Ancient poems describing family ties

The ancient poems describing affection are as follows:

1. Ode to a Wandering Son Tang Mengjiao: The thread in the hands of a loving mother makes clothes for her wayward son. Before leaving, I had a stitch for fear that my son would come back late and his clothes would be damaged. Who can say that a filial child like the weak can repay his mother's love like the sunshine in spring?

2. A Farewell to My Mother Huang Qing Ren Jing: I bow down to my mother's river beam. I worry about it, but my eyes are dry. This is a tragic snowy night in Chai Men. It is better to have children than nothing at this time.

3. "Getting home at the end of the year" Qingjiang Shiquan: I love my son endlessly and I am happy to go home. Cold clothes are needle and thread, and letters from home are ink stains. If you encounter pity, you will ask for it. I am ashamed of the son of man and dare not complain about the dust.

4. "Remembering the past" Song Qingling Lingyun: If you want to return, you won't get empty pockets, and your children will miss home and cry. I remember the white temple beside my bed, and I looked at the crutches.

5. "Missing my loved ones at night" Wu Song: My wife and sick daughter went to Huaixi, and my loving mother lived in Wuhe. Listening to the rain at night, I take pictures by myself with cold light.

Data expansion:

Ancient poetry is the general name of China's ancient poetry, which refers to the poems created by ancient people in China. Ancient poems in a broad sense include poems, ci poems and Sanqu poems, while ancient poems in a narrow sense only refer to poems, including ancient poems and modern poems.

Formal features:

1. Concise sentence:

Classical poetry, except words and songs, is mostly neat sentences. For example, The Book of Songs is basically four words, The Songs of Chu is roughly six words plus the word "Xi", and most ancient poems and modern poems are five or seven words.

2. Peace and confrontation:

"Ping" and "Nuo" are two major categories of Chinese tones. In modern poetry, poetry and songs, there are quite strict regulations on the use of flat and even words. Some positions must be in plain characters, and some positions must be in plain characters. For example, "Although the country is broken, the mountains and rivers will last forever, and the vegetation will revive in spring" (Du Fu's "Spring Hope") is a sentence pattern of "flat and light, flat and light".

Antithesis means that in a couplet, words with the same position in the upper and lower sentences should belong to the same category, such as "green plums in the east garden and green grass in the west garden". East and West, Nursery and Garden, Plum and Green Grass, Development and Opening are opposites.

3. Words and grammar:

Because each Chinese character is basically an independent unit with both form, sound and meaning, and many Chinese characters are polysemous, and the bonding relationship between words is varied, so the words in this bonding poem are extremely complicated and diverse. For example, adding a word after the word "wind" can form many words: charm, scenery, wind and thunder, wind and frost, wind and wind, etc.

Syntactically, due to the characteristics of Chinese and the independence of Chinese characters, in classical poetry, two Chinese characters are often separated or some Chinese characters are moved from the back to the front, which is called inverted sentences. Typical is Du Fu's poem "Sweet rice pecks at parrot grains, phoenix perches on old branches". The normal syntax should be "parrot pecks fragrant rice, phoenix perches on old branches"