The Book of Songs comes from The Book of Songs Qin Feng. This is a pity poem. The "Iraqi people" in the poem is the object that the poet loves, misses and pursues. This poem describes the scenery very well, and the scenery is full of emotion and the scene is integrated, which effectively sets off the sad and melancholy feelings of the protagonist and gives people a hazy beauty.
Chinese organ Feng Jiajian
Feng Jiajian in Qin Dynasty is one of the Book of Songs, a collection of China's ancient realistic poems. The whole poem consists of three chapters with eight sentences in each chapter. This poem was once regarded as a mockery of Qin Xianggong's failure to consolidate the country with Zhou Li, or as a pity for its failure to attract hermits and sages; Now it is generally believed that this is a love song, which is about the melancholy and depression when you pursue what you love but can't get what you love. The whole poem consists of three chapters, and the last two chapters are only slightly changed compared with the first chapter, which has formed the effect of harmonious internal rhythm and uneven rhythm between chapters, and also caused the reciprocating advancement of semantics.
Creation background
This poem is written for those who admire it in their hearts. Chen Zizhan's "Three Hundred Poems for Solving Problems" said: "There is no doubt that the poem" Sword House "is a work that the poet wants to see but can't see. Who is this man? Is he an old man who understands Zhou rites, or an old minister of the Western Zhou Dynasty who cares for the Zhou Dynasty and the old master? A hermit of Qin State or a friend of the poet? Or is the poet himself a saint, a hermit and a first-class poet? Or do we simplify and vulgarize it and insist that it is a love poem, saying that the poet misses his lover? It is difficult to judge because there are different explanations.
works appreciation
The Qin land in the Eastern Zhou Dynasty is roughly equivalent to most of Shaanxi and eastern Gansu today. Its land is "close to Rongdi", and such an environment forces Qin people to "practice combat readiness and value their strength" (Hanshu Geography), and their emotions are also passionate and generous. The ten poems preserved in Qin Feng are mainly hunting, mourning, satire and admonition, which are more like Zheng's style.
The poem "White Dew is Frost" conveys to readers that it is late autumn and the dawn of genius, because there are frost flowers condensed by dew at night on reed leaves. On such a late autumn morning, the poet came to the river in pursuit of the person he longed for, and an endless reed appeared in front of him, showing cold silence and loneliness. The poet only knows that the person he expects is on the other side of the river. Seen from below, this is not a definite existence. The poet has no idea where the Iraqis live, or whether the Iraqis are like the "South Americans" who swam to the north bank of the river in the east and lived in Xiaoxiang in the evening in the fourth of Cao Zhi's Seven Miscellaneous Poems. This may be a hopeless but tempting pursuit under the poet's feet and pen. Understanding "upstream" and "upstream" as upstream and downstream, or along a winding waterway and along a DC waterway, will not affect the understanding of poetry. In Bai Juyi's Song of Eternal Sorrow, after the death of Yang Guifei, Xuanzong was lonely and sleepless. Through the above search, he found the green void. Below, in the yellow spring, a Taoist priest was still "but he didn't find the person he was looking for in two places", but after all, he found the immortal Yang Guifei on the "illusory" overseas fairy mountain and met again on Tanabata. However, in Jiaxu, after the poet's hard pursuit, the Iraqi people seem to be in the middle of the river, surrounded by waves, still inaccessible. In Hanguang, Nan Zhou, Guo Feng, the poet couldn't find a "female passer-by" either, because the Hanjiang River was too wide to cross. Chen Qiyuan said: "If a husband says (pleasure), he will want something, but if he only looks at it, he will feel something." (Appendix to Shi Mao's Argumentation) "Visible but unreachable", which is within reach, deepens the degree of longing. The word "Wan" in the poem shows that the figure of the Iraqi people is vague and ethereal, and perhaps it is simply an illusion born out of the poet's obsession.
reference data
Sogou encyclopedia: /item/ Guofeng Qin Jian/1837809? Fr = Aladdin
2. The Book of Songs is the earliest collection of poems in China.
The income from the early Western Zhou Dynasty to the mid-Spring and Autumn Period (BC 100 to around 600 BC) was 305 poems. (In addition, there are six poems with no content, that is, no words, which are called poems), also known as "Three Hundred Poems".
The pre-Qin dynasty was called "Poetry", or the integer was called "Poetry 300". In the Western Han Dynasty, it was honored as a Confucian classic, formerly known as The Book of Songs, which has been in use ever since.
Mao Heng in Han Dynasty annotated The Book of Songs, so it was also called Mao Shi. Most of the authors of the poems in The Book of Songs cannot be verified.
The area involved is mainly the Yellow River Basin, starting from Shanxi and eastern Gansu in the west, southwest Hebei Province in the north, Shandong in the east and Jianghan Basin in the south. Poetry is inseparable from music.
Stylistic Classification There is a saying about the classification of poems in The Book of Songs: "Four Beginnings and Six Meanings". "Four Beginnings" refers to four top poems: Feng, Elegance, Ode.
"Six meanings" refers to "wind, elegance, praise, fu, comparison and glory". "Style, elegance and praise" are the classification of the Book of Songs according to different music, and "Fu, Bi and Xing" are the expressions of the Book of Songs.
The Book of Songs is mainly composed of four words and miscellaneous words. The division of style, elegance and fu is based on the difference of music.
