Zheng Chouyu's "mistake".

I walked through the south of the Yangtze River in the season, looking like a lotus flower. The catkins in March didn't fly, and your heart was like a small lonely city. There is no sound in Qingshi Street at night, and the curtain in March doesn't show your heart. It was a beautiful mistake to hold my horseshoe tightly. I am not a passer-by ... Author profile Zheng Chouyu (1933-), formerly known as. His father was a Kuomintang officer, and the poet's youth was spent on the battlefield with his father, and it was spent in the gunfire. The poet 1949 went to Taiwan Province province, and 1955 took up his post. 65438-0958 graduated from Taiwan Province Zhongxing University Business School and worked in Keelung Port Authority. Poet/kloc-began to publish poetry at the age of 0/5. 1956 participated in the establishment of the modernist poetry society and served as the editor-in-chief of Modernist magazine. 65438-0968 studied at the University of Iowa, graduated with a master's degree, and stayed as a lecturer. Later, he became a professor at Yale University. 1965 The poet stopped writing and didn't resume writing until the 1980s. There are Poems on Dreamland (1955), Clothes Bowl (1966), Swallow Walking (1980), Lonely People Sitting and Watching Flowers (1993) and so on. The poet is known as "China's China poet", and his poetic style is deeply influenced by the style of Song Ci. Appreciating Zheng Chouyu's poems, just like his name, is faint, full of deep sorrow, and tactfully hides a confession. "Castle peak can not cover, after all, the east! The river is worried at night, and the mountain is deeply heard. " This is Xin Qiji's word, how empty and sad it is. At the same time, this is also the artistic conception of the poet's poetry. At the beginning of the poem, the poet said, "I walked across the south of the Yangtze River." The simple word "Jiangnan" suddenly brought people into a poetic situation-misty rain, green rivers, beautiful landscapes, and of course boudoir and missing people. But in the poet's mind, Jiangnan is a thin Jiangnan, leaving behind a landscape that has changed day by day for decades, like a lotus, leaving only a dry lotus stalk among the flowers. What season is this? It should be spring, early spring, everything is waiting anxiously. Dongfeng stays in the distance, catkins fall asleep in the soft willow branches, regardless of the waiting and dreams of the world. In this season, in the attic of a small town in the south of the Yangtze River, women's hearts are closed, like deep bluestone alleys, shrouded in the dense twilight, accompanied by deep sadness in loneliness. Everything was quiet, not even a trace of footsteps. Spring may have come, and the trees and flowers are in full bloom. However, without the pace of spiritual hope, spring is equal to not coming, and spring scenery is still hidden in deep curtains. Your heart is like a window leaf in a deep courtyard, closed tightly with a lonely heart and deep sadness. Jie Jiang, a famous poet in the Southern Song Dynasty, wrote: "The yellow flowers are deep in the alley, the red leaves are low, and the autumn sounds are bleak." But this poem is not about the autumn sound of yellow flowers and the low windows of red leaves, but about the early spring of green willows and the deep alleys of bluestone; My heart is not sad, but lovesickness, a long sadness and loneliness. At this time, the footsteps of "I" and the ringing hooves came from the bluestone road in the south of the Yangtze River. This "Beautiful Mistake" gives a more vivid and more innovative account of women's thoughts and feelings, and the inner loneliness and hope. However, this "beautiful mistake" has plunged the woman into deeper loneliness. The poet is just a passer-by. The poet passed by, leaving a lonely and nostalgic woman. As Li Qingzhao said in her poems: "This feeling is helpless", "One kind of lovesickness, two places of leisure sorrow". Poetry is as long as Song Ci, and its artistic conception is quiet and hazy. The expression of poetry is skillful, the sentence pattern is organized, the tone is light and full of rhythm. Short sentences are used at the beginning and end of the sentence, which is exactly the description of passers-by: coming in a hurry, leaving in a hurry, and disappearing into the long river of years without stopping. The middle sentences are all long sentences, and the words are light and elegant, such as soft willow branches. It is about women, leisurely, such as the hostess's acacia and nostalgia. Images in poetry are all manifestations of poetic techniques, and metaphors are used properly.