This is a long process, you must stick to it. How to show literary talent? It depends on the author's skill. Students with strong writing ability usually grasp the process of how to write, gradually sublimate and mature. They need a lot of reading and long-term accumulation to write about the great changes in society and what should be dull. How difficult it is to show the whole world from a grain of sand! But ... when reading, remember to extract the language you think is beautiful in your composition into your notebook or tick it off with a pen. Chew more sentences, read more good articles, such as perfect compositions over the years, and choose compositions that interest you to start reading. You can see the sea from a drop of water. How to write, you will find that your words will be handy!
You must read a lot, only in this way can you have literary talent and the sentences you write can express elements. And with the passage of time, good themes are usually expressed in this way. You want to write about the changes of the times, the feelings of the soul, the refined re-creation skills are concise, and the kung fu of controlling words is very good!
Specific to the content of writing: a good theme usually adopts the method of dripping water into the ocean and storing sand in the world. What should be revised? You can't write everything. Literary talent is not born to everyone, but accumulated gradually.
Second, it is both literary and emotional. Literature refers to literary talent, how to write, which should be auspicious and which should be told to you with a little accuracy.
2. Seek writing skills and read excellent works: this is an obvious but immediate method.
I don't read many good works, and I don't know how to write better works. A good writer starts with reading other people's excellent works, then imitates them, and finally transcends them to form his own style.
Read as many famous books as possible, pay more attention to the problems of the article and the writing skills when reading the content. Write as much as possible: write every day, and if possible, several times a day.
You write too much, so you write well. Learning how to write is the same as other knowledge. Practice makes perfect.
Write yourself, blog and contribute to the publishing house. Just write and write wholeheartedly. The more you practice, the faster your writing level will improve.
Write down your inspiration anytime, anywhere: take a small notebook with you (Nabokov's small card is full), and when you have any inspiration for novels, articles or characters in novels, write it down immediately. When you have an epiphany after listening to other people's conversations, or see a prose poem or a lyric that moves you, you can write it down immediately.
Inspiration is always fleeting. If you record it in time, it can be the material for your writing. My habit is to make a list of articles for my blog and keep adding them.
Dedicated writing time: find a time without any interruption every day as a dedicated writing time, and form a habit. For me, early morning is the best time, lunch, evening, or late at night.
No matter what you do, you should take writing as a task that you must complete every day. Write for at least half an hour every day, of course, an hour is better.
If you are a full-time writer like me, you need to write for a few more hours. Please don't worry, it will only make you write better. Graffiti: Facing the whole white paper, the whole white screen, there is no way to start, it must be terrible.
You will think: I'd better check my email or take a nap! Sir, please don't do this. Start writing at once, type at once, it doesn't matter what you write, just let me hear you type.
As long as you start writing, everything will be easy. Like me, it shouldn't be difficult to type out my name and article title first, and then slowly unfold the plot and fully blend in ... The key is: you can write graffiti at first, but you should start writing the text as soon as possible.
Concentration: Writing is a single-minded thing, and it is impossible to write well in a noisy environment or doing other things at the same time. Writing needs a quiet environment and a little soft background music.
Even if it is the minimum requirement, you need to use writing software such as WriteRoom, DarkRoom and Writer to write undisturbed in full screen (without interference from other software). Turn off email, MSN and Gtalk, turn off cell phones and cell phones, turn off TV, and clean up useless things on the table.
Eliminate all distractions that have nothing to do with writing. Now it's time to write, just like you put yourself in a box and enter the writing state without any interruption. Plan first, then write: this seems to be somewhat contradictory to "scribbling casually", but it is not.
Before you sit down to write formally, it is very useful to make a plan or rehearse it in your mind. What do you want to write when you run every day, or brainstorm when you walk; Then write down your thoughts and make a brief outline; When you are really ready to start writing, you can start quickly because you have ideas and ideas.
Here's a trilogy to conceive a novel, you can refer to this: the snowflake method. Innovation: You need to imitate famous writers, which doesn't mean you have to write exactly like them. You can try a new way of writing, learn a little from here and learn a little from there.
Gradually, you will have your own style, your own style and your own ideas. Try some different expressions or create some different expressions. You can try every method and see what it is like. If it is not good, don't use it.
Revision: You start to conceive your words, then try to write them, let the story unfold, and finally you need to go back and see what you have written. This is very important. Once written, many writers don't want to revise it. It takes time and energy to write and time to revise. This is really a thankless job.
But if you want to write better, you must learn how to revise it. Good works are made after repeated scrutiny and revision, which will make your works stand out from mediocrity.
Look at what you have written, not only those spelling and grammar mistakes, but also those meaningless words, chaotic structures and chaotic sentences. The goal of revision is: clearer, more direct and more vivid.
