Ma Zhiyuan's "Tianjingsha Qiu Si" is known as "the ancestor of Qiu Si" and is widely praised by later generations. This poem is ingenious, ingenious and clumsy, with no trace of carving, and it is natural. Ma Zhiyuan wrote his own life experience, and also wrote about the world and sorrow of scholars all over the world, which easily aroused the * * * nature of later scholars.
When he was young, most scholars in the world were ambitious. In his youth, Ma Zhiyuan had great illusions about "Dragon House and Phoenix Pavilion", but his bad luck and ill-fated career left no time for Sanqu to mourn the world. Most literati in history have a deep understanding of this situation. There was a word "autumn scholar" in ancient times, and there were countless poems about autumn, all of which were telling the loneliness and sadness of scholars. "Tianjingsha Qiu Si" has made a statement for the literati in the world in content, and it has its own uniqueness in artistic expression.
The noun mentioned by the subject is the image in the poem, which is often used in classical poetry. In short, images are the objective objects used to express the poet's feelings in poetry, and a group of images with the same tendency constitute a picture with a certain situation, which can be regarded as artistic conception. Images and artistic conception are very important in classical poetry, and abstract and complex feelings are often conveyed through images and artistic conception.
"Dead vines and old trees faint crows." Three images create a bleak and desolate autumn scenery, just like a shot in a movie; The camera quickly switches to the warm and comfortable Jiangnan scene, which is composed of "small bridges and flowing water". Created by three images; The camera stopped for a minute and has switched to the bleak autumn, but the image has been changed to "the old road and the west wind are thin horses." Obviously, the first shot and the third shot are the real scene in front of us, and the second shot is the writing of imagination, which is the imagination of the poet. As if nine still images were simply arranged, the poet's art used the technique of alternating reality and reality, which added the charm of the poem and better expressed the poet's sorrow of wandering around the world in the contrast of the pictures.
"When the sun sets, heartbroken people are at the end of the world." The first nine images are ready, and the last sentence is one after another. A lonely wanderer wandered beyond the Great Wall. Late autumn dusk, hunting west wind, a thin horse walking on the vast ancient road, dry vines wrapped around the old trees by the road, and several numb crows perched on the treetops. Poor people are anti-rooted. At this moment, the poet remembered his hometown, the warm and comfortable Jiangnan. The bloody sunset dragged the wanderer out of his dream, heartbreaking him and unable to return to his dream hometown.
In fact, Ma Zhiyuan's hometown is Dongguang County, Hebei Province, and he only worked as a junior official in Zhejiang for a few years. He made a statement on behalf of the frustrated literati in the world, and there are many literati in Jiangnan. Even if Jiangnan is called hometown, there is nothing wrong. This is just a complex in the poet's heart. When reading poetry, you can't die under the sentence, and you can't deny the truth, because poetry is ethereal. This poem is so quiet and ethereal in form, and so heavy and sad in content. No wonder it has been widely sung by people for thousands of years.