-by where to go, the brows and eyes are full.
Only then did I send spring back, and then sent you back. If you go to the south of the Yangtze River to catch spring, you will live with it.
Poems from the Jiangnan Water Town (3) Huangzhou Kuaizai Pavilion, a water melody singer, presented to Zhang Xuanquan and Su Shi of the Song Dynasty. The setting sun embroidered the curtains, and the water under the pavilion connected to the sky. I know that you have made a new work for me. The windows are wet and green and red.
In Changji's Pingshan Hall, I was sleeping in the misty rain in the south of the Yangtze River, and there was no lonely bird. Recognize the drunken man's words, and know whether the mountains are beautiful or not.
Thousands of hectares, all mirrors are pure and green peaks are inverted. Suddenly the waves rose, and a white-headed leaf danced.
You can laugh at Mr. Lantai, but he has not yet understood the natural sound of Zhuang Sheng. There are male and female in the right path. A little awe-inspiring spirit, a thousand miles of joyful wind.
Thirty-six spring waters, I want to see the south of the Yangtze River.
Bu Suanzi sent Bao Haoran to the King of Song Dynasty in eastern Zhejiang Province to observe the water. If you want to ask passers-by where to go, the brows and eyes are full.
Only then did I send spring back, and then sent you back. If you go to the south of the Yangtze River to catch spring, you will live with it.
Die Lian Hua Song Yan Jidao The heads of the golden scissors are fragrant, and when the colorful pistils are in bloom, they are not afraid of the cold weather. The clear snow has half disappeared, and the fragrance of crispy jelly has been exhausted by dawn makeup.
The twin green phoenixes on the twelfth floor and the ethereal singing sound remind me of Jiangnan Lane. Who can be drunk and dance in the spring breeze? Qin Yun already has a dream of a mandarin duck screen.
Butterfly Loves Flowers Song Yan Jidao dreamed of entering the Yanshui Road in the south of the Yangtze River. He traveled all the way to the south of the Yangtze River without meeting anyone else. There is nothing to say when you are sleeping, and you are melancholy when you wake up.
If you try to exhaust this love letter, it will be like a wild goose and a sinking fish, and in the end there will be no evidence. But relying on the slow string song to say goodbye, the broken heart moves the Qin Zheng pillar.
Poems from Jiangnan Water Town (4) Butterfly Love Flower Song Yan Jidao The early plum blossoms in Qianye are full of beauty, the smile is cold, and the makeup is tried first. The moon-faced ice-skinned skin is delicate and fragrant, and the romantic new name is Dong Junyi.
—The spring is full of joy, no one can compare with it. The sound of horizontal jade blows all over the ground, and the good branches always regret that there is no one to send them.
Hu Tao practiced Song Yan Jidao. A plum blossom was reported for the first time in the small pavilion, which aroused interest in returning to the south of the Yangtze River. The scenery of Yuxi River is shaken, and the water is rippling and slanting.
The strange fragrance lasts until you are drunk in the countryside, and you still wake up because of the fragrance after being drunk. Fortunately, the jade and appearance are combined, and the people and flowers compete for beauty.
Song Yan Jidao, who stayed in spring, painted a screen on the bank of the sky, dreaming back and following the promise, and the clouds and waters of ten continents. Twisting red paper in hand and sending it to someone, writing about infinite and sad things.
The tall buildings of Biepu once leaned against each other, thousands of miles south of the Yangtze River. In the sound of water flowing downstairs, there are the tears of Ping Gao that day.
Bodhisattva Man Song Yan Jidao There is no snow in the south of the Yangtze River, and the plum blossoms are white. People who remember plum blossoms are guests from the south of the Yangtze River. I still remember the old meeting, in the light smoke in the moonlight.
The jade face always has faith, and the return is near with a smile. When Huaiyuan went upstairs, the evening clouds and geese were low.
Qing Dynasty merchants complained about Song Yan Jidao. The fragrance of flowers in the courtyard is still shallow, but the jade tower is warmest first. When I dream of a spring quilt, Jiangnan is still far away.
The brocade characters on the back pattern are hidden and cut. If you send it to me in bulk, you should return it late. If you want to ask about lovesickness, God. 3. Poems about the beautiful scenery of Jiangnan water towns
Tang Dynasty - Bai Juyi
Jiangnan is good,
I have always known the scenery.