Conciseness: This is the most important thing in your review process. In a word, delete all irrelevant topics paragraph by paragraph.
A short sentence is more convincing than long nonsense, and vernacular is more popular than obscure technical terms. Remember: simplicity is power.
Infectious sentences: Use infectious verbs in short sentences. Of course, every sentence is not required to be like this. You need to change it. However, try more attractive sentences.
In addition, you don't have to wait until you want to modify it. You should consider this problem when you first start writing. Get feedback from others: there will be no progress behind closed doors. Let others read your article and give you feedback, preferably experienced writers and editors.
They are well informed and will give you pertinent and insightful advice. Listen carefully, even if it is some criticism, accept it. Advice when most needed is least heeded will only make you write better.
Is it a mule or a horse, pull it out and go: as far as you are concerned, you need to let others see your work. You can't let anyone read your work.
You should publish your own books, your own short stories and poems, and contribute to the publishing house. If you have started blogging, congratulations, it's a good start.
If no one has visited it yet, you need to put it on a blog service website with a large flow, so that readers can leave you messages and give you suggestions. Everyone will read your writing. It may be a very nerve-racking thing at first, but this is everyone.
3. How to quickly learn to write a gorgeous composition (1) and establish a "vocabulary" in the language.
Vocabulary is the cell of an article. Vocabulary in a broad sense refers not only to the collection of words and phrases, but also to sentences and sentence groups.
There are two ways to establish "vocabulary": the first is reading. Usually, you should read books, newspapers and periodicals extensively, take reading notes, extract some beautiful words, sentences and paragraphs from a specific notebook, or make reading cards.
The second is life. At ordinary times, we should capture the fresh language in the popular spoken language and write it down in a small notebook or card that we carry with us. Over time, we can say it chapter by chapter and write it beautifully.
(2) Strengthen the accumulation of materials. Materials are the flesh and blood of the article.
Because many students usually don't pay attention to accumulating materials, they are worried every time they write a composition, or edit or copy it. The solution to this problem is to accumulate materials.
Usually, you can take a video camera and tape recorder with you, observe life deeply, actively participate in life, and record your experiences in family life, campus life and social life in time in the form of sketching, keeping a diary and writing observation notes. When recording, we should grasp the details and the characteristics of people, things, things and scenery.
The article written in this way is flesh and blood. (3) We should strengthen ideological accumulation.
Opinion is the soul of an article. The center of the article is not clear, or the thought is not profound, which often shows that the author's thought is superficial.
Therefore, it is necessary to establish a "think tank". There are two ways: first, be thoughtful.
"One more miss, one more gain." Think deeply at ordinary times and ask "why", "what" and "how" when something happens.
So you can see the essence through the phenomenon. It is also necessary to record the "sparks" of thinking and the conclusions of thinking at any time.
The second is compilation, that is, extracting famous sayings and aphorisms. In short, the composition should be accumulated, and the three writing warehouses of vocabulary, material and thought should be regularly counted, sorted and classified to continuously enrich and expand.
4. How to make your composition gorgeous? First, the composition should learn to accumulate "reading thousands of books, writing like a god" and "a clever woman can't cook without rice", which explains the importance of "accumulation" in writing from both positive and negative aspects.
"Usually rely on accumulation, the examination room depends on play", which is the same experience of the students in the examination room. (A) language to establish a "vocabulary".
Vocabulary is the cell of an article. Vocabulary in a broad sense refers not only to the collection of words and phrases, but also to sentences and sentence groups.
There are two ways to establish "vocabulary": the first is reading. Usually, you should read books, newspapers and periodicals extensively, take reading notes, extract some beautiful words, sentences and paragraphs from a specific notebook, or make reading cards.
The second is life. At ordinary times, we should capture the fresh language in the popular spoken language and write it down in a small notebook or card that we carry with us. Over time, we can say it chapter by chapter and write it beautifully.
(2) Strengthen the accumulation of materials. Materials are the flesh and blood of the article.
Because many students usually don't pay attention to accumulating materials, they are worried every time they write a composition, or edit or copy it. The solution to this problem is to accumulate materials.
Usually, you can take a video camera and tape recorder with you, observe life deeply, actively participate in life, and record your experiences in family life, campus life and social life in time in the form of sketching, keeping a diary and writing observation notes. When recording, we should grasp the details and the characteristics of people, things, things and scenery.
The article written in this way is flesh and blood. (3) We should strengthen ideological accumulation.
Opinion is the soul of an article. The center of the article is not clear, or the thought is not profound, which often shows that the author's thought is superficial.
Therefore, it is necessary to establish a "think tank". There are two ways: first, be thoughtful.
"One more miss, one more gain." Think deeply at ordinary times and ask "why", "what" and "how" when something happens.
