Gui Tian Yuan is in Qiyi.
Few people do as the Romans do. Their nature is to love nature.
I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
I want to open up wasteland in Minamino and keep my humility to the fields.
The house is surrounded by about ten acres of land, thatched cottages.
Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
Warm (ài) away from the people's village, there is smoke in the Yiyi market.
Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.
Trapped in a cage without freedom for a long time, I finally returned to the forest today.
Tian Yuan in Guangxi ranks second.
There are few chariots and horses in the secluded places when the countryside makes friends with the secular world.
Cover the door during the day, thinking about wine.
When people are in the void, they follow the grass.
When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.
Summer is getting longer and our territory is getting wider.
Often worried about sudden frost, crops wither like shrubs.
Gui Tian yuan ju qi San
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
Gui Tian Yuan lives in Si Qi.
Long-term tourism mountain ze, wild forest entertainment.
Try to take your son and nephew and put them in the wild market.
Yiyi wandered between mountains and dragons, living in the past.
There are remnants in the well, and the mulberry and bamboo rot.
Excuse me, whoever gets paid is different.
The wage earners told me that there was no death.
Abandon the city for a lifetime, really.
Life seems illusory, and eventually it will be empty.
Gui Tian Yuan ju Wuqi
Alone in a sense of loss, I returned to my hometown with a staff member. The road was bumpy and in shock.
The mountain stream is shallow and meets my feet.
I'm drinking my newly cooked wine, and two chickens attract the latest game.
When the sun sets, the candle is lit instead.
The height is high and the height is short, and the east is getting white.
2. Tao Yuanming sings for his seclusion. His five poems "Returning to the Garden", which describe the pastoral scenery, have no suitable rhyme. His nature is to love autumn mountains.
I sneaked into the official career network and have been away from the game for more than ten years. Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
I want to open up wasteland in Minamino and keep my humility to the fields. The house is surrounded by about ten acres of land, thatched cottages.
Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital. The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.
Several dogs barked in the alley, and the mulberry tree was barked by a rooster. There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.
Trapped in a cage without freedom for a long time, I finally returned to the forest today. When I was a teenager, I didn't cater to the secular nature. Nature loves mountains and rivers (life).
Tao Yuanming has been caught by mistake for 30 years. Birds in cages are attached to the Woods where they lived, and fish in ponds miss the deep pools where they lived.
Go to Yuan Ye in the south to open up wasteland, stick to stupidity, and return to my hometown to live an idyllic life. There are more than ten acres of land around the house, and there are eight or nine thatched houses.
Elms and willows cover the back eaves, and peach trees and plum trees stand in front of the hall. Residential villages are faintly visible in the distance, and the smoke from the trees rises gently with the wind.
Dogs bark in deep alleys, and mulberry trees crow. There are no worldly chores in the door, and there is plenty of free time in the empty room.
Trapped in a cage for a long time, now I can finally return to nature. Birds in captivity: caged birds.
Warm: dim and fuzzy. Virtual room: an empty room.
Fan Long: Metaphor of officialdom life. Yiyi: rise gently and slowly.
Second, there are few people in the wild and few wheels in the backcountry. This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts.
When complex market music, grass * * *. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.
My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.
Poetry annotator: refers to making friends with people. Martingale: A belt around a horse's neck when driving.
This sentence means living in a secluded place with few chariots and horses. Qu: A secluded place.
Street song: still in the countryside. Parker: Pull it out.
This is the second poem in Returning to the Garden, which is intended to write about the tranquility of rural life. Write "Jing" from the front first.
Living in a remote country, there is little secular communication and entertainment, and few guests visit. It is precisely because there are no ordinary people to disturb, so "cover the door during the day and think in the empty room."
Chai Men, with the door left unlocked, has a quiet bedroom, which separates the worldly noise from the worldly distractions. However, when Chai Men opened to the outside world, poets often talked about Sang Ma with their neighbors.
But in the poet's view, it is not the secular "personnel" who associate with simple farmers; The word * * * is not a "miscellaneous word". Compared with officialdom full of cleverness and hypocrisy, there is a new world here.
-This is external "movement" and internal "quietness". Country life also has its joys and sorrows.
"Sang Ma's days are long and my land is vast", which is gratifying; At the same time, it is "always afraid of frost, just like grass." However, this joy and fear are not "dust thoughts".
On the contrary, this simple joy and fear means that rural labor makes the poet's mind clear and pure, and his feelings simple. -this is the "movement" of the heart to further demonstrate the "quietness" of the heart.