When the sun rises, the flowers on the river are as red as fire.
When spring comes, the river is as green as blue.
Can’t forget Jiangnan.
Author introduction: Bai Juyi (772-846), courtesy name Letian and Xiangshan Jushi, was the most famous poet in the Tang Dynasty after Li Bai and Du Fu. He wrote poems and dared to complain to the common people and criticize the emperor and bureaucrats. , the content is rich and colorful, and the language is easy to understand. At that time, both women and deer could appreciate it. His works were not only widely circulated in China, but also quickly spread to North Korea, Japan and other countries. Bai Juyi is one of the earliest poets to write lyrics, and "Remembering Jiangnan" is one of his lyrics.
Bai Juyi once served as an official in Hangzhou and Suzhou in the south of the Yangtze River and was very loved by the local people. This poem is his work recalling the scenery of Jiangnan, which is very unique in art. Let’s talk about material selection first. This poem is about the scenery of Jiangnan at sunrise in spring. The beauty of the scenery in the south of the Yangtze River lies in its beauty and bright colors, and the most beautiful thing is the green river water, and the brightest thing is the bright red river flowers. It can be said that writing about the "sunrise flowers on the river" and "spring on the river" in the south of the Yangtze River is the most beautiful place, the most beautiful moment, and the most beautiful scenery.
It expresses the author's thoughts and feelings of recalling Jiangnan and being nostalgic for Jiangnan. 4. Poems describing the water towns in Jiangnan
Lotus can be picked in the south of the Yangtze River. Han Dynasty Anonymous Lotus can be picked in the south of the Yangtze River, and there are fields of lotus leaves.
Between the fish and lotus leaves, the fish and lotus leaves are to the east, the fish and lotus leaves are to the west, the fish and lotus leaves are to the south, and the fish and lotus leaves are to the north. Jiangnan Hao/Recalling Jiangnan by Zhao Shixia of the Song Dynasty The sky is connected with the water, and the water is far away and connected with the sky.
The sky is clear and horizontal, the cold moon is shining, and the water, light and moonlight are both. The moon reflects the sky in the water.
People and scenery, people and scenery are difficult to combine in ancient times. When the scenery is good, the heart feels happy, and when the heart is far away and happy, the scenery should be beautiful.
Don’t talk to the common people. Looking to the South of the Yangtze River by Zhu Dunru of the Song Dynasty The sun shines forever, and the moon invades the bed at first night.
The dew lies beside a clump of lotus leaves, the hibiscus is fragrant and the water is cool. On the pillow is a fairyland.
Looking to the South of the Yangtze River by Zhou Bangyan of the Song Dynasty. The wandering prostitutes dispersed and walked back to the embankment alone. The fragrant grass carries the smoke and the water meanders, and the dense clouds hold the rain in the dark west of the city.
Jiu Mo is not stained with mud. Under the peaches and plums, the Spring Festival Gala has not yet become a trail.
Seeing flowers outside the wall, looking for the way around, horses passing by in the willow shades and orioles singing. Everywhere is miserable.
Looking at Jiangnan/Reminiscing about Jiangnan by Wang Qi of the Song Dynasty On the south bank of the Yangtze River, the clouds and trees are half sunny. The sails have gone and the sky has aged, the tides have risen and the sun has set.
The north and the south are separated from each other. The ups and downs of things are the same through the ages.
The fishing market is dawning in the solitary smoke at the foot of the mountain, and the drizzle is deep in the restaurant beside the willow. Travelers should not come here.
Jiangnan grass is as easy to plant as it is to be traced. The orioles' tongues are confused as they reflect the fallen flowers, and the souls of Nanpu's guests disappear due to the green fascination.
Fighting against the green robe every day. The wind is about to turn, and the tenderness is overwhelming.
It rains at night in the distant green sky, and there is a faint tide on the cold sand. Who dreams about Lan Tiao?
Jiangnan water, the river road turns to flat sand. The rain is coming, the smoke is gathering, the wind is clear, the waves are blowing out cold flowers.
Deliver the stars far away. A man of fame and fortune, wandering and yet to return home.
In front of Xisai Mountain, the fishermen sing far away, and the geese walk diagonally on the waves in Dongting. Conquer and stay at the end of the world.
