After graduation
Original text:
The previous filth was not enough to brag, but now there is no end to debauchery.
In the spring breeze, this proud horse runs at the speed of two beats. I visited all the sights of Chang 'an gracefully in one day.
Precautions:
1, Deng Ke: The imperial examination system was implemented in the Tang Dynasty. In the exam, the Jinshi was called his younger brother. After the second interview of the official department, he was awarded the title of Deng Ke.
2.w chu: It means dirty, which means unsatisfactory situation.
3, don't brag: it's not worth mentioning.
4, debauchery (dng): free and unrestrained.
5, thinking is boundless: high interest.
6, proud: refers to the achievement of fame, contentment is always happy.
7. illness: fast.
Poetic:
In the past, when the imperial examination was unsuccessful and the mind was depressed and narrow, it was really not worth mentioning. Nowadays, Xiao Sa is broad-minded, free and boundless in thoughts. Riding in the warm spring breeze, I am full of pride and galloping on the wide street. The sound of hooves seems particularly relaxed and quick, as if you can see all the flowers in Chang 'an in one day.
Appreciate:
Meng Jiao, a scholar at the age of 46, thinks he can get ahead, lucky strike, the Great Leap Forward. Full of uncontrollable joy, it became this unique poem. This poem is more widely known because it leaves two idioms: spring breeze and a cursory tour.
The poet was the last one twice, and this time he went to high school, as if he had crossed the ocean of suffering at once and reached the peak of joy. Therefore, at the beginning of the poem, the ecstasy in the heart is directly poured out, saying that the previous life difficulties and ideological uneasiness are not worth mentioning. At this time, doingno. 1 is finally proud and free, which is really inexhaustible. In the spring breeze, this proud horse runs at the speed of two beats. I visited all the sights of Chang 'an gracefully in one day. The poet was elated and triumphant, so he rode his horse on the flowery Chang 'an Avenue facing the spring breeze. Happiness makes people full of courage. At this time, the poet was in high spirits, not only feeling the spring breeze, the sky was high and the clouds were light, the avenue was flat and wide, but even his own horse was flying fast. There are countless spring flowers in such a big Chang 'an, and he saw them all in one day. What a slut! The poet's feelings and scenery, which means success with a pen, not only vividly describes his self-satisfaction after high school, but also expresses his self-satisfaction heartily, which is clear, smooth and unique. Therefore, these two poems have become people's favorite famous sentences throughout the ages, and two idioms have been derived.
According to the Tang system, the Jinshi exam was held in autumn, and the ranking was awarded in the spring of the following year. At this time in Chang 'an, the spring breeze is blowing gently and the spring flowers are in full bloom. Qujiang and Xingyuan in the southeast of the city are spring-like all the year round. In those days, the new Jinshi banquet was held here, and the whole family was here (volume 3 of Don Yi Yan). The new Jinshi is full of spring scenery, paving the road and throwing flowers to welcome Ma Hong (Zhao Wei's "New ancestors want to keep secrets this year, and they must present books and congratulations at every banquet"). It can be seen that "Spring Breeze" and "Bloom at Once" are the actual situations. However, the poet does not stick to the objective description of the scenery, but highlights the dissoluteness of his own feelings: he can't help spitting out the word "proud" and wants to see all the Chang 'an flowers in one day. He can't gallop on Chang 'an Road, which is crowded with horses and chariots and tourists competing for scenery. It is impossible to see all the spring flowers in one day in such a big Chang 'an. But the poet can think that the pounding of hooves that day was particularly mild, and he can also say that he saw all the Chang 'an flowers in one day. Although unreasonable, but affectionate, because the writing is true feelings, so I don't feel ridiculous. At the same time, this poem also has symbolic significance: the spring breeze is not only the spring breeze of nature, but also a symbol of the emperor's luck. The so-called ambition is full, not only refers to the mood, but also refers to Jinshi and things. Poetry is very ideological and artistic, clear and fluent, and has a unique charm, so the spring breeze is proud of horseshoe disease, and seeing all the flowers in Chang 'an in one day has become a famous sentence that future generations like.
