Wang Wei is also good at painting. He can communicate poetry and painting, and is praised by Su Shi as "painting in poetry" and "poetry in painting". Able to figure, able to Buddha, especially good at landscapes, turquoise, ink and wash, known for ink and wash landscapes. The ink landscape is broken and the handwriting is cool. "Yunfeng stone color, secret, beyond the reach of painters."
Extended data:
Wang Wei (70 1 year -76 1 year, 699 -76 1 year), whose name is Moju. Hedong Zhou Pu (now Yuncheng, Shanxi) was born in Qixian, Shanxi. A famous poet and painter in Tang Dynasty.
Wang Wei was born in the royal family of Hedong, and was the number one scholar in the 19th year of Kaiyuan (73 1). Li Guan right gleaned, supervised the remonstrance, and made our time in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was accused of granting Prince Zhongyun. In the first year of Tang Suzong's rule, he was appointed as a senior minister, so he was called "Wang Youcheng".
Wang Wei is proficient in poetry, calligraphy, painting and music. He is famous for his poems, especially his five words, which praise the landscape and countryside. Together with Meng Haoran, he was called "Wang Meng" and "Shi Fo". Calligraphy and painting are particularly wonderful, and later generations promoted it to the ancestor of Nanzong landscape painting. Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. " There are more than 400 poems, including Acacia and Autumn Night in the Mountain. His works include The Collection of Wang Youcheng's Works and The Secret of Painting.
Literary features
Key words of work style: painting shadows and shapes, vivid and vivid, with both form and spirit. "There is a picture in the poem, and there is a poem in the picture". With a fresh, simple and natural style, Wang Wei created the artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry" and set an unshakable banner in poetry.
Poetry is like a picture scroll, beautiful.
Su Shi once said, "Poetry is like painting in charm, and painting is like poetry in charm" (Dongpo Zhi Lin). Wang Wei is versatile. He brought the essence of painting into the world of poetry and painted vivid works for us with spiritual language and beautiful brushwork. His landscape poems are about colors, such as "An egret flies over a quiet wetland, and a mango bird sings in a tree in midsummer" ("My Wangchuan House after a long rain"), "The grass is green in the rain, and the water is burning in peach blossoms." ("Wangchuan Bie Ye") "White water is outside the field, and Bifeng is behind the mountain" ("New Sunny Wild Hope")
Wang Wei's landscape poems pay attention to structural pictures, which make them rich in levels, from far to near, even both dynamic and static, with good sound and more dynamic and musical beauty, such as "songs contain sound in the wind, flowers reflect the pool" ("Lin Yuan is a matter of mourning for his younger brother") and "trees touch the sky on thousands of valleys, and cuckoos crow on thousands of peaks". After a night in Shan Yu, hundreds of silky waterfalls will appear on every mountain top. "
(Bao Zizhou made Li) "Where people live, it is like a wave in the far sky." (Looking at the Han River) "Autumn grass rings, cicadas in the mountains are sad. (Working in the mountains in early autumn) Another example is an autumn night in the mountains: an empty mountain after the rain, standing in the autumn evening. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. There are close-ups of distant views, looking up and looking down, cool colors and warm colors, and voices and sounds, which fully integrate the beauty of painting, music and poetry.
Wang Shanshui's poems are characterized by quiet humanity. Ruzhulou: I am leaning alone in the dense bamboo, playing the pipa and humming a song. The voice is too low, and no one can hear me except my partner Mingyue. The quiet bamboo forest and the bright moonlight made the poet furious, screaming in the sky and depressed. But there are so many thoughts, only the bright moon knows each other.
The remoteness of verve is the soul of painting in Wang Wei's poems. Chai Lu said: "There seems to be no one on the empty mountain, but I think I heard a voice. The sun entered a forest and shone on me from the green moss." In the poem, the author deliberately describes that he was alone in an empty mountain and deep forest, and saw a beam of oblique rays of the sunset shining through the gap in the forest and sprinkled on the moss in the forest. The poet captured the most fascinating moment in the vast and complex natural scenery, and painted a quiet and peaceful picture with simple pen and ink, which was far-reaching and fascinating.
Baidu Encyclopedia-Wang Wei (Tang Dynasty poet and painter)