The swallows in the south of the Yangtze River are gently blowing in the embroidered curtain wind. In February, the new society in the pond passed, and the old palaces of the Six Dynasties were empty.
Jie Jie Xun Xidong. Wang Xiezhai once entered Qitang.
The smoke path passes over the flowers and flies far away, and the dreams in the morning window are hurried. Partially accounted for the apricot garden red.
The moon in the south of the Yangtze River fills the west building in the clear night. When the clouds fall and open, the ice spits out the mirror, and the jade hook sinks deep in the waves.
When will the round and the vacancy rest? The stars are far apart, and the wind is blowing into the new autumn.
Dangui doesn’t know how to shake and hate, Su’e should be sad to say goodbye. ***Yuyou in the sky.
Jiangnan wine has a strong taste. I lie drunk in the deep alley in the spring breeze, looking for the fragrance at dawn to the east of the small bridge.
Bamboo leaves are covered with golden bells. The sandalwood board is drunk, and the people's faces turn red.
On the pavilion of green apricots, yellow plums and reds, anchovies and bitter bamboo shoots are served on a jade plate. If you are drunk, you can attack with worry.
The snow in the south of the Yangtze River is lightly cut into the clouds. The Qiong tree is suddenly surprised by the early arrival of spring, and the plum blossoms feel the dawn fragrance is cold.
Leng Yingqing Qing Huan. Toads and jade are so different, it’s easy to watch again in the clear night.
Xie Nv's couplet poems cover the green curtain, and Ziyou takes advantage of the prosperity to spread the waves. It is a pity that the dancing hero is disabled.
It rains in the south of the Yangtze River and the wind fills the Changchuan River. The smoke from the green tiles dims the willow bank, and the fragrance of red silk penetrates the plum blossom sky.
Floating and elegant. Morning and evening, they grow up in front of Chu Feng.
On a cold night, I am worried about wearing a gold pillow, and at dusk the river is deep and the magnolia boat is closed. The smoke and waves are connected far away.
Jiangnan bamboo is clear, moist and extremely fibrous. The deep path is intended to accommodate two phoenixes, and the back courtyard reflects the blooming peach blossoms.
The wind and moon shadow linger. The cold jade is thin, and the frost and sleet are urging each other.
The pink tears flowed empty and the makeup was there, and the sheep cart once came near the green branches. Don’t cut the dragon flute lightly.
Poems about Jiangnan Water Town (2) Bodhisattva Man in Weizhuang, Tang Dynasty Everyone says that Jiangnan is good, but tourists only like Jiangnan. The spring water is as green as the sky, and the boat is painted and sleeping while listening to the rain.
The people on the side are like the moon, and their bright wrists are covered with frost and snow. Don't return to your hometown before you are old. Returning to your hometown requires breaking your heart.
Nanhu Spring in Early Tang Dynasty by Bai Juyi The wind returns and the clouds stop, the rain begins to clear, and the light returns to the lakeside, which is warm and bright again. The red mountain apricot hair is scattered randomly, and the new green water apple is spread flatly.
The white wild goose with low wings is still heavy in flight, and the tongue is astringent and the oriole language has not been completed. I don’t know that spring in Jiangnan is not good, as I get sick and lose my mood every year.
The Kuai Zai Pavilion in Huangzhou, a water melody singer, is presented to Zhang Xuan and Su Shi of the Song Dynasty. The embroidered curtains are rolled up by the setting sun, and the water under the pavilion is connected to the sky. I know that you have made a new work for me. The windows are wet and green and red.
In Changji's Pingshan Hall, I was sleeping in the misty rain in the south of the Yangtze River, and there was no lonely bird. Recognize the drunken man's words, and know whether the mountains are beautiful or not.
A thousand hectares, all mirrors are pure and green peaks are inverted. Suddenly the waves rose, and a white-headed leaf danced.
You can laugh at Mr. Lantai, but he has not yet understood the natural sound of Zhuang Sheng. There are male and female in the right path. A little awe-inspiring spirit, a thousand miles of joyful wind.
Thirty-six spring waters, I want to see the south of the Yangtze River.
Bu Suanzi sent Bao Haoran to the King of Song Dynasty in eastern Zhejiang Province to observe the water. If you want to ask passers-by where to go, the brows and eyes are full.
