What are the poems published from 1932 to 1936?

1In September, 932, under the leadership of the "Left League", the Chinese Poetry Society was established with Mu, Yang Sao, Ren Jun and Pu Feng as sponsors. "New Poetry" was published in March 1933, in which Mu proposed "grasping the reality and singing the consciousness of the new century" and "making our poetry a popular tune". Pu Feng is their representative poet. Pu Feng, a native of Meixian County, Guangdong Province, published Night, Song of Steel and June Fire (narrative poems) in the 1950s. When Pu Feng began to write poems, he was deeply influenced by Goddess. He often uses symbolic metaphors to express his strong desire to destroy the old society and pursue light without fear of sacrifice, which is full of romanticism. However, there are traces of imitation in artistic techniques, such as Moth, Crow, Fire, Storm and so on. Since attending the China Poetry Society, his poetry has turned to a plain and simple style while maintaining the characteristics of passion. At this time, he advocated: "Skills should not be too divorced from the public." With the deepening of rural revolution, rural themes occupy a prominent position in Pu Feng's poems, and many of his poems describe "hometown in turmoil". "Night" is about the rural mother's yearning for her son who defected to the "poor army", and answers with the wind of landslides and tigers to show the peasants' resistance, which is still romantic. "Farmer Sam" describes that farmer Sam was taken to be a soldier and his awakening. Although the description of farmers is unbearable, it is realistic, but it still shows the poet's resistance to the dark reality through the sudden awakening of A San. Compared with Cang Kejia, another rural poet at that time, Pu Feng's poems have less experience of farmers' thoughts and life, but pay more attention to farmers' struggle against the old society. Some poems, such as Fire in June, also show the struggle of farmers in the Soviet area with the support of the Red Army. After 1934, the theme of resisting Japan and saving the nation in Pu Feng's poems gradually increased. From 65438 to 0936, he was an active advocate of "national defense poetry". The poetry collection "Singing of Steel" is an achievement in this respect. "I Face the Storm" describes the lyric hero standing in the storm, lightning and thunder. He was full of blood and indignation, and made a big speech: I don't ask how many compatriots were killed in Northeast China, I want to ask how many men are bloody in China. The whole poem is bold and heroic, showing the strong determination and spirit of the people of China to resolutely resist Japan. Armed fields, mountains and rivers, and steel coastlines are all practices of "national defense poetry". Most of Pu Feng's poems are simple and bold, but they are not very balanced in art. Some poems have lost their culture, and some, such as Song of the Cradle, have sonorous syllables, distinct rhythms and strong musicality. Some poems are full of emotions and vivid images, while others are more conceptual.