2, "Temptation" has guzheng and flute, a traditional minor work, composed by Faye Wong for the first time and used in costume drama. Now it sounds old-fashioned, full of girlish flavor. I am surprised that she can sing such tacky songs, especially her singing skills are too melodramatic and a little unbearable, but as a songwriter, she has done a great job in the position of costume drama.
3, "Oath" Dou Wei composes music, so the song is a bit rock; Faye Wong's lyrics are very simple, with no unnecessary embellishment. At first, she sang: "It doesn't matter, I don't care about anything", but later she was overthrown: "Forget it, I really don't care". This is her heart, and she knows more and more what she wants to express. The best thing is the flute, which is the same as "Tempted", but much more fashionable!
4. "Please Yourself" is a lyricist and a composer. Writing such a song shows her position. In music and life, the first thing she wants to please is herself. Accustomed to her sweet and heart-wrenching singing, I suddenly heard her singing at the top of my lungs, like a blow!
5. "The Way Out" At an award ceremony, she wore strange clothes with sleeves longer than her feet. Before her, Andy Lau, Peng Ling and others had sung many songs, and then she stood there coldly, opposing rap for a while, singing so carelessly and indifferently for a while, and I think the people in the audience at that time must be as dumbfounded as me. This song is written and composed by herself, which is different from others and is regarded as her prophecy.
6, "DI-DAR" Faye Wong's own music, just 2 minutes and 28 seconds, clean and neat. At first, it was a soothing melody, like palpitations in love. Later, the melody accelerated, as if bent on breaking free from the shackles of love. When she sings DI-DAR, her tongue naturally curls up, which is round and beautiful, extending infinitely, and "La La La" is full of layers.
7. The title of "Holiday" is "Holiday". I think it should be a very cheerful song. I was surprised for a long time after listening to it. The song is divided into three parts: at first, it is a fairly gentle guitar, and her voice has been hovering low after repeating several harmonies; Then the drums gradually joined, and the sound floated up, which was a real falsetto; Then, the rhythm gradually accelerated, the harmony became more beautiful, and the mood suddenly calmed down. This song was written by herself. The melody is simple, but the arrangement is rich. Faye Wong has begun to explore the diversity of his voice and his writing ability. Lin's lyrics are great. This is a very good work, but many people ignore it.
8. "impermanence" is a kind of beauty, a kind of agility, like a little wave on the lake. Although things are impermanent, they still have outstanding aesthetic feeling in syndrome differentiation. Faye Wong's lyrics and songs are quite fluent, but the artistic conception is obscure. Listening to this song reminds me of Dou Wei's Out of the Window.
9. impetuous original songs can be sung like this, and lyrics can also be written like this. Faye Wong took her unconscious singing style to the extreme. This song embodies a very Faye Wong style. The lyrics are highly summarized and the melody is extremely simple, but it still maintains very good audibility and endurance.
10, "Doomsday" is sung word by word, which seems to be very intentional, but the last word of each sentence is deliberately lengthened. This close combination of singing has a rather harmonious aesthetic feeling. Faye Wong wrote it himself. Lyrics such as "Beautiful with tears" and "Pretending to smile" are quite wise.
1 1, Fallen arranges its own lyrics and songs, which feels like a continuation of Doomsday. Singing is depravity, a syndrome of the last century, but listening to her voice feels so free. Her beautiful harmony is like a baby's whisper, clean and comfortable. The phrase "Come on, come on, I'll accompany you", with a transparent falsetto like Cocteau Twins, is the ultimate beauty of Faye Wong!
12, 13 "Where" and "Imagination" compose their own music, but there are no lyrics at all. They just sang there. It is not easy to change different timbres in these three minutes. But Faye Wong not only filled three minutes, but also hummed beautifully, which was absolutely cool. At that time, Faye Wong insisted on staying in Beijing because it didn't matter what he loved. This should be her most unrestrained release!
14, 15 "restless" and "Yesanpo" don't even hum and haw. Pure music is also what Faye Wong looks like as a pure musician.
16, Love Life is composed by Faye Wong himself. She seems to like this rhythm, which is simple and casual, but once she starts, she can't stop, and there is no room for hesitation. So you also swing in the air with the music, from day to night. Lin listened to this, very calm.
17, "Face" Faye Wong's music is becoming more and more mature. Singing similar to Bel Canto is like nature, so lofty that people feel the air is thin. You thought she would keep singing like this, and suddenly her voice changed and she returned to her original voice. She stubbornly and selfishly flattened the voice, and the posture and meaning of the true and false voice changed smoothly without leaving a trace. At the concert, Faye Wong turned that bel canto into French, which made her feel more agile. It's just that Lin's beautiful feeling of "Breathing is your face, your curve is spreading, the coastline is constantly evolving, and the saddest daffodils are growing" is gone.
18, "Clever" music is heavier, deeper and slightly swaying, and Faye Wong sings more freely. After singing for so many years, Faye Wong became more and more confident in music.
19, the song "Children", I can hear that Faye Wong's maternal love is rampant. The arrangement is extremely brisk, and the style of dance music and drums never stops, but it is not dull, but a strange tenderness and a little enchanting. "If you can't spoil it, how can you not spoil it?" There is nothing I can do about it. My nose is sore and my eyes are wet. Tong Tong's voice is included in the song, so tender and sweet echoes Faye Wong.
20, "Wonderful" Faye Wong seems to be unable to write lyric slow songs, and has always been a brisk rhythm. This wonderful song is even more proud, mainly due to Zhang Yadong's arrangement. In addition to the rhythm of dance music, Faye Wong hummed electronic noise, and his voice characteristics were buried.
2 1, the solemn and gloomy strings of CAMBRIAN are also quasi-bel canto, which is a peaceful voice, like moving. Humming in interlude abandons the characteristics of freedom and casualness in the past, which seems to be quite changed. Lin's ci is becoming more and more obscure, and it is difficult to describe the meaning of the whole word clearly.
22. The New Tenant heard this song while watching Love War in Okinawa, and was immediately attracted by it. There is no reason, maybe the rhythm and frequency are moderate, maybe it is a faint feeling in Faye Wong's voice, which makes people feel comfortable and beautiful as foam. Actually, it is a simple song, but Faye Wong has the ability to sing it tactfully. The transliteration of the last word "where to find it" really hit people's hearts, but if you look at the lyrics carefully, you will feel helpless and doomed.
23. "Chanel" has a faint thunder rolling, and the drums are more frequent and relatively lighter than "New Tenant". Faye Wong's enunciation is short and floating, and it feels empty.
24. The voice of Asura is very weak, and it seems that there is no room for recovery, and the feeling keeps falling.
25. The prelude of "Flowers on the other shore" and the strings in the ending of "Chanel" are very well connected, and the rhythm is often slower than the former. In fact, these five songs are in the same strain in orchestration, feeling and artistic conception of lyrics. Show an ignorant and changeable world. Flowers on the other shore seems to be a story about past lives, and it feels like a Trip-Hop.