Only then did I send spring back, and then sent you back. If you go to the south of the Yangtze River to catch spring, you will live with it.
Poems from the Jiangnan Water Town (3) Huangzhou Kuaizai Pavilion, a water melody singer, presented to Zhang Xuanquan and Su Shi of the Song Dynasty. The setting sun embroidered the curtains, and the water under the pavilion connected to the sky. I know that you have made a new work for me. The windows are wet and green and red.
In Changji's Pingshan Hall, I was sleeping in the misty rain in the south of the Yangtze River, and there was no lonely bird. Recognize the drunken man's words, and know whether the mountains are beautiful or not.
Thousands of hectares, all mirrors are pure and green peaks are inverted. Suddenly the waves rose, and a white-headed leaf danced.
You can laugh at Mr. Lantai, but he has not yet understood the natural sound of Zhuang Sheng. There are male and female in the right path. A little awe-inspiring spirit, a thousand miles of joyful wind.
Thirty-six spring waters, I want to see the south of the Yangtze River.
Bu Suanzi sent Bao Haoran to the King of Song Dynasty in eastern Zhejiang Province to observe the water. If you want to ask passers-by where to go, the brows and eyes are full.
Only then did I send spring back, and then sent you back. If you go to the south of the Yangtze River to catch spring, you will live with it.
Die Lian Hua Song Yan Jidao The heads of the golden scissors are fragrant, and when the colorful pistils are in bloom, they are not afraid of the cold weather. The clear snow has half disappeared, and the fragrance of crispy jelly has been exhausted by dawn makeup.
The twin green phoenixes on the twelfth floor and the ethereal singing sound remind me of Jiangnan Lane. Who can be drunk and dance in the spring breeze? Qin Yun already has a dream of a mandarin duck screen.
Butterfly Loves Flowers Song Yan Jidao dreamed of entering the Yanshui Road in the south of the Yangtze River. He traveled all the way to the south of the Yangtze River without meeting anyone else. There is nothing to say when you are sleeping, and you are melancholy when you wake up.
If you try to exhaust all this love letter, it will end up with no evidence. But relying on the slow string song to say goodbye, the broken heart moves the Qin Zheng pillar.
Poems from Jiangnan Water Town (4) Butterfly Love Flower Song Yan Jidao The early plum blossoms in Qianye are full of beauty, the smile is cold, and the makeup is tried first. The moon-faced ice-skinned skin is delicate and fragrant, and the romantic new name is Dong Junyi.
—The spring is full of joy, no one can compare with it, north and south of the Yangtze River. The sound of horizontal jade blows all over the ground, and the good branches always regret that there is no one to send them.
Hu Tao practiced Song Yan Jidao. A plum blossom was reported for the first time in the small pavilion, which aroused interest in returning to the south of the Yangtze River. The scenery of Yuxi River is shaken, and the water is rippling and slanting.
The strange fragrance lasts until you are drunk in the countryside, and you still wake up because of the fragrance after being drunk. Fortunately, the jade and appearance are combined, and the people and flowers compete for beauty.
Song Yan Jidao, who stayed in the spring, painted a screen on the bank of the sky, dreaming back to the promise, and the clouds and waters of the ten continents. Twisting red paper in hand and sending it to someone, writing about infinite and sad things.
The tall buildings of Biepu once leaned against each other, thousands of miles south of the Yangtze River. In the sound of water flowing downstairs, there are the tears of Ping Gao that day.
Bodhisattva Man Song Yan Jidao There is no snow in the south of the Yangtze River, and the plum blossoms are white. People who remember plum blossoms are guests from the south of the Yangtze River. I still remember the old meeting, in the light smoke in the moonlight.
The jade face always has faith, and the return is near with a smile. When Huaiyuan went upstairs, the evening clouds and geese were low.
Qing Dynasty merchants complained about Song Yan Jidao. The fragrance of flowers in the courtyard is still shallow, but the jade tower is warmest first. When I dream of a spring quilt, Jiangnan is still far away.
The brocade characters on the back pattern are hidden and cut. If you send it to me in bulk, you should return it late. When it comes to lovesickness, the end of the world is short.