Oh, let a man with spirit take risks where he likes.
Oh, let a man with spirit take risks where he likes.
Invite for a drink
Author: Li Bai
Original text:
Have you seen how the water of the Yellow River flows from the sky to the sea and never returns?
Have you seen the lovely hair in the bright mirror in the high room, although it is still silky black in the morning, it turns into snow at night?
Oh, let a man with spirit take risks where he likes, and don't let Jin Zun (zūn) fly to the moon.
Since God has given talents, let them be used! Don't come back until your daughter is gone.
Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a big drink! .
Master Cen, Dan Qiusheng can drink and drink endlessly.
Let me sing you a song! Please listen to me.
What are bells and drums, delicacies and treasures? Let me get drunk forever and never be rational! .
Ancient sober people and sages were forgotten, and only great drinkers can be immortalized.
Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners
Why do you say, my master, your money is gone? , to buy wine, we drink together! .
Wu gave Qiu (Qi) to the boy, let them exchange good wine, and forgive the eternal sorrow.
Precautions:
1, Jiang: This poem was written in the 24th year of Emperor Xuanzong of the Tang Dynasty (736). Putting (qiāng) into wine is an old topic in Yuefu. Yes, please.
2. Into the ocean, never to return: The Yellow River flows eastward into the sea, never to return.
3. Gao Tang: Parents.
4, sad white hair: sad for white hair.
Although it is still silky black in the morning, it turns into snow at night: to describe how time flies and life is short. Blue hair, black hair. It turns into snow at dusk and black hair turns white at night.
6, proud: refers to a happy mood, interested.
7. Turn a thousand silver coins and come back! It means that the money is not expensive enough, and it will come back when it is scattered.
8. meet the demand: you should.
8. Cen participated in Dan Qiusheng: Li Bai's good friends Cen Xun and Yuan Danqiu.
9. Listen to your ears: Listen to your ears and describe listening carefully. One side, one tilt.
10, bell, drum and jade: for wealth. Bells and drums, the banquet in ancient your house was accompanied by bells and drums. Jade, describe food as beautiful as jade.
1 1, lonely: unknown. Speaking of being left out by the world.
12, Prince Chen gave a banquet in the Hall of Supreme Harmony: it was Cao Zhi (192232), a poet of Wei in the Three Kingdoms period. Banquet is a peaceful and optimistic feast in Luoyang.
13, a barrel of wine is 10,000 coins, with a lot of ridicule and irony: a barrel of wine costs 1000 yuan, which means the price of wine is high. Cao Zhi's "Famous Capital Articles": Going to the banquet, wine fights for a thousand. Barrel, wine container, handle. Have fun, have fun. I'm kidding, Joey.
Shu Jing: Take care.
15, Gallnut Horse, Qianjinqiu: Gallnut Horse refers to a precious horse. Qianjinqiu, a valuable leather coat.
16, will come out: take it out.
17, eternal sorrow: endless sorrow.
Poetic:
Didn't you see that the water of the Yellow River fell from the sky, and the waves rolled straight into the East China Sea and never returned? You didn't see your elderly parents sighing their white hair in the mirror. When I was young, my hair is all white now. When you are proud of your life, you should be immersed in joy.
Don't let this golden cup empty the bright moon. Everyone's birth must have its own value and significance. With a stroke of a pen, gold can still be recovered. Let's have fun cooking sheep and slaughtering cattle. It's not too much to drink three hundred cups at a time! Master Cen and Dan Qiusheng!
Drink it quickly! Do not stop. Let me sing a song for you. Please listen to me carefully: What is the value of the luxurious life of eating delicacies all day? I just want to stay drunk. Since ancient times, sages have been lonely and lonely, and only those who can drink can leave a good reputation. Do you know the optimistic story of Cao Zhi's banquet in Wang Chen? You also drank heavily when you were fighting for wine, which made the host and guest have a good time. Master, why do you say I don't have much money? Just buy wine and we'll drink it together. Call your children out and let them change wine.
Let's eliminate this endless eternal sadness together!
Appreciate:
Li Bai's wine poems can express his personality very well. After this kind of poetry was published in Chang 'an, it was certainly more profound in ideological content and more mature in artistic expression. Into the Wine is his masterpiece.
"Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the name of the song is simply a song to persuade wine, so the old saying "Jiang" means riding a big white cloud. This famous poem, written by the author and Shen Jiyi, was written in the 11th year of Tianbao (752). At that time, he and his good friend Cen Xun were guests at another good friend Yang Yingshan in Songshan Mountain, and the three of them tasted climbing the mountain and drinking ("Appreciate Cen Xun, find out what happened in Yuan Dan Qiu, treat wine with poetry, and see how to recruit": don't be thousands of miles away, drive it with your life. In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. Thinking of me, I suddenly thought of wine, whistling and screaming. )。 The joy of life lies in having friends at the cocktail party, and the author is just accepting all the talents in the world and not meeting each other (small), so he is full of inappropriate wine and poems and has incisive expressions.
At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. Didn't you see how the water of the Yellow River entered the ocean from heaven and never came back? Angelababy is not far from the Yellow River, so they climbed high and had a good time. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a strong wave scene can be seen very badly without the naked eye. The author wants to fall from the sky and get it from the Tao, and his language is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a sigh of relief, which is not available in short sentences (for example, the Yellow River falls into the sky and walks to the East China Sea). Then, if you don't see the lovely lock in the bright mirror in the high room, although the silky black turns into snow in the morning and at night, it's like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sighing that life is short, instead of directly hurting the boss, we are talking about how to be locked in the mirror of Gao Ting Ming, a mode of grasping the head and seeing the shadow, just like painting. Describing the whole process of life from youth to aging as a matter of time, shortening the original short-lived events and making the original strong waves stronger, the first two sentences are a kind of reverse exaggeration. Therefore, the first set of parallel long sentences not only means that life is perishable when the river is gone forever, but also shows the smallness and fragility of life by comparing the greatness and eternity of the Yellow River. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This kind of opening technique is commonly used by the author, such as having to throw me and Bolt away from yesterday; Today, it broke my heart even more (Shu Yun, a farewell letter from Xuancheng Xie Tiao School). Shen Deqian said: This style is too white from the heart, which shows that it is quite creative. This poem is a call for everyone not to read it (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.
The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations have passed ("Preface to the Spring Banquet of My Brother Tao Liyuan"). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as life is something to be proud of, there is no regret, so we should indulge in joy. Five or six sentences are reversed, from sadness to joy. From then on, until the cup stopped, poetry became more and more cross-country. When you reach your destiny, you can't worry about your leisure time, you can't eat, drink and climb the stairs ("beam"). This is the topic. But the things in the cup are not written directly in the sentence, but expressed in the image language of the golden cup to the moon, which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and revel. You don't have to write directly. You use a double negative style to emphasize more. Oh, let a spirited person take risks in his favorite place. It seems to be promoting the concept of eating, drinking and having fun, but it is only a phenomenon. Has the poet ever been proud? Phoenix first wrote purple mud, and the emperor called it "Yuhu Yin" to be proud; However, this is just an illusion. Feng had no fish to eat and was ready to go home. Zhou didn't expect to bow to the nobles. It didn't seem to be proud, but they were disappointed and angry. But not depressed. The poet then affirmed life and himself in an optimistic and strong tone: since God has given talents, let them be used! This is an amazing sentence. Useful and necessary, very confident, just like the declaration of human values, I want to capitalize this person. Here, from the seemingly negative phenomenon, there is a hidden positive essential content that is eager to join the WTO. One day I will ride the wind and waves. Who will drink and sing for such a future? Spending money is nothing more than spinning a thousand pieces of silver, take it all back! ! This is another amazing word of high self-confidence, which can drive money instead of being made by it, which really surprises all ordinary people. Poetry is like a man. It is a heroic act to think that a poet can travel in Weiyang in less than a year and distribute more than 300,000 yuan (the history of Shang 'an Peichang). Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author describes a grand banquet in this style, which is by no means a dish or two. How about a pot of wine or two pots? But boiled the sheep, slaughtered Niu Yi head by head, and never rested until he drank 300 cups. What a feast, what a magnificent poem!
