The three dynasties of Qi, Liang and Chen were the period of formation and development of new-style poetry. The so-called new style poetry is relative to the ancient style poetry. Its main feature is that it pays attention to rhythm and antithesis. Because this new style of poetry was first formed in the Yongming Dynasty of Qi Dynasty in the Southern Dynasty, it is also called "Yongming Style", and its representative poet is Xie Tiao. The emergence of Yongming style marked a great progress in Chinese classical poetry, injecting new breath into the poetry world at that time and establishing a new aesthetic style; the rich artistic experience they accumulated also provided a basis for the maturity of later rhymed poetry and the development of Tang poetry. The foundation for prosperity was laid. New style poetry is a transitional form from ancient poetry to regular poetry. The representative writers of new style poetry are Xie Tiao and Shen Yue. Shen Yue’s poetry theory and influence.
The first characteristic of new-style poetry is that it pays attention to rhythm and rhyme. The main reason is that most of them rhyme with flat tones, and the original rhyme is very strict. As for the common rhyme, many are close to common rhyme. Tang people. Second, the length of poems has been greatly shortened, and the sentence patterns have gradually become more stereotyped. Most of them are five-character four sentences, five-character eight sentences, and some are five-character ten sentences. Thirdly, it pays attention to writing skills, focusing on parallelism and antithesis. A large number of rhymes have appeared, and some allusions are naturally integrated into the poem. Fourth, we got rid of the heavy and rigid style of Yuan Jia style poetry in the Liu and Song Dynasties, and pursued a poetic style that was flowing, beautiful and easy to understand. Fifth, we should pay attention to the integrity of the beginning and end of the poem, the ingenuity of the conception, the pursuit of the artistic conception of the poem, and the organic integration of the description of the scene and the lyricism.