Extended reading: Poems describing the water towns in the south of the Yangtze River. 5. Poems describing the scenery of Jiangnan water towns
Reminiscing about Jiangnan by Bai Juyi
Jiangnan is good,
I am familiar with the scenery.
When the sun rises, the flowers on the river are as red as the fire.
When spring comes, the water on the river is as green as blue.
I can’t forget Jiangnan.
Du Fu meets Li Guinian in the south of the Yangtze River
It is commonly seen in Prince Qi’s house, and I heard it several times in front of Cui Jiutang.
It is the beautiful scenery in the south of the Yangtze River, and you will see it again when the flowers are falling.
Bodhisattva Man Wei Zhuang
Everyone says Jiangnan is good, but tourists only like Jiangnan. The spring water is as green as the sky, and the boats are painted and listened to the rain. The people on the side are like the moon, and the bright wrists are covered with frost and snow. Don't return to your hometown before you are old. When you return home, you must break your
intestines. 6. Information about Jiangnan Water Town
Jiangnan refers to the geographical area. As the name suggests, it means the south of the Yangtze River. In the concept of human geography, it specifically refers to the south of the middle and lower reaches of the Yangtze River.
During the pre-Qin period, Jiangnan belonged to the nine states of Han Dynasty and was called "Wuyue" by the Central Plains. Jiangnan is famous for its talented people and beautiful women, its rich water towns, and its prosperity and development.
Jiangnan Water Town is a painting, a poem, and a play, which has made many people wander among the beautiful mountains and rivers and the quaint old alleys. Suzhou, known as Wu in ancient times, is also called Gusu.
Suzhou has more beautiful gardens and landscapes than any other city. There are many ancient water towns around Suzhou, which are rich in ancient culture and literary atmosphere. They are worthy of the title of "Suzhou and Hangzhou in Paradise". Rows of well-proportioned blue brick houses, slowly flowing gurgling rivers, and ancient embankment bridges that have been waiting for thousands of years are like a freehand splash-ink landscape painting.
Extended information: The ancient period of the Jiangnan water town. The fossils of Homo erectus found in Tangshan, Nanjing, Jiangsu Province in 1993 show that ancient humans were active in the Jiangnan area as early as 350,000 years ago. Around six or seven thousand years ago, the north and south of the Yangtze River entered the prosperous stage of the Neolithic Age.
According to preliminary surveys, there are about a thousand Neolithic cultural sites in Jiangsu and adjacent areas, including Suzhou Caoxieshan Culture, Nanjing Beiyinyangying Culture, Changzhou Weidun Culture, etc. The owners of the Neolithic sites who lived in the Jiangnan area later became the ancestors of Baiyue.
During the pre-Qin period, the south of the Yangtze River belonged to the land of Baiyue, which was called "Wuyue" by the Central Plains. Many ancient Yue people already lived here. People's Daily Online - Aerial photography of the water town in the south of the Yangtze River in Suzhou. Sleeping on a painted boat while listening to the rain. Baidu Encyclopedia - Jiangnan. 7. Information about the Jiangnan water towns
Suzhou and Hangzhou are the most representative residences in the Jiangnan water towns. Jiangnan is rich in products, and the scale and layout of the houses are also very distinctive.
The walls on the outside of the house are tall and rough, because most of the houses in the south are taller two-story buildings. In addition, the houses in the south are often connected with each other, and the wind and fire wall partitions in the middle are for fire protection. The area of ??the courtyard is not large, and the tall buildings make the patio, the lighting vent in the house, look particularly deep. .
The humid climate in the south of the Yangtze River makes ventilation particularly important. Therefore, residential buildings in the south of the Yangtze River often leave a gap of no more than 1 meter between the building and the wall to draw out the wind and light, and the effect is quite good. Jiangnan folk houses, large houses generally start from the front door and pass through the sedan hall, living room, main room, to the inner room or back room, with flower halls, study rooms, bedrooms, and small gardens, stage, etc. on both sides.
Generally large houses can have two or three parallel axes. However, regardless of the scale of the building, the folk houses in the south of the Yangtze River show a clear difference from the folk houses in the north. That is, there are many carvings and decorations, but very few colorful paintings. The walls are made of white tiles and green gray, and the wood is brown-black or brown-red.
Compared with the brilliant colors in the north, it is very elegant. The craftsmen of Jiangnan are ingenious and use the changing terrain to make the water flow smoothly between the houses.