Poets either speak from the front or from the side, so that readers can feel the tranquility of the countryside and their own state of mind. Yuan Haowen once said, "Is this man a poem? He wrote it straight on his chest. "
In this longing, the poet described a quiet and pure world. Three kinds of beans are under the south mountain, and the grass is full of bean seedlings.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will. Poetry note 1 hoe: carrying a hoe.
Oh, take it. 2 long vegetation: overgrown with vegetation.
Nanshan: Lushan Mountain in Jiangxi Province. 4 morning edge: get up in the morning.
5 wet: wet. There is my bean field under the slope of Nanshan, where weeds are overgrown and bean seedlings grow sparsely.
Get up in the morning to clear the weeds in the field, and go home to rest under the stars and the moon. Vegetation covered the narrow road home, and the dew at night wet my rough coat.
It's a pity that my clothes are wet, as long as it doesn't go against my wish to return to farming. The central idea of the poem is to plant beans at the foot of Nanshan, and the grass is full of beans and seedlings.
These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night.
Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home". The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will. The road is narrow and the grass is long, but the clothes are wet. What's the pity? This sentence seems dull, but this kind of dullness just reflects the ending sentence "but I don't want to violate it", which makes "I don't want to violate it" fully emphasized.
The "wish" here contains the meaning of not losing yourself in the dirty real world. The language of this poem is very plain and natural.
"Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and simple poem is integrated into the artistic conception of the whole poem, which turns spoken language into poetry, harmoniously unifies simple spoken language and poetic mellow beauty, and forms the artistic characteristics of Shi Tao's simple and mellow beauty.
Tao poetry is plain and interesting. The interest of Tao poetry comes from freehand brushwork.
"Go home with the moon hoe", the poet who returned from work is alone, but accompanied by the bright moon. The poet under the moon walked through waist-deep grass with a hoe on his shoulder. Returning to the countryside on a moonlit night, what a beautiful picture! It is full of the poet's happy mood and seclusion pride.
The plain language of "planting beans in Nanshan" and the beautiful sentence of "bringing lotus home in the moon"; The first sentence is real, and the last sentence is empty. The whole poem is soft and perfect with the mutual complement of simplicity and reality.
Fourth, I went to Shanze for a long time and enjoyed myself in the wild forest. Try to take your son and nephew and put them in the wild market.
Wandering among the mountains, unwilling to live in the past. There are remnants in the well, and the mulberry and bamboo rot.
Excuse me, whoever gets paid is different. The wage earners told me that there was no death.
Abandon the city for a lifetime, really. Life seems illusory, and eventually it will be empty.
Fifth, feel sorry for yourself, the calendar is rough. The mountain stream is shallow and meets my feet.
I'm drinking my newly cooked wine, and two chickens attract the latest game. When the sun sets, the candle is lit instead.
The height is high and the height is short, and the east is getting white.
3. Recommend three hermit poems written by Tao Yuanming, The Fifth Day of Drinking. During the Wei and Jin Dynasties, Tao Yuanming and Gaifang were in a state of human feelings, but there were no chariots and horses.
What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, you can see Nanshan leisurely.
The mountains are getting better and better, and the birds are back. That makes sense. I forgot what I wanted to say.
In the Wei and Jin Dynasties, Tao Yuanming planted beans at the foot of Nanshan, and the grass was covered with bean seedlings. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.
"Return to the Garden Part I" Wei and Jin Dynasties: Tao Yuanming has no rhyme and loves autumn mountains. I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields.
The house is surrounded by about ten acres of land, thatched cottages. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely. Trapped in a cage without freedom for a long time, I finally returned to the forest today.
Appreciate the first four sentences in Drinking Five, and reveal a common and interesting life phenomenon-"My heart is far away from myself" with specific life experiences and questions and answers. The phrase "picking chrysanthemums under the east fence" comes from "keeping your heart away from yourself". It is said that when picking chrysanthemums in Dongli, I accidentally saw Nanshan, so my eyes shook and I was attracted by the beautiful scenery of Nanshan in the evening.
While creating the humanistic environment of the house, picking chrysanthemums; Being in Dongli, but fascinated by Nanshan, the whole theme is always expressing the word "far". The "true meaning" of the last two sentences is here, and so is "forgetting words".