At this time, wild feelings tend to climax and the melody of poetry accelerates. The poet's drunkenness, confusion and fanaticism suddenly made people feel as if he were shouting to persuade him to drink: Master Cen, Dan Qiusheng, drink, don't stop! The sudden addition of several short sentences not only changed the rhythm of poetry, but also forced Xiao to speak loudly. He is not only a bosom friend, but also a drinking opponent. Not only did he get carried away, but the poet even forgot that he was writing a poem. The poem he wrote seems very vivid. He also wants me to sing you a song! So please listen to me. The following eight sentences are songs in the poem. The idea is so strange that it is a stroke of genius.
The bell and drum jade symbolizes a rich life (when the rich family eats, the bell rings and the food is as beautiful as jade), but the poet thinks it is not expensive enough and declares that he hopes to be drunk forever. At this point, poetry has obviously changed from wild to angry. There are not only drunken ravings, but also drunken confessions. With my talent and useful ability, I should succeed in your position, but the road is as broad as the blue sky, but there is no way out before my eyes ("it is difficult to walk"). It is out of indignation that wealth is not expensive enough. The following two sentences are also angry words that have been forgotten by sober people and sages since ancient times. The poet once lamented the loneliness of the ancients and showed their loneliness. So I want to stay drunk. Here, the poet poured his own wine from an ancient wine glass. When it comes to only people who drink will leave their names, they are represented by Wang Chen Cao Zhi. And use his "famous name" to return to dinner and have fun, and have a thousand drinks. In ancient times, drunkards preferred Wang Chen instead of wine, which was inseparable from Li Bai's conceit. In his mind, Xie An and other high-level figures set an example, and among these figures, Wang Chen is more associated with wine. This style of writing is consistent with the extremely confident tone mentioned above. In addition, Wang Chen's Cao Zhi was suspicious and ambitious at the time of Pirui, which also aroused the poet's sympathy. Mention ancient sages, another mention Wang Chen's Cao Zhi, full of paper grievances. At first, this poem seems to involve only the feelings of life, but has no political color. In fact, the whole article is full of a deep and profound anxiety and self-belief. Poetry is so sad but not hurt, so sad and strong, which is rooted in this.
Just showing a little affection, I went back to talking about wine and looked in a higher mood. The following poems are wild again, becoming more and more crazy. Why do you say, my master, your money is gone? Not only did you ignore the phrase "1000 yuan has been spent", but you also pretended to be ups and downs, which led to the final rhetoric: even if you spent 1000 yuan, you should not hesitate to give away precious treasures, such as five horses with five patterns of fur, in exchange for wine, so as to get drunk. The beauty of this ending lies not only in calling your son your son, but also in your big tone; Moreover, it has an arbitrary mood that the author may not be aware of at the moment. You know, poets are just guests invited to drink by friends. At the moment, he is sitting in a high seat, bossing around, suggesting that he should be a horse, which makes people wonder who is the owner. Romantic color is extremely strong. Speak quickly, unless you are bold and considerate, you can't do this. Poetry is so wild that people sigh, sing and want to dance. Love is not over, poetry is over. Suddenly another sentence pops up, which is related to the sadness at the beginning, and the meaning of eternal sadness is deeper. At the end of this white cloud disappearing with the wind, it is obvious that the poet is busy and ups and downs. Throughout the whole article, it is really ups and downs, and it must be like a giant pen.
"Into the Wine" is not long, but it is full of five tones and extraordinary weather. It is full of pen and ink, sad and angry, wild and uninhibited, and its language is extremely bold and calm. Poetry has the momentum and strength to shock the ancient and modern times, which is of course related to exaggeration. For example, a huge number (1000 yuan, 300 cups, 1000 glasses of wine, 1000 yuan eternal sorrow and so on. ) is used repeatedly in poetry to express heroic poetry. At the same time, it will not give people the feeling of emptiness and exaggeration. Its root lies in its rich and profound inner feelings, and its potential wine words are like raging anger. In addition, the whole article is full of ups and downs, poetic, from sadness to joy, to madness, to anger, to madness, and finally to sorrow through the ages, echoing the beginning of the article, like flowing clouds, with momentum and twists and turns, which can carry the tripod. In his songs, there are ways to write songs and ingenious ways to write them. It is neither easy nor easy to learn. The whole article is mainly composed of seven words, but it is interrupted by thirty or fifty words, which is extremely uneven and complicated; Poems are mainly scattered, punctuated with short antithetical sentences (such as Cenfuzi, Dan Qiusheng, Wu Hua Ma, Qian Jin Qiu), and the rhythm changes quickly, unrestrained and difficult to flow. "Tang Poems" says that those who read Li's poems are far away from the gods and are immortal, and this article is enough to do it.