So you can see the essence through the phenomenon. It is also necessary to record the "sparks" of thinking and the conclusions of thinking at any time.
The second is compilation, that is, extracting famous sayings and aphorisms. In short, the composition should be accumulated, and the three writing warehouses of vocabulary, material and thought should be regularly counted, sorted and classified to continuously enrich and expand.
Second, to write a good composition, first learn to observe that Mr. Lu Xun emphasized two points when answering the question of "how to write a good article" for literary youth: one is to read more books, and the other is to practice more. Here, "seeing more" means observing more.
This shows that in order to write a good article and master skillful writing skills, it is necessary to observe more and learn to observe, and observation is the necessary premise and foundation of writing. Russian novelist Chekhov earnestly warned beginners: "A writer must train himself to be a keen observer and never give up! -It is a habit to exercise your own observation, as if it were second nature. "
It takes time to hone observation into habit and second nature, which is very useful and remarkable. Pay attention to the people, events, sights and things around you, and hunt for the materials needed in the composition: be interested in some seemingly insignificant but meaningful things, and pay attention to the cause, process and result of things; You should pay attention to how the plants in the campus flower beds change their colors all year round, and learn to get to the bottom of it and find out the ins and outs of these changes; You should go out, enter the society, meet more people, observe their words and deeds, think about some things, and integrate into your own thoughts at any time.
This is the process of observation. In the process of observation, we should pay attention to the following points: (1) Observation should never be limited to "seeing with eyes". Broadly speaking, more practical observation refers to mobilizing all the five senses of people: listening with ears, feeling with the body and, more importantly, thinking with the mind, so that the observation will be more delicate and profound.
(2) Pay attention to the use of "bad writing" in the observation process. As the saying goes, a good memory is better than bad writing.
Many students see a lot and think a lot every day, but they are not good at writing it down at any time, which will waste the observed materials and a lot of valuable things. (3) Pay special attention to perseverance in observation.
Don't make "brain fever". Three minutes of heat is not conducive to writing a good composition. You should observe life and think about every day in your life, so that you can write wonderful articles. Learning to observe plays a great role in laying the foundation and promoting a good composition. Without observation, you often find it difficult to write.
May you learn to observe, constantly cultivate and improve your ability to observe, and make great progress in your writing practice. Third, if the meaning is high, the meaning will be better, that is, to establish the center and intention of the article.
So what problems should the article pay attention to when expounding ideas? (1) Correct conception is the first meaning of the article. The so-called correctness is to ensure that the feelings and thoughts of the article are correct, in line with the nature and laws of objective things, in line with China's basic political principles, in line with people's basic moral requirements, and can give people positive inspiration. (2) Intentional singleness "The thing of composition is singleness, specialization is success, and dispersion is stupidity."
No matter how complicated things are, the main idea cannot be dispersed. An article should explain both this problem and that point of view, and it is ambiguous to ramble.
In fact, if you want to cover everything, it is definitely not in place. Moreover, an article can only have one center. Instead of "biting off more than one can chew", it is better to concentrate on expressing a center with pen and ink. Even if we express the center through several things, we should stick to the center, keep the same goal, pay attention to the combination of materials and centers, and let all the forces contained in materials point to the center. (3) The idea should be novel. Don't follow the crowd, the novel angle is the core of composition innovation.
The novelty of conception requires jumping out of the old box, not following the advanced thinking, habitual thinking or the original psychological formula, but examining the alternative content contained in the topic from a unique perspective to avoid what others often write and what others have not written. Even the same writing object can always be cut from multiple angles. As long as we break the mindset, stand at the height of the times, avoid "vulgarity" and seek "difference", think from multiple angles and sides, or associate, expand, analogize or reverse, we can be rich and colorful.
5. How to make the composition gorgeous and full of emotion? Seeing the scenery and writing a novel about landscape description are indispensable to writing space scenes.
The description of a scene can better create the atmosphere that the author wants to express than simply describing the psychology of the role. However, it is relatively difficult to manipulate the scene to match the psychological story of the characters. Everyone knows that "birds of a feather flock together, and people flock together by birds of a feather", and each reader's perspective will vary greatly because of his age and experience. It's easy to delay by describing the story in detail.
Many writers will pursue "gorgeous" techniques in their descriptions, but they repeatedly find that gorgeous has almost become synonymous with piling up words and showing the author's personal accomplishment too much. The closer you get to gorgeousness, the more divorced you are from the story. Ambiguous and inappropriate descriptions will become a stumbling block to another chapter's procrastination and unclear meaning.
So that writers with deep qualifications are not willing to hear readers praise "gorgeous writing" when they are sought after, but would rather be praised for their excellent plots. On the contrary, there is no description of the scene at all, or the control of the sense of space is not enough, which will give people the impression that the scene is abrupt and the narrative is dull.
