There is no road in the green hills, and there is another village. Suddenly, I saw Qian Fan looming.
On one side of the boat, Qian Fan races; At the head of the sick tree, every year is a spring shower.
Cloud * * * Qian Fan dance, waves scouring Wan Li sand.
In August, the winds along the Yangtze River in Wan Li and Qian Fan are very light.
Sitting and reading Qian Fan, chasing waves in Wan Li.
Wanli Tongchahan, Qian Fan got off the boat.
Qian Fan came with Qian Fan and walked through the gate.
A flute broke the cold island, and Qian Fan collected the sunset.
At dusk, the mountains shadow south, and Qian Fan enters ancient and modern times.
Xijiang carries ships with red flags, and Qian Fan is surrounded by rivers.
Wandering around Qian Fan, thinking about the top of a hundred feet.
Nantang has a unique southwest direction, lying and watching Qian Fan fall into a shallow stream.
Qian Fan helped Jiangling, and Wan Lifeng galloped down along the sound of seto.
In the evening, Qian Fan falls, and autumn sounds like geese flying.
It's too late to stay in Qian Fan alone.
According to Qian Fan, who is still alive, the jade rope is low, and the pillow warbler sounds dawn.
Outside the eaves, Qian Fan's back was graying in the sunset.
The galaxy wants to turn to Qian Fan. As if the dream soul belonged to the emperor.
Qian Fan suddenly saw him, but he lost his boat.
Outside my hometown of Qian Fan, a wild goose flies in late spring.
-From the online collection, I hope it will be useful to you.
2. Are there any poems written by Qian Fan in Li Bai's poems? As far as I can find, none of Li Bai's poems was written by Qian Fan. The poem similar to Qian Fan Gold in Li Bai's The Doctrine of the Mean is the Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou.
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers. My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon.
The Yellow Crane Tower Farewell to Meng Haoran in Yangzhou is one of the masterpieces of Li Bai, a great poet in the Tang Dynasty. This is a farewell poem, with parting feelings and scenery. The first sentence points out the farewell place: Yellow Crane Tower, the first generation scenic spot; Write the time and destination of farewell in two sentences: the spring scenery of "Fireworks in March" and "Yangzhou" in the southeast; In three or four sentences, write a farewell scene: watch the lonely sail go away; Leaving only a spring. Based on the colorful and mottled fireworks in spring and the endless Yangtze River, this poem tries its best to render a farewell picture of the poet with open artistic conception, endless emotions, bright colors and charming feelings. Although this poem is a farewell work, it is elegant and smart, affectionate but not stagnant, meaningful but not sad, beautiful but not floating, and far-reaching rhyme.
3. The poem "Qian Fan on the edge of the sinking boat, Wan Muchun in front of the sick tree" includes Qian Fan on the edge of the sinking boat and Wan Muchun in front of the sick tree.
From Liu Yuxi, a poet in the middle Tang Dynasty, "Yangzhou will be rewarded with lotte at the first meeting"
The mountains were desolate and silent for twenty-three years.
People come back. Like people in Michelle, I can only play the flute, and I am disappointed.
On one side of the boat, Qian Fan races; At the head of the sick tree, every year is a spring shower.
Today, listen to you sing a song, drink a glass of wine and cheer up.
Make an appreciative comment
"Lotte" is Bai Juyi's ideogram. The "Meeting Ceremony" was given to the author by Bai Juyi. Liu Yuxi's poems of giving answers inherited Bai's last words, and emphatically expressed his feelings in this special environment. In Bai's poems, Bai Juyi expressed infinite feelings about Liu Yuxi's experience, and the last two sentences said, "I also know the name of the quilt. Twenty-three years is too much." On the one hand, he lamented Liu Yuxi's unfortunate fate, on the other hand, he praised Liu Yuxi's talent and fame. You deserve bad luck. You are so talented! But twenty-three years of misfortune is too much. These two poems contain praise in sympathy, which is very tactful. Because Bai Juyi talked about the twenty-third year at the end of the poem, Liu Yuxi went on to say at the beginning of the poem: "Bashan Chu water is desolate, and in the twenty-third year, I gave up on myself." I have lived in the desolate area of Bashan Chushui for twenty-three years. Come and go, showing the intimate relationship between friends. Then, the poet naturally felt: "Homesickness is empty, and I feel like a rotten ke when I go to my hometown." He said that he had been away for twenty-three years, and now he was back. Many old friends had died, so he could only recite Wendy Fu in vain to express his condolences. Coming back is like a previous life, and it feels completely different. It's not the past anymore. The latter sentence uses the allusion of Wang Fu-fu, which not only implies his long years of relegation, but also shows the change of the world after reunification and his unfamiliar and melancholy state of mind, with rich implications.
In Bai Juyi's poem, there are two sentences: "The scenery is long and lonely, and the official position of the Manchu dynasty is abolished", which means that all the contemporaries have been promoted, and only you have wasted your life alone in a desolate place, which is quite unfair to Liu Yuxi. In this regard, Liu Yuxi wrote in his poems: "Qian Fan is on the side of the shipwreck and Wan Muchun is in front of the sick tree." Liu Yuxi compared himself to a sunken ship and a sick tree. Although he is disappointed, he is quite philosophical. On the side of the sunken ship, Qian Fan is competing; Before a sick tree, everything is spring. He excavated these two sentences from Bai Juyi's poems, but encouraged Bai Juyi not to grieve for his loneliness and waste, showing his open mind about the changes of the world and the rise and fall of his official career. These two poems echo from a distance with Baishi's poems "There is nothing I can do" and "I also know that the combination of talented people and fame is broken", but their ideological realm is higher and their significance is much deeper than Baishi's poems. Twenty-three years of relegation did not make him depressed. As he wrote in another poem, "Modaosang stayed up late because the sky was still full of summer." His sick tree needs to be refreshed to welcome spring. Because these two poems are vivid, they are still often quoted and given new meanings, which shows that new things will replace old things.
It is precisely because of the sudden emergence of couplets in "Sinking Boat", which changed the sad and depressed mood in front, the couplets went down with the trend and wrote: "Listen to a song by Jun today, and rely on a glass of wine for the time being, and the spirit will grow." Point out the meaning of Bai Juyi's problem. I was deeply moved by your poem today, so let's entertain with wine for the time being! With the warm care of friends, rachel expressed his desire to cheer up and get back into life. Show perseverance. The ups and downs in poetry and the boldness in depression are excellent works in appreciating poetry.
4. Literary poems correspond to thousands of thoughts, and literary poems correspond to thousands of thoughts:
After washing, I boarded the river pavilion alone and leaned against the bar to stare at the river. Thousands of ships passed by, and no one expected to appear. Broken-hearted Baipingzhou.
Basic introduction:
Looking at the South of the Yangtze River Wash and Dress is a poem written by a writer in the Tang Dynasty. This is a poem about in my heart forever. This word takes the river, the sail and the sunset as the background, intercepts the scene of leaning against the building and looking at it, and shapes the image of a homesick woman with an ethereal pen. The whole poem shows the heroine's feelings from hope to disappointment and finally "heartbreak". The feelings are sincere, the language is concise and implicit, and the meaning is endless. Without putting on airs and disobedience, the style is beautiful and natural, and it is a unique masterpiece in Wenci.