The so-called "true meaning" is actually the self-satisfied life interest brought by Ren Zhen's "heartbeat"; The so-called "forgetting words" means that in Tao Yuanming's view, there are always some people who are in favor of the situation, and people who are in cahoots can't appreciate this kind of life interest! The eight short chapters "Planting beans in Nanshan" in "Returning to Garden House III" express profound ideological content in a small space of 40 words and describe the hardships of the poet after his seclusion. In this poem, Tao Yuanming bravely opposed traditional ideas, broke the worn-out spiritual shackles, resolutely bid farewell to officialdom, resigned from Pengze County Order, and stopped being a "gentleman" who tried to govern the people. I resolutely returned home, willingly shouldered the hoe, plowed hard, and determined to be a "villain" of labor.
Such fearless spirit, beautiful personality and noble realm have won praise, admiration and even imitation from many people in later generations. Tao Yuanming, who couldn't stand the dirty and secular shackles of officialdom, resolutely resigned and retired to concentrate on farming.
The relaxed feeling of leaving the official career, the joy of returning to nature, and the quiet pastoral, simple communication and farming experience make this group of poems become outstanding pastoral poems. The most prominent thing in this poem is to describe the scenery-to describe the scenery of the garden, and to cross the far and near scenery by line drawing, which is vivid and colorful; Secondly, antithetical sentences are used in many places in the poem, such as: "On the eaves behind the shade, Luo tang qian."
There is also the use of contrast techniques to compare "dust net", "cage" and "garden house", thus highlighting the poet's aversion to officialdom and love for nature; No matter what language is clear and fresh, it is as simple as vernacular Chinese. This poem presents a complete artistic conception, and the language of the poem completely serves to present this artistic conception, without seeking superficial beauty, so the poem appears natural.
In short, this is the nature achieved through artistic pursuit and artistic efforts.
4. Tao Yuanming's three poems about drinking in seclusion
one
Birds without birds fly alone at dusk.
Wandering endlessly, every night my voice becomes sad.
Li went to Qingyuan, where to go;
Because value is lonely, loose and distant.
There is no glory in the strong wind, and this shadow is not long;
I have my house, which has a history of 1000 years.
Secondly,
Building a house is human, and there are no horses and chariots.
What can you do? The heart is far from being self-centered.
Picking chrysanthemums under the east fence, leisurely see Nanshan;
The mountains are getting better and better, and the birds are back.
This makes sense. I want to distinguish right from wrong and get carried away.
third
There are thousands of stops, who knows right or wrong;
Contrast between right and wrong, and ruin the reputation.
For more than three seasons, Da Shi seems to be out of place.
Vulgarity is a fool, you should learn from Bo Huang.
Fourth.
Autumn chrysanthemum is more beautiful because of its good color.
Chrysanthemum wine is in the heart, the heart is more beautiful, and the feeling of avoiding customs is deeper.
The wine in the glass waved, and then held the glass.
As the sun sets, birds call to Lin Huan.
Intoxicated in the east window, let this life be this life.
Fifth.
The east garden is loose, and the grass has no posture;
First frost is different, you can see the tall branches.
Even foresters don't realize that being alone is strange.
Hold a pot and hang a cold ke. From a distance, it will be restored.
In my dream room, what happened to the dust!
5. Tao Yuanming's reclusive poems drink alcohol. Tao Yuanming lost his habitat and still flew alone at dusk.
Wandering endlessly, every night my voice becomes sad. Li went to Qingyuan, where to go; Because value is lonely, loose and distant.
There is no glory in the strong wind, and this shadow is not long; I have my house, which has a history of 1000 years. Secondly, building a house is human, and there are no horses and chariots.
What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, leisurely see Nanshan; The mountains are getting better and better, and the birds are back.
This makes sense. I want to distinguish right from wrong and get carried away. The third line ends at ten million ends, who knows right and wrong; Contrast between right and wrong, and ruin the reputation.
For more than three seasons, Da Shi seems to be out of place. Vulgarity is a fool, you should learn from Bo Huang.
Fourth, the color of autumn chrysanthemum is good, which makes it more beautiful. Chrysanthemum wine is in the heart, the heart is more beautiful, and the feeling of avoiding customs is deeper.
The wine in the glass waved, and then held the glass. As the sun sets, birds call to Lin Huan.
Intoxicated in the east window, let this life be this life.
5. The pine tree is in the East Garden, and the grass has no posture; First frost is different, you can see the tall branches. Even foresters don't realize that being alone is strange.
Hold a pot and hang a cold ke. From a distance, it will be restored. In my dream room, there is nothing to worry about.