Therefore, when Li Bai expressed his Confucian ambition of "being wise, willing to be an assistant, making the Atlas area big and Hai Xian county clear", his plan was full of the flavor of a Warring States strategist: he put himself in the position of "the teacher of the emperor", and in his imagination, he seemed to be Jiang Shang, Fu Shuo and Li Chiqi. (This romantic and legendary experience has its roots in the Tang Dynasty, because Ma Zhou and Yao Chong are obvious examples, but the Tang Dynasty is not a continuation of the Warring States Period. Yao Chong is good at protecting himself and is considered to be good at playing politics. ) Li Bai's overly idealistic design can only be shattered by the harsh reality. Fortunately, however, he is lucky, and his experience is legendary to us. In the first year of Tianbao, I took a letter to Beijing to worship the Hanlin, which was a romantic affair. Although this complacency is short-lived, it, together with Sima He's praise, has become the personality foundation of Li Bai's conceit, independence and boldness all his life.
Li Bai's grief and pain mainly come from: Li Bai, who has been conceited all his life, has been excluded everywhere and has not been given the opportunity to display his ambitions. The implication of the difficulty of Shu Dao.
Du Fu's poems are called "the history of poetry", which actually means that Du Fu's poems have the general cognitive value of history books.
1. He inherited the tradition of "feeling sad and happy, being born of things" in the Han Yuefu, and created a large number of large-scale poems that were born of major "current events" and directly reflected major social and political contents. Reading such poems, we seem to be watching the historical picture of the great changes in the prosperous Tang Dynasty. We walked into the historical tunnel, marveling at it and sighing for it.
(1) A picture that generally describes the great destruction and disaster brought by war. Generally speaking, he did not express his personal experiences, feelings and worries in the war, but extended his brush strokes to all levels of society, especially the lower classes, to show the social suffering endured by the people at the bottom. This is the value and significance of three officials, three parting and two sadness. At the same time, the poet's description of the sufferings of the people at the bottom is not simply out of sympathy, but in the context of social disasters. "Second mourning" is to mourn the royal family and the royal family, but they are both recipients of social difficulties, which is where the poet sympathizes. The poet not only sympathized, but also earnestly called for an early end to the war. To this end, he encouraged the people of the whole country to actively participate in the counter-insurgency war.
(2) The description of social sufferings in Du Fu's poems does not stop at general events and rough sketches, but shows a broad and subtle vivid scene. Sad Chen Tao.
(3) the truth of the details. Recalling the flight, he can't forget his wife and children who suffered at the same time. There are very concrete and vivid details in the Northern Expedition and Peng Yaxing. It makes people feel sour to read.