Shi Pin was written by Liang Zhongrong in the Southern Dynasties, and its scope of discussion is mainly five-character poems. The book * * * commented on 122 poets from Han Dynasty to Liang Dynasty, including 1 1, 39 middle-class poets and 72 low-class poets. This is China's first ancient poetry monograph.
Shi Pin is the first ancient poetry monograph in China, written by Liang Zhongrong of the Southern Dynasties. Sui Shu? Gyeonggi zhi:? Poetry review, three volumes, written by Zhong Rong. Still "poetry". ? During the Tang and Song Dynasties, the two names went hand in hand. After the Ming and Qing Dynasties, poetry became popular. According to relevant data, the time of the book "Poetry" was from the first year (502) to the twelfth year (5 13) in Tian Jian, Liang Wudi. There are many versions of Shi Pin. The earliest existing version is Yuan Yanshou Geng Shen (1320), a textual research on Mr. Shantang's books by Yuan Sha Academy, which is now in Peking University Library. Pass on the book Poems of Past Dynasties.
The scope of discussion in Shi Pin is mainly five-character poems. The book * * * commented on 122 poets from Han Dynasty to Liang Dynasty, including 1 1, 39 middle-class poets and 72 low-class poets. In Preface to Poetry, he talked about his overall view of poetry. So there are three meanings in the poem, one is xing, the other is comparison, and the third is fu. The text is full of meaning, but also prosperous; Because things are metaphorical, they are better than others; Straight book, fable writing, fu also. The triple meanings of macro-philosophy, used as appropriate, dried by wind and moistened by Cai Dan, make the tasters infinite and the listeners tempted. This is the best poem. If you are good at metaphor, you will suffer from deep affection, and deep affection will make a slip of the tongue. If you use Fu, you will suffer from floating; When you float, the words will be scattered, the play will flow, the words will never stop, and you will be tired. ? Judging from this passage, his view of poetry is as follows: first, he emphasizes the combination of fu and bi xing; Second, we should attach equal importance to the domestic wind and foreign Cai Dan. This is generally close to Liu Xie's point of view, but slightly different in the interpretation and emphasis of comparison.
Zhong Rong's poetics resolutely opposes the use of allusions, as well as Shen Yue's theory of four tones and eight diseases. On the one hand, Zhong Rong's poetry criticism is against some formalistic phenomena, on the other hand, it is also influenced by the formalistic trend of thought in the Southern Dynasties. When he evaluates poets, he often puts words first, and rarely involves the ideological achievements of his works. So, he just let it go? Only supported by high characters, gorgeous figure? What's the name of the land machine? Taikang's English , on the left; Release? Talent is high, writing is strong, and wealth is hard to find? What's Xie Lingyun's name? Yuanjia hero? , on Tao Qian and Bao Zhao. When grading, Cao Cao, who created the poetic style of Jian 'an, was even classified as inferior, while Tao Qian and Bao Zhao were classified as middle products. Obviously, these places are inconsistent with his view that wind power is as important as Cai Dan in the preface. The way he criticized the poem's broken sentences, though it reflected the creation at that time? The wonder of the auction price? Tendency, but also opened a bad atmosphere of criticism by future generations.
Zhong Rong's Shi Pin is the first work on poetry, which has a great influence on later poetry criticism. Tang Tu, Song, Ming Hu Yinglin, Shi Zhen, Yuan Mei, Hong and others' viewpoints, methods and language expressions were all inspired and influenced by him.