The Wind has collected folk songs from fifteen places, including some places in Shanxi, Shaanxi, Henan, Hebei and Shandong (Qi, Han, Zhao, Wei and Qin). Most of them are folk songs in the Yellow River valley, and most of them are polished folk songs, called "The Wind of Fifteen Countries", with 160 articles, which is the core content of the Book of Songs. "Wind" refers to rural wind and wind ballads.
(Fifteen National Styles:,, Yan [bè i], Yan [yūng], Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Qi, Cao, Yi [běn]) Three Transcripts of The Book of Songs (Tang People) (22 volumes) "Ya" According to the music layout, there are 105 songs, of which 3 1 songs, and 74 songs are poetry.
Of course, most of them are works of literati, but there are also many words in Xiaoya that are similar to wind and ballads, such as yellow birds, going their separate ways, valley wind, why the grass is not yellow and so on. Odes include Zhou Song (3 1), Truffle (4) and Ode to Shang Dynasty (5), which are 40 music songs and dance songs used in ancestral temple sacrifice.
Ode is a sacrificial music, which is divided into 3 1 Zhou Song, 4 truffles, 5 commercial songs and 40 * * *. Originally, it was a musical song to praise the gods or ancestors when offering sacrifices, but all four poems of Truffle are to praise the living and beautiful Lu Xigong, and there are also flattering poems in Shang songs.
"Wind" means tone. It is relative to "Wang Ji", an area directly ruled by the Zhou Dynasty.
It is local music in different regions, mostly folk songs. The poem "Feng" is a folk ballad collected from 15 regions, including China, Yi, Yan, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Qi, Cao and Yi.
*** 160 articles. Mostly folk songs.
According to the name and the content of the poem, it can be roughly inferred that the poem originated in Shaanxi, Shanxi, Henan, Hebei, Shandong and northern Hubei. Elegance is the joy of "Wang Ji" and is called "Xia" by Zhou people in this area. "Ya" and "Xia" were commonly used in ancient times.
Elegance also means "positive". At that time, Ji Wang's music was regarded as a positive tone-a model music. People in the Zhou Dynasty called Zheng Yayue, just as people in the Qing Dynasty called Kunqu Opera Ya Bu, with the meaning of honorific title.
Zhu's Biography of Poetry says: "Elegance is righteousness, and singers are joy. The size of his articles is different, but the pros and cons of Confucian scholars are different.
Today's test is the joy of Xiaoya and Yan Yan; It is elegance, the joy of attending the meeting, and the words of discipline. Different words and sounds have different syllables.
Therefore, the difference between size and elegance lies in its content. "Ode" is a kind of music song and epic sacrificed in ancestral temple, and its content mostly praises the achievements of ancestors.
"Preface to Mao Poetry" said: "The description of the beauty and virtue of the eulogists tells the gods of their merits. "This is the meaning and use of ode.
Wang Guowei said: "Praise is slower than elegance." This is the characteristic of his music.
3. Recommend the poems in The Book of Songs. Forget the poems in Jia Jian, Guan Ju and Jing Nv. The Book of Songs Nan Zhou Yao Tao talks about the elegance of women when they get married. The Book of Songs says that it is the same for women to get married, but it is different from the Book of Songs. The origin of "holding your hand and growing old with your son" is still very beautiful. The famous sentence in The Book of Songs Feng Wei Shuo Ren has been handed down from generation to generation, describing the beauty's "hands are like, skin is like, teeth are like, smiling, eyes are looking forward to." The famous sentence in The Book of Songs Feng Wang Mi Li describes the pain of war. "People who know me are called. If you don't know me, what do you want? " When The Book of Songs Zheng Feng appeared in its east gate, I thought of the origin of the pen name. There is a beautiful person in The Book of Songs Zheng Feng Yewei, just like The Book of Songs Xiaoya Luming Literature, Yo Yo Luming Literature, The Book of Songs Xiaoya Luming Literature, Picking Wei and Yesterday I Went.
The famous sentence "The Book of Songs Xiaoya Luming Literature What is Sikan" gave birth to a boy sleeping in bed and a girl sleeping in the ground, so men and women are like this. Hehe, I have always loved the Book of Songs, especially "wealth in life and death, wealth in children and grandchildren"-beloved.
4. Who has an appreciation for Guan Yu and his poems? Guanju is a poem with simple meaning.
Perhaps it is best in music, as Confucius' comment "The Analects of Confucius Taber" said: "The loyalty of the teacher begins, the chaos of the official gathering, and the joy of echo." Chaos is an ensemble at the end of music.
It is the second best in meaning. Guan Ju didn't really write, but wrote in vain.
Dai Junen said: "This poem only has' My Fair Lady, Gentleman is Good at My Fair Lady', but I turned over what I didn't get and wrote a scene of complaining; Digging out a passage that has been obtained and writing a happy scene is nothing more than describing the word' a gentleman is good at it'. If you recognize the reality, it is a dream in a dream. "
Niu Yunzhen said: "Tossing and turning, playing pipa and playing bells and drums are all imaginary in the air, expressing feelings in the air, and poets think that the facts are lost." Are very insightful.
Poetry describes the love between men and women in a virtual way, that is, the so-called "ideological realm", such as Han Guang, such as the moon rising, such as Zepi, and so on, and Guan Ju is the quietest and gentlest, with a beginning and an end, especially the happy ending. As a music song, send it as ".