Waterways and streets form an irregular network among the folk houses, which complement each other and form a unique flavor that distinguishes the folk houses in the south of the Yangtze River from the folk houses in the north. Since land is precious, the space inside and outside the house has been greatly utilized. Since most houses have access to water, almost every house has a small pier outside its door.
Housewives do laundry, vegetables, rice washing, etc. here every day, and small boats coming and going can also be anchored here. Compared with waterways, streets and alleys are very narrow, and some can only accommodate one person and one cow walking side by side.
The high walls and winding streets create an artistic conception of winding paths. Without Wuzhen, it would not have been possible to create a generation of literary master Mao Dun; without Mao Dun, Wuzhen would not have become the famous historical and cultural town in the south of the Yangtze River today.
Without Mao Dun, Wuzhen’s reputation would not have spread far and wide, let alone the continuous daily tourism revenue. What kind of relationship is this? Does the economy promote culture, or does culture nourish the economy? We are a nation that attaches great importance to culture, so our cultural celebrities are also particularly lucky. Their former residences are like pieces of mahogany furniture, becoming brighter and brighter with the wiping of time.
Looking at the bridge in Wuzhen will remind you of many beautiful past events. Wuzhen is located in the north of the Hangzhou-Jiaxing-Huzhou Plain and on the west side of the Beijing-Hangzhou Grand Canal. In the past, it was composed of two provinces (Zhejiang and Jiangsu) and three prefectures (Huzhou, Suzhou and Jiaxing). ) and seven counties (Wucheng, Gui'an, Shimen, Tongxiang, Xiushui, Wujiang, Zhenze), it is an important town at the junction of Jiangsu and Zhejiang. From the textual research of the Tanjiawan site, Wuzhen has been inhabited by ancestors as early as 7,000 years ago. It was officially called the town during the Xiantong period of the Tang Dynasty and has a history of more than 1,000 years. This is very rare among water towns in the south of the Yangtze River.
In addition to the city river that passes through the town, there are two small rivers that go around the town and are connected to the city river. The small rivers in the town are criss-crossed and winding. The water pavilions and wooden buildings rising near the river are like shadows. The river is not large, so there is a small bridge lying lightly and willows leaning on it.
The rich flavor of an ancient water town has been brought to its extreme in Wuzhen. It still preserves the architectural complex of the late Qing Dynasty and the early Republic of China. In 1991, it was named a provincial historical and cultural town by the Zhejiang Provincial Government.
The small Wuzhen has many bridges since ancient times. There is a saying of "one bridge for every hundred steps". At most, there were more than 120 bridges, and there are more than 30 ancient bridges in existence. The styles of these bridges vary depending on the terrain. Some are stone arches, some are tiled, some are majestic, and some are light.
Looking at the bridge in Wuzhen, you will be reminded of many beautiful past events for no reason. The most beautiful ancient bridge scenery in Wuzhen is "Qiaoli Bridge", which is composed of Tongji Bridge and Renji Bridge.
What’s amazing is that the two bridges, one running in the north-south direction and the other running in the east-west direction, are connected at right angles, so no matter which bridge you stand on, you can see the other bridge through the bridge hole, just like Watching the moon in the well has earned it the reputation of "bridge within a bridge".
And because the two bridges are located at the junction of the town and suburbs, with residential buildings on one side and green fields and trees on the other, the scenery is very beautiful.
Both bridges are arched structures, tall and majestic. If you stand on the south bank of the river and look at it, the semicircular bridge holes of the two bridges reflect the water surface, which is virtual and real, like a circle but not a circle, and the scenery is charming. The gentle and sonorous story spreads between Hanlindi and Old Ginkgo. It should be said that the first garden building in the history of Wuzhen was the Mansion of Pei Xiu, the Prime Minister of the Tang Dynasty.
At that time, "the long corridor blocked out the sun", and there was a popular saying among the people that "there is no sun in the sky", which shows its grand scale. After the Song Dynasty moved south, Hangzhou became the largest city in the world at that time.
Wuzhen, forty or fifty kilometers away from Hangzhou, has been favored by wealthy families, who have built residences and private gardens here. Wuzhen's garden architecture entered its heyday during the Ming and Qing Dynasties, with more than a dozen of them.