Even if there is a good story, it will be as tasteless as eating chicken ribs. A friend asked me how to embody the narrative technique flowing like a lens in my article.
As a landscape writer who specializes in scene scenery, I will suggest some "shortcuts" when writing, which can simply fit people and scenes and complete the perspective description of scenes. Words that make readers feel picturesque are called "reading the scenery". )
Four elements of landscape reading 1, light/shadow: For example, "the sunlight scattered from the gray pillars has recently projected some golden fragments from the cracked attic to the deepest part of the virgin palace, shaking into a thin warmth. The quiet breath covers the earth just awakened by the morning light like a soft cloth.
When I woke up, I still felt the cold at night through the cracks of the light spots shining on my face. In Genesis, the first sentence that God said was "There was light first".
As shown in the above example, "light" is the focus of vision and the beginning of guiding sight. There is no physical sense of light at all, which is more eye-catching than the actual object.
Generally speaking, the appearance of light shows an important point that needs the reader's attention. And different light sources have different meanings and temperatures.
Just a few words commonly used to describe light perception, such as "flashing" and "dazzling", have given readers a sense of interaction with the role * * * "staring". For example, the simple release of the vast light will visually cause the feeling that time is temporarily frozen, and such "bullet time" can just create a sense of shock when an emergency occurs.
Making good use of light is to master the first step of landscaping-"striking". Example: "Blood dripped slowly from the fingers, and then fell into the black lake more than ten feet below, and the moon shadow on the water was faintly mottled.
I curled up in the shadow at the top of the stone arch built on the water, bit open the seal of the small bottle held in the back of my hand, poured out the wolf cream inside, and stopped the bleeding from the wound on my hand. The word "light and shadow" fully illustrates the relationship between shadow and light.
Where there is light, there must be shadows. Shadow is different from the first light, it embodies a hidden implication.
Many times, dark shadows will be the contrast of light, creating a more meaningful atmosphere. Just like the * * * in the music that prompts the next chapter, the hidden shadow is a shell that can cover up all the disturbing factors.
Starting with the way of describing shadows, savvy readers will be aware of the undercurrent under pressure, but they can't clearly point out the source of pressure. So as to be attracted and continue to pay attention to the development of the story.
Mastering the shadow is to control the "hype". Between light and shade, it is the code word mastered by the author. Through these words and expressions beyond language expression and expression description, readers can participate in the whole scene and guide them to understand the hidden meaning of the narrator.
2. Motion/stillness. Example: "When the soft voice doesn't stop, your fingertips will emit a ray of silver light, and the rushing wind will suddenly break out between your hands. The wind will roar like an out-of-control horse, and after the breath swings open, it will turn around and turn back. For example, when vines are turned upside down close to the ground, a layer of traces of thousands of poisonous snakes will be broken on the wax skin on the ground. Lightly barefoot, when you turn around, a colorful ribbon is wrapped around, and the epiphyllum suddenly unfolds between your hands, and your slender fingers and wings spread out like a bird. The golden light suddenly appeared, accompanied by a slight faint sound. In an instant, your body was flowing, and the north wind flew in all directions in the whistle. It broke three feet and collapsed in an instant. Stand sideways, put your hands together and stick your cheeks like a new lotus, and the abrupt wind disappears as soon as it appears. Without the support of breath, ribbons and wide sleeves slowly fell and hung on both sides of my arms.
Flowers dance together. There was silence below the hall, and some magpies were chirping among the willow branches outside. "
The so-called "attitude of the wind is expressed by falling flowers". The writer will describe the action to some extent if he wants to express the situation crisis or ease his mood.
But we must pay attention to the combination of static and dynamic. Moving, such as dancing wildly, needs to master the rhythm between opening and closing.
When making a dynamic description, we should consider the relationship between the trend and quality of moving objects in advance, otherwise it will be as fleeting as a blink of an eye, or as slow as a train entering the station, and it will be impossible to resist its continuation. Also, be sure to know at what point all sports descriptions will stop if they are collected at this moment.
Silence is relative. If necessary, dynamic assistance is needed to show the beauty of silence, just like birds singing in an empty mountain. The comfort of waiting after boiling water to make tea, or the combat readiness before crouching tiger pouncing on rabbits, or even the dead silence of the mainland after the nuclear explosion, are all different, indicating what the next dynamic scene will be.
4. Color: For example: "The Greek city of Ferra, a carefree white city. From the new port area to the old port area, there are houses with strong classical flavor everywhere. The alley here is very narrow, and the narrowest place can only accommodate two people side by side.
Although there are no street lamps, there is a shop selling small commodities or coffee every ten households, and the original white wall is rendered orange by the lights. The place where the aperture fades is not dark, but a smoky blue.
If you say hope during the day.