Li Shangyin, Li He and Li Bai are also called "Li San". There are poems by Li Yishan. Together with Wen, they are called "arts and sciences", because their poems and essays are similar to those of the same period, and all three of them rank sixteenth in the family, so they are also called "thirty-six styles". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems, which are lingering and memorable. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng".
Although the social significance of Li Shangyin's poems is not as good as that of Li Bai, Du Fu and Bai Juyi, Li Shangyin is the most influential poet in later generations, because there are more people who like Li Shangyin's poems than Du Li and Bai Juyi. Among the 300 Tang poems edited by Sun Zhu in Qing Dynasty, there are 32 poems by Li Shangyin, second only to Du Fu (38 poems), Wang Wei (29 poems) and Li Bai (27 poems). This anthology of Tang poems is a household name in China, from which we can see Li Shangyin's great influence on ordinary people.
In the late Tang Dynasty, Han Wo, Wu Rong, Tang and others began to consciously learn Li Shangyin's poetic style. In the Song Dynasty, more poets studied Li Shangyin. According to Ye Xie, "There were seven unique poets in the Song Dynasty, probably/kloc-0 studied Du Fu in 1967 and/kloc-0 studied Li Shangyin in 1934." (Original Poetry) In the early years of the Northern Song Dynasty, Yang Yi, Qian and other clansmen, Li Shangyin, often sang in harmony with each other, pursuing gorgeous rhetoric and neat antithesis, and published a collection of Kunxi Appreciation, which was called Titi.
It was quite influential at that time, but he didn't learn the essence of Li Shangyin's poetry and his achievements were very limited. His influence also disappeared with Ouyang Xiu and others entering the literary world. In addition, Wang Anshi also spoke highly of Li Shangyin, thinking that some of his poems were "unbearable for Lao Du" (Cai Kuanfu's poems). Wang Anshi's own poetic style is also obviously influenced by Li Shangyin.
Poets in the Ming Dynasty were all influenced by Li Shangyin from The First Seven Sons to Qian and Wu. People who like to write erotic poems in the Ming and Qing Dynasties specialize in Li Shangyin's untitled poems, such as Yi Yun Ji and Yi Yu Ji by Wang Yanhong, a poet in the late Ming Dynasty. Romantic poetry in the novels of Yuanyang Butterfly School in the Republic of China was also influenced by him.
Influence on later generations:
Among the 300 Tang poems edited by Sun Zhu in the Qing Dynasty, 22 poems by Li Shangyin were included, ranking fourth after Du Fu (38 poems), Wang Wei (29 poems) and Li Bai (27 poems). This anthology of Tang poems is a household name in China, from which we can see Li Shangyin's great influence on ordinary people. ?
In the late Tang Dynasty, Han Wo, Wu Rong, Tang and others began to consciously learn Li Shangyin's poetic style.
During the Northern Song Dynasty, there were obviously two styles of learning Li Shangyin's poems: the early Xikun School expanded the dross of Li's poems; Later, Wang Anshi and Huang Tingjian absorbed Shili's nutrition on the premise of being good at innovation. During the Southern Song Dynasty, due to the sharp ethnic contradictions, poems expressing the thoughts of worrying about the country and the people became the mainstream for a while, which was far from Li Shangyin's style, and the aftermath of Li's poems temporarily subsided.
Li Shangyin's poetic school experienced a decline in the Ming Dynasty. After entering the Qing Dynasty, its influence in the poetry circle expanded, especially in the early and late Qing Dynasty, showing a beautiful situation. This paper discusses in detail the influence of Li Shangyin's poems on poets Qian and Wu in Qing Dynasty, as well as poets in Hunan and Jiangnan during the propaganda period.