The pavilions, rockeries, flowing water, and beautiful trees and flowers in the garden can be used to sit, lie down, swim, and enjoy, all of which are extremely delicate and elegant. It's just that these romantic and warm gardens, like "Yongyuan", the best garden in Wuzhen in the late Qing Dynasty, have all been lost in the dust of history.
Yongyuan Garden was built by the great-grandfather of Kong Bijing, a famous writer of the New Culture Movement, who spent thousands of taels of silver and took one year to build it. Now only one article by Kong Bijing, "The Robbery of Yongyuan Garden" is left. 》. Compared with the demise of Kongjia Yongyuan, the Xia family’s Hanlin title that survived was even more precious.
In the widely read opera version of "Yang Naiwu and Xiao Baicai", there is an interlude introducing the Xiao Family Hall in the play "Xia Mansion's Plea". More than a hundred years ago, the Xiao Family Hall was the living room of the stepmother of Xia Tongshan, a famous official in the Qing Dynasty who vindicated Yang Naiwu and Xiao Baicai, the "first unjust case in Jiangnan".
Xia Tongshan was raised by his stepmother Xiao's family when he was a child. He was appointed to the Hanlin Academy at the age of 28. In order to thank the Xiao family for their nurturing grace, Xia Tongshan hung the imperially awarded "Hanlin No. 1" plaque in the Xiao family hall.
Since then, Hanlindi has become the most attractive ancient residence in Wuzhen. Hanlin Hall is a seven-entry building complex with 8 halls.
What is especially precious is that there are 24 well-preserved wooden screens from "The Romance of the West Chamber" that are rare in Jiangnan. The quiet and elegant Wuzhen also has a sonorous and exciting legend.
The protagonist of the story, General Wuzan of the Tang Dynasty, was ordered by the court to defeat the rebels when he arrived in Wuzhen. Unfortunately, he was plotted by the rebels. He and his horse fell into a trap and were shot to death by random arrows. The reinforcements buried General Wu and his mount Qinglongma on the west bank of the Shihe River, and planted a ginkgo tree on his grave.
This ginkgo tree, which symbolizes the spirit of loyalty to the country, still stands in the ancient town today. 8. Information about Jiangnan Water Town
Jiangnan refers to the geographical area. As the name suggests, it means the south of the Yangtze River. In the concept of human geography, it specifically refers to the south of the middle and lower reaches of the Yangtze River. During the pre-Qin period, Jiangnan belonged to the nine states of Han Dynasty and was called "Wuyue" by the Central Plains. Jiangnan is famous for its talented people and beautiful women, its rich water towns, and its prosperity and development.
Jiangnan Water Town is a painting, a poem, and a play, which has made many people wander among the beautiful mountains and rivers and the quaint old alleys. Suzhou, known as Wu in ancient times, is also called Gusu. Suzhou has more beautiful gardens and landscapes than any other city. There are many ancient water towns around Suzhou, which are rich in ancient culture and literary atmosphere. They are worthy of the title of "Paradise Suzhou and Hangzhou".
Rows of well-proportioned blue brick houses, slowly flowing gurgling rivers, and ancient embankment bridges that have been waiting for thousands of years are like a freehand splash-ink landscape painting.
Extended information:
The ancient period of the Jiangnan water town
The fossil of Homo erectus in Tangshan, Nanjing, Jiangsu Province discovered in 1993 shows that the Jiangnan area was as early as 350,000 years ago. There were ancient humans active here. Around six or seven thousand years ago, the north and south of the Yangtze River entered the prosperous stage of the Neolithic Age.
According to preliminary surveys, there are about a thousand Neolithic cultural sites in Jiangsu and adjacent areas, including Suzhou Caoxieshan Culture, Nanjing Beiyinyangying Culture, Changzhou Weidun Culture, etc.
The owners of Neolithic sites who lived in the Jiangnan area later became the ancestors of Baiyue. During the pre-Qin period, the south of the Yangtze River belonged to the land of Baiyue and was called "Wuyue" by the Central Plains. Many ancient Yue people already lived here.
People's Daily Online - Aerial Photography of Suzhou's Jiangnan Water Town, Listening to the Rain and Sleeping on a Painted Boat
Baidu Encyclopedia - Jiangnan