Enjoy 2 poems! Be accurate

When Du Fu was in Kuizhou, he paid great attention to the rhythm of poetry and wrote many poems with high rhythm and fine details. At the same time, he wanted to break through the shackles of rhythm and try a new style of poetry. One day, he wrote a seven-character poem, which was neither ancient nor illegal, but also ancient: the title was "Regret for the Past", and he wrote a note: "Strong drama is Wu style." Then, he wrote seventeen or eighteen such poems one after another, so a kind of "Wu-style poem" began to be added to the Tang poetry. "Strong" is reluctant, "Play for" is written for fun. We can know that it is just a joke when we are bored. This is not a formal rhyme.

However, what is "Wu style"? Du Fu didn't explain it himself, which was probably known at that time, but no one could explain it later. Song people changed their names to "Ci" or "Proud Style". Gui Fu, a Qing man, said: "Wu style is Wu Jun style." (See Zabu) Wu Jun was a poet in the Liang Dynasty. His five-character poems pay attention to even and even words, but they don't pay as much attention as the regular poems in the Tang Dynasty, so his poems are still ancient poems. Wu Jun's poetry style is light and beautiful. At that time, many people imitated him, named Wu Junti. This noun represents a literary creation style in the history of literature, not a poetic style. Therefore, Gui Fu's words can't be trusted. Otherwise, why didn't Du Fu indicate "Wu Jun Ti" or "Wu Ti" for short?

From the Han Dynasty to the Wei and Jin Dynasties, the cultural center of our country has been in Zhongzhou, and the language of cultural people and the poems recited are all in Chinese original sound. Wuyue dialect is considered vulgar. Wu Yue people came to Luoyang and were called ancestors. After the Eastern Jin Dynasty, the cultural center moved to the south of the Yangtze River with politics, and the pronunciation of wuyue dialect became a fashionable language for northern scholars to learn. Jiangnan folk songs have also become popular wusheng songs. From Sui Dynasty to early Tang Dynasty, the political and cultural center returned to Zhongzhou, and Wu dialect resumed its position as a local language. During the Anshi Rebellion, there was no military disaster in the south of the Yangtze River, and many Zhongzhou people took refuge across the river, so Wu Sheng became fashionable again. Yan Zhenqing, Wei, Bai Juyi and Yuan Zhen were all officials in wuyue. At the same time, Jiao Ran, Gu Kuang, Zhang, Dai Shulun and other wuyue poets influenced the northern poets with their five tones. Wu Yin, Wu Yin, Wu Ge, Yin Yue, Yue Diao and other words often appear in the poems of poets in the middle Tang Dynasty. It can be speculated that the syllable tone of Wu Yin's poems must be different from that of Zhongzhou. Before Du Fu became popular, he first wrote poems according to five tones, which became the seven methods of this awkward style. Recite these poems according to the pronunciation of Zhongzhou, even and flat; But it may not be embarrassing to recite with Wu Yin. Therefore, Du Fu wrote more than ten plays, named "Wu Ti", and this title was determined from then on. Until the late Tang Dynasty, Pi Rixiu and Lu Guimeng wrote pentameter poems.

......

The second song "Twilight Return" is written in the same way as the last one. The first four sentences describe the scenery returning at dusk: the white crane has stopped on the frosted and yellow phoenix tree. There is already the sound of knocking on the head of the city, as well as the cry of crows. When the guests here come home, the moonlight is bright, and I don't know whose woman is still washing and practicing, and the wind comes with a pestle of sorrow. "Yellow" is a verb. "Bangzi" is called "Bangzi" in modern times. It's getting late, and the guards in the city are going to bangzi vigil. When writing night scenes in Tang poetry, words such as beating, smashing clothes and anvil pestle often appear. At about that time, folk women were washing clothes at night, and the sound of wooden pestle beating clothes showed the difficulties of people's livelihood, which made the poet very sad.

The first four sentences in the second half also turned into lyricism. If you want to cross the water, go south, there is no boat; If you want to return to Chang 'an in the north, there will be more soldiers on the road. You can't go. I am over 50 years old, and everything is not satisfactory. I have to go out to see the clouds with crutches tomorrow. This last sentence describes his loneliness and boredom when he lived in Kuizhou. Look at the clouds with crutches every day. Pu Qilong said; "See the conclusion." (Reading) This comment is also incorrect. It should be said that the third alliance is not about ambition, but loneliness and boredom.