Spring breeze and green Jiang Nanan's whole poem
Spring breeze and green Jiang Nanan's whole poem
Boarding Guazhou
Author: Wang Anshi
Original text:
Jingkou and Guazhou are just separated by a water, and Zhongshan has only a few heavy green mountains.
The gentle spring breeze turns green again, but, moon in the sky, when can you take me home?
Precautions:
1, green: blow green.
2. When: When?
3. Huan: Hui
Poetic:
There is only one Yangtze River between Jingkou and Guazhou, and Zhongshan, where I live, is hidden behind several mountains. The warm spring breeze blew the fields in the south of the Yangtze River green. When will the bright moon shine on me and return to my home at the foot of Zhongshan Mountain?
Appreciate:
The Appreciation Dictionary of Tang Poetry published by Shanghai Dictionary Publishing House comments on Wang Anshi's poem "Dengguazhou" in this way: The first sentence of Guazhou, at Jingkou, writes in a pleasant style that he crossed the river from Jingkou to Guazhou, and the word "water room" describes that the boat is fast and will arrive in an instant. In the second sentence, Zhongshan is separated by several mountains, and he wrote down his review of Zhongshan with nostalgia. The third sentence, "Spring breeze is green, Jiang Nanan is green", depicts a vibrant scenery, echoing the poet's mood of returning to Beijing. The word spring breeze is both realistic and political. Song Shenzong wrote a letter to restore Wang Anshi's phase, indicating his determination to implement the new law. In this respect, the poet is delighted. He hopes to warm the spring breeze, dispel the cold current of politics and create a new situation of political reform. The word "green" also reveals the poet's inner contradiction and expresses the author's desire to resign and return home as soon as possible, which is not clearly revealed until the end of the sentence. It is very representative to analyze the poetry of "Sailing in Guazhou" by strengthening the political color. However, there is an unreasonable contradiction in this analysis: the poet can neither have the joy of being recalled to Beijing if he wants to resign as soon as possible, nor have the idea of resigning as soon as he takes office in Beijing. The two are like fire and water, and fire and water are incompatible. Some critics assert that the poet's return to politics this time can be described as a triumphant return and a pleasant surprise. The so-called homesickness when the bright moon shines on me is just a pretentious word and can't be taken seriously. The spring breeze in Jiang Nanan is green. What is said in the bones is gratitude to the emperor, an optimistic description of the implementation prospect of the new law, and the poet's inner empathy for the joy of governance. The emotional tone of this poem is cheerful and optimistic.
The above two theories are the most representative arguments to interpret the poem "Sailing in Guazhou". However, interpreting this poem as a political lyric is neither in line with the poet's specific fate and mood when he created this poem, nor with the connotation of the artistic image constructed by this poem itself. "Boating in Guazhou" should be a pure homesick poem, and its emotional tone should be melancholy and sad, without the color of relaxation, joy and optimism.
The poet was 55 years old when he wrote this poem. In recent years, the court has been arguing and criticizing the new law and the old law endlessly, which makes the implementation of the new law very difficult. Therefore, Wang Anshi, who had some negative thoughts, experienced two setbacks and was exhausted because of the implementation of the new law, and he had a strong sense of boredom with politics. During his dismissal from office, he wrote many poems describing natural scenery and expressing leisure. Wang Anshi resigned twice and could not reuse the imperial court, which was responsible for making peace. Therefore, he is very reluctant to go to the appointment this time. After he came to power, he repeatedly requested to remove the post of Prime Minister. Finally, in the second year after his comeback, he got his wish and returned to his hometown Jiangning to live a comfortable and secluded life. It can be seen from this short comeback process that returning to power in the DPRK is not what Wang Anshi expected, but what he is keen on. On the contrary, he regarded his comeback as a fearful road and refused to resign many times. Obviously, when writing "Boating in Guazhou" with such a lucky mentality, it is inevitable that there will be melancholy, sadness and depression between the lines, and it is inevitable that there will be no deep attachment to the hometown that is about to leave. How can he express his joy of returning to the spring breeze and green Jiang Nanan? Look at the poem itself. When the bright moon shines on me is the theme of this poem. It sets a melancholy emotional tone for the whole poem in the form of direct expression, and clearly tells people that the poet has no joy in returning to politics, and he is even more eager to try. On the contrary, the poet is far from reaching the capital, and his hometown has not disappeared from sight. In his mind, he has sincerely sent out the idea of going home. Isn't this homesickness deep and sincere? The bright moon sent me away today. When will the bright moon send me back? The official career is sinister, and good or bad luck is unpredictable. The word "dang" is a heavy sigh from the poet's heart, which contains the poet's concern about the sinister career and the future of the new law. Poetic worries are deep and the style is desolate. It was a sigh as deep as his voice, a true and natural expression of the poet's depressed mentality.
On the other hand, judging from the emotional tone of homesickness set by the conclusion, it is impossible to emphasize the speed of the ship in time to write the poet's relaxed mood in "A Water in Guazhou, Jingkou". Just like Zhongshan, which is only separated by a few mountains, it emphasizes the distance between the mountains and rivers in my hometown and the poets who traveled to Guazhou in Jiangbei at this time. At this time, the poet stopped in Guazhou and looked back at the south. The familiar and cordial Jingkou is only separated by water, and Zhongshan is only separated by several mountains. It's really close at hand. However, the spatial proximity reflects the poet's psychological distance. Because my hometown is so close, but it is out of reach. And with the passage of time, the distance will get bigger and bigger, what's more, I don't know when I will come back, and I don't know when I will see the mountains and rivers of this hometown again. Even he may think more pessimistically whether he can return to his hometown in the future. Here, the poet used the artistic technique that the opposites complement each other from the near to the far, euphemistically and implicitly expressed the sadness and helplessness in the poet's heart, and showed the great sense of loss and loneliness in the poet's heart. In fact, the Yangtze River, several mountains, the spatial distance between them is also very large. The poet writes in a short way to emphasize the poet's strong attachment to his hometown, which is a natural expression of his nostalgia for his hometown. How can he be relaxed and happy?
It is precisely because the theme of this poem is to express deep homesickness that the focus of the third sentence of the poem, Spring Breeze and Green Jiang Nanan, does not fall on the description of the beautiful spring scenery in the south of the Yangtze River, as the general theorists say, and its language focus is not green words but re-words. The reason why people especially appreciate the vivid, colorful and infectious description of beautiful spring scenery with green adjectives as verbs lies in the well-known story of refining characters recorded in Hong Mai's Preface to Rongzhai. In fact, Wang Anshi did not deliberately describe the beauty of spring scenery in Jiangnan here. He focused his poems on the word "you" rather than the word "green". What he wants to express is that the spring breeze is still affectionate. He knows that Jiang Nanan is green every year, but the poet himself has to leave his hometown in Jiangnan against his will and return to his official career when the spring breeze is green in Jiang Nanan. The future of this trip is unpredictable. I don't know when I can return to my hometown in Jiangnan. It is a true portrayal of the poet's infinite homesickness.
It is precisely because of the layering of the first three sentences that feelings are in the landscape, and when the bright moon at the end of the sentence will express homesickness with my dripping pen, it will naturally come out and bring homesickness to the extreme. From this perspective, Wang Anshi's visit to Guazhou is not a political lyric poem, but a pure homesickness poem.
The spring breeze in February is like scissors.
The spring breeze in February is like scissors.
The Willow
Author: He
Original text:
Jasper dressed as a tree, hanging down ten thousand green silk tapestries.
I don't know who cut the thin leaves, but the spring breeze in February is like scissors.
Precautions:
1, Liu Yong: a poem of Liuzhi Ci.
2. Jasper: Describe the color of willow branches and leaves. The new willow in spring is green and swaying, just like Yushu.
3, makeup: decoration, dressing up.
Poetic:
The willow in early spring is green, just like a graceful beauty, and those thousands of strands of hanging silk are like green nepotism. I don't know who cut this green leaf, but it was carefully cut by the spring breeze in February.
Appreciate:
This is an object-chanting poem about willow trees in early spring and February.
The beauty of willow image lies in Naman's long branches. Once a year, it grows new green leaves and hangs down, which has a charming posture in the spring breeze. This is something that everyone can appreciate. In classical poetry, readers often see this kind of imagery beauty to describe and compare a beautiful woman's slim figure and graceful waist. This poem is original. Turn it over. Jasper pretended to be a tree. At first, the willow appeared as a beauty: ten thousand green silk tapestries hung down, and these countless hanging silk became her nepotism. The high word in the previous sentence sets off the graceful charm of the beautiful Tingting; The vertical character of the next sentence implies that the slender waist is swaying in the wind. There are no words of willow and waist branches in the poem, but the beauty embodied by weeping willow and willow in early spring is vividly written. "Southern History" says that Liu Yong is the secretariat of Yizhou, presenting several Shu Liu, which is very long and looks like silk thread. Emperor Wu of Qi planted these willows in Taichang Cloud and in front of the temple, but he didn't say they were romantic and lovely. Here, wicker is said to be a green silk belt, which may be the hidden use of this famous allusion about willow. But it's a waste, and you can't see any traces.
Jasper makeup leads to blue silk tapestry, and blue silk tapestry leads to who cuts it out. Finally, scissors vividly describe the invisible and unpredictable spring breeze. These scissors cut out bright green flowers and plants, and put on a new makeup for the earth. It is the symbol of natural vitality and the inspiration of spring to people's beauty. From jasper makeup to scissors, readers can see a series of processes of the poet's artistic conception. A series of images in poetry are closely linked.
In ancient China, there were many famous beauties, Liu. Why should we compare them with Jasper? This has two meanings: first, the name Jasper is related to the color of willow, and Jasper and the green in the next sentence complement each other. Second, Jasper will always leave a young impression in people's hearts. When mentioning Jasper, people will think of Jasper songs that were widely circulated when Jasper broke the melon, and poems such as Jasper's little daughter (Xiao Yi picking lotus poems). Jasper has almost become a general term for young and beautiful women in ancient literary works. Comparing willow with jasper, people will imagine that this beauty has not yet reached its heyday; This willow is still a willow in early spring, and it is not the time to hide crows with dense branches and leaves; This is also related to the fine leaf spring breeze in February below.
Jasper dressed as a tree, hung with ten thousand green silk tapestries, profoundly grasped the characteristics of weeping willows. In the poet's eyes, it is like the embodiment of beauty. The tall trunk is like her graceful charm, drooping wicker, like the ribbon on her skirt. Here, willow is a person, and this person is willow. There seems to be no obvious difference between the two. Jasper also has a pun meaning. Literally, it is in harmony with the green of willow trees, and it also refers to young and beautiful girls, which just echoes the spring breeze in February below. This is the weeping willow in early spring, and it is not yet time for the trees to be graceful and mellow in summer and autumn. But the following two sentences are better: I don't know who is carrying thin leaves, and the spring breeze in February is like scissors. Before he opened it, who thought the spring breeze was like scissors? Turning the warm and cold February spring breeze from invisible to tangible shows the magic and dexterity of the spring breeze, making Singing Willow a poetic model of describing the object.
This poem sings the spring breeze through the willow tree, compares the spring breeze to scissors, says that she is the creator of beauty, and praises her for cutting out the spring. This poem is full of people's joy in early spring. The novelty and appropriateness of metaphor and metaphor is the success of this poem. Therefore, "Notes on Tang Poems" says: things are wonderful, and the meaning is soft.