A: "Meicun Style" is the name of a seven-character poem written by Wu, a famous poet in the late Ming and early Qing Dynasties. Seven-character poem originated from the Six Dynasties. In the hands of poets such as "four outstanding poets in the early Tang Dynasty", the scope of subject matter was expanded, the forms of expression were developed and new characteristics were formed. In the early Qing Dynasty, Wu Meicun developed this style. Wu Meicun is a brilliant poet. He has pondered all his life, and today there are more than 1000 poems. In his early years, his mind was full of spring breeze and spring flowers, so he had many beautiful works. After middle age, he suffered from troubled times and experienced ups and downs, and his mood became more and more miserable in his later years. The more desolate and sad his poems are. The evaluation of Wu Meicun's narrative poems by later generations has always been regarded as "the history of poetry", which embodies the sense of ups and downs through poetry and has the characteristics of combining narrative with lyricism. The most famous evaluation of "Mei Cun Style" is: "Among them, songs and lines are integrated, and they are particularly good at it. Based on four outstanding figures, but with deep feelings; Narration is similar to Xiangshan, and elegance wins. Rhyme is associated with palace merchants, and it is stubborn, especially for a while. " This comment reveals the artistic origin and unique style of "Meicun Style".
Wu Meicun's poems are full of subjective feelings, not based on pure objective narration, so they show strong subjective lyricism, which also affects his characterization and the arrangement of poetry structure. So his narrative often has a big jump. For example, in Yuan Yuanqu, Wu Sangui retaken Chen Yuanyuan from the peasant army. He only used two sentences: "A strong man didn't get a full division, but he got back early", and the twists and turns during the period reached the whole province. In "Listening to the Female Taoist Bian Yujing Playing the Piano", only two sentences are used to describe the demise of the Hong Guang Dynasty: "Looking at the Gui Palace in the south and the north, the soldiers are early." In Yuan Han Hu Diao, Wu Changshi's Zhuting lakeside villa experienced two changes from prosperity to decline, one was the murder of Chang Shi, and the other was the change of dynasties. The second change was completely revealed from the exclamation that "I would rather have no county palace than the same city", and there was no explanation in the poem. In this way, the poet keeps objective records as much as possible, thus making pen and ink more lyrical. Whenever he meets a place suitable for lyricism, such as the psychological activities of the characters in the poem, and the atmosphere of great contrast before and after the Li Dynasty, he splashes ink on it and